CCS Bard Archives
Center for Curatorial Studies
Bard College
Annandale-on-Hudson, NY 12504
Phone: 845.758.7567
Fax: 845.758.2442
Email: [email protected]
CCS Bard
Guide to the Silvia Kolbowski Papers
MSS.026
Published in 2025
© CCS Bard Archives
Table of Contents
- Summary Description
- Arrangement
- Biographical / Historical
- Scope and Contents
- Information for Users
- Controlled Access Headings
- Related Materials
- Contents List
- Series I: Project and Exhibition Documentation
- Subseries I.A: Alphabetical Projects
- Subseries I.B: Unrealized and unfinished projects
- Subseries I.C: Project descriptions
- Subseries I.D: Visual documentation of artworks, projects and exhibitions, alphabetical
- Subseries I.E: Visual documentation of early work, miscellaneous photography
- Subseries I.F.: Exhibition and program ephemera
- Subseries I.G: Sales documents
- Series II: Writings and lectures on and by Silvia Kolbowski
- Subseries IIA: Writings on Silvia Kolbowski, Interviews
- Subseries IIB: Writings and lectures by Silvia Kolbowski
- Subseries II.C: Bios and résumés
- Subseries II.D: Grant Application Material
- Subseries II.E: Visual documentation for lectures and grant applications
- Series III: Correspondence
- Series IV: Teaching
- Subseries IV.A: Teaching
- Subseries IV.B: Job Applications
- Series V: "October" Archives
- Series VI: Graphic design
- Series VII: Notes and notebooks
- Series VIII: Miscellaneous personal material
- Subseries VIII.A: Collected articles and writings by others
- Subseries VIII.B: Personal ephemera
- Series IX: Digital
- Subseries IX.A: Folder, "Projects"
- Series X: Media
- Subseries X.A: CD Binders
- Series XI: Essential Library
- Subseries XI.A: Publications from Essential Library
- Subseries XI.B: Periodicals from Essential Library
- Oversize Series I: Project and Exhibition Documentation
- Oversize Subseries I.A: Alphabetical Projects
- Oversize Subseries I.D: Visual documentation of artworks, projects and exhibitions, alphabetical
- Oversize Subseries I.E: Visual documentation of early work, miscellaneous photography
- Oversize Series V.I: Graphic Design
- Oversize Series XI: Essential Library
- Oversize Suberies XI.A Publications from Essential Library
- Oversize Subseries XI.B: Periodicals from Essential Library
Summary Description
- Repository
- Center for Curatorial Studies Library & Archives
- Creator
- Kolbowski, Silvia
- Source
- Kolbowski, Silvia
- Title
- Silvia Kolbowski Papers
- ID
- MSS.026
- Date [inclusive]
- 1959-2022
- Date [bulk]
- 1979-2020
- Extent
- 30 Linear Feet In 49 boxes, 26 binders
- Language
- English
- Author
- Finding aid written by Hannah Mandel and Nina Boutsikaris. Collection processed by Hannah Mandel; Nina Boutsikaris; Cicely Haggerty and Aliyah Hyman.
Preferred Citation
Published citations should take the following form:
Identification of item, date (if known); Silvia Kolbowski Papers; MSS.026; [box number]; [folder number], Center for Curatorial Studies Library and Archives, Bard College.
Biographical / Historical
Silvia Kolbowski (born 1953, Buenos Aires, Argentina), is an Argentine-born American artist, writer, and educator. Kolbowski's work encompasses multiple time-based media and photography, and addresses questions of historicization, political resistance, and the unconscious. Since the 1980s, a central concern in her work has been the structures of spectatorship – psychical and political. Kolbowski attended Franconia College, a small experimental school in New Hampshire, where she earned an associate degree in 1974. She went on to study art and earn her B.S. from Hunter College, graduating magna cum laude in 1980. She was a fellow at The Institute for Architecture and Urban Studies from 1980 until 1983.At Hunter, Kolbowski turned to modes of conceptual art practice to address topics like sexuality and difference. In her first major series, "Model Pleasure I - VIII" (1982-1984), and throughout the early 1980s, "Kolbowski," writes curator Ruth Erickson, "used appropriation and photography to launch a psychoanalytically informed critique of representation, especially the mass media's construction of women for the pleasure of the male gaze." Soon, the artist began extending her "analysis of display, consumption, and power, to address institutions of art". Her recent work continues to be in dialogue with history while exploring political issues and ethical anxieties of the current moment. Major works by the artist include "Closed Circuit" (1994), "an inadequate history of conceptual art" (1998/1999), "Proximity to Power American Style" (2003/2004), "After Hiroshima Mon Amour" (2008), "After Atlas" (1996-2009), and "A Few Howls Again?" (2010).
From the late 1980s to early 2000s, Kolbowski was represented by Postmasters Gallery in New York City, Colin de Land's American Fine Arts, Co. in New York City, and Galerie Roger Pailhas in Paris. Kolbowski has had solo exhibitions at Postmasters Gallery, New York; American Fine Arts, New York; The Museum of Modern Art, New York; Ljubljana, Slovenia; Center for Contemporary Art, Warsaw; Secession, Vienna; LAX ART; among other locations. Her works have been exhibited in many international venues and contexts, including The Taipei Biennial, Taipei Fine Arts Museum, Taipei (2010); Villa Arson, Nice (2010); The Whitney Biennial, The Whitney Museum, New York (2000); and The Hammer Museum, Los Angeles (2014).. She has also worked collaboratively – notably with the architect Peter Eisenman, the artist Walid Raad, and the curator Miwon Kwon – and has incorporated correspondence with colleagues into her visual art and print publications, such as Between Artists (A.R.T Press 2006). For a full exhibition history, please consult Kolbowski's website.
Kolbowski was on the advisory board of October journal from 2000-2020, where she was also a co-editor from 1993 -2000. She also served on the advisory board of the journal Filip from 2007-2010. She has taught at The Whitney Museum Independent Study Program, the CCC program of the Ecole Superiéure d'Art Visuel in Geneva, the Architecture Department of The New School's Parsons School of Design, and the School of Art at The Cooper Union. She has lectured widely and internationally, and her writings and projects have been published in numerous publications including: Artforum, Texte zur Kunst, Documents, Parachute, Filip, October, Art Journal, Acme Magazine, Lacanian Ink, X-tra and Afterimage. Her blog, an extension of her art practice, was funded by the Creative Capital Warhol Foundation Arts Writers Grant Program in 2014. She is based in London, where she lives with her husband, the architectural historian Kenneth Frampton.
Scope and Contents
The Silvia Kolbowski Papers contains of the records of Silvia Kolbowski's artistic career, including projects and exhibitions, as well as material related to Kolbowski's writing and graphic design practice, research and editorial work with "October" magazine. It also includes Kolbowski's "Essential Library," a collection of influential publications, a digital archive of projects, works and exhibitions by Kolbowski.
Throughout the archive, the folder structures set by Kolbowski, including folder titles, are preserved. Subtitles of folders, written by the processing archivist, are noted in square brackets, and provide additional contextual information about folder contents.
Series I: Project and Exhibition Documentation contains documentation of individual artworks, artwork series, projects, and exhibitions by Kolbowski. This material is organized alphabetically by project or exhibition name.
The I.A: Alphabetical Projects subseries comprises documentation of individual artworks, artwork series, projects and exhibitions by Kolbowski.
The I.B Subseries I.B: Unrealized and unfinished projects contains documentation and planning material for exhibitions and artworks that did not reach fruition.
The I.C: Project descriptions subseries consists of documents written and continuously updated by Kolbowski with narrative descriptions of artworks and projects.
The I.D: Visual documentation of artworks, projects and exhibitions, alphabetical subseries contains various formats of visual media (photographs, slides, film negatives) documenting artworks, artwork series, projects and exhibitions by Kolbowski.
The I.E: Visual documentation of early work, miscellaneous photography subseries consists of visual media (photographs, slides, film negatives) produced early in Kolbowski's career, and during her time as an undergraduate at Franconia College.
The I.F: Collected exhibition and program ephemera subseries comprises assembled ephemera from solo and group exhibitions including Kolbowski.
The I.G: Sales documents subseries contains material relating to sales of artworks by Kolbowski and her associated galleries.
Series II: Writings on Silvia Kolbowski, and writings and lectures by Silvia Kolbowski consists of writings on and by Silvia Kolbowski, interviews, lectures and related material, biographies and résumés by Kolbowksi, and material used in the process of grant applications. The files in this series are arranged chronologically.
The II.A: Writings on Silvia Kolbowski, Interviews subseries comprises articles, reviews, dissertations, and book chapters written about Silvia Kolbowski and her work. This series also contains print copies of interviews conducted with Kolbowski.
The II.B: Writings and lectures by Silvia Kolbowski subseries contains drafts, published copies, and notes, correspondence and administrative material regarding writings and lectures authored by Silvia Kolbowski. Also included are records of Kolbowski's editorial contributions to "Parasite" and "ANY," as well as copies of articles authored by Kolbowski and published in "October." The records for Kolbowski's time as a co-editor of "October" are contained in Series V: "October" Archives.
The II.C: Bios and résumés subseries comprises biographies and résumés assembled by Kolbowski.
The II.D: Grant Application Material subseries consists of material assembled by Kolbowski in support of grant applications by the artist.
The II.E: Visual documentation for lectures and grant applications subseries contains visual media (photographs, slides, film negatives) documenting lectures by Kolbowski, or in support of grant applications.
Series III: Correspondence contains printed and handwritten correspondence, organized chronologically. The material follows Kolbowski's designations as "personal" or non-personal, and is, in some cases, organized by sender or recipient.
Series IV: Teaching consists of material documenting teaching positions held by Kolbowski, as well as material for job applications submitted by Kolbowski, organized chronologically.
The IV.A: Teaching subseries includes curriculum material, coursework, course readers and presentation material for teaching positions.
The IV.B: Job applications subseries contains material for academic job applications, as well as letters of recommendation.
Series V: "October" Archives consists of documentation of Silvia Kolbowski's time as a co-editor of the journal "October," from 1993-2000. It includes correspondence, transcripts of interviews, drafts and editing documents, and documentation of editorial meetings, including minutes. This material is organized chronologically.
Series VI: Graphic design consists of design documents, mockups and branding material for graphic design work Kolbowski undertook, independent of artworks. This material is organized chronologically.
Series VII: Notes and notebooks contains loose notes, notebooks, datebooks and address books used by Kolbowski. These items are organized chronologically.
Series VIII: Misc. Personal consists of collected writings, as well as personal ephemera collected by Kolbowski. This material is organized chronologically.
The VIII.A: Collected articles and writings by others subseries contains articles and essays by other authors.
The VIII.B: Personal ephemera subseries includes juvenilia, personal items, and personal photographs collected by Kolbowski. The series also includes assembled material on Colin De Land, including memorial material.
Series IX: Digital consists of a guide to the folder structure of Kolbowski's digital hard drive. It includes digital project documentation, including scanned material, organized by project.
Series X: Media contains audiovisual material, including VHS tapes, DVDs, CDs, and audiocassette tapes in various formats. This material documents Kolbowski's artworks, and contains source and raw material for the final works. Each media item in this series is associated with a unique identifier.
The X.A: CD Binder subseries consists of binders of CD documentation assembled and labeled by Kolbowski.
Series XI: Essential Library is a collection of publications considered by Kolbowski to be significantly influential to her work, as well as Kolbowski's own publications, and publications documenting her artistic output. The majority of these materials remain with this archival collection, however, a selection has been moved to CCS Special Collections. Please consult this document for a complete list of the Essential Library. The items in the Essential Library are organized alphabetically by title.
The The XI.A: Publications from Essential Library subseries contains books, catalogs, monographs and artist books from the Essential Library.
The The XI.B: Periodicals from Essential Library subseries contains magazines, periodicals and journals from the Essential Library.
Arrangement
The Silvia Kolbowski Papers are comprised of eleven series: Series I: Project and Exhibition Documentation Series II: Writings on Silvia Kolbowski, and writings and lectures by Silvia Kolbowski Series III: Correspondence Series IV: Teaching Series V: "October" Archives Series VI: Graphic design Series VIII: Miscellaneous personal material Series IX: Digital Series X: Media Series XI: Essential Library See individual arrangement notes by subseries throughout the finding aid.Information for Users
Publication Information
Center for Curatorial Studies Library & Archives
Bard College
Annandale-on-Hudson 12504-5000
Business Number: 845-758-7567
Fax Number: 845-758-2442
[email protected]
URL: https://ccs.bard.edu/research-center
Conditions Governing Access
The collection is open to researchers without restrictions. Appointments are necessary to consult manuscript and archival materials. Access copies for media materials may not be available yet. Please contact the CCS Archivist for further details.
Conditions Governing Use
Collection use is subject to all copyright laws. Permission to publish materials must be obtained in writing from the Director of the Library & Archives at the Center for Curatorial Studies at Bard College. Please contact [email protected] for more information.
Immediate Source of Acquisition
The Silvia Kolbowski Papers were acquired in 2019 from Silvia Kolbowski.
Controlled Access Headings
Corporate Name(s)
- American Fine Arts, Co.
- Art in America
- Artforum
- Barbican Art Gallery
- Berlage Instituut
- Biennial Exhibition (Whitney Museum of American Art) (2000 : New York, N.Y.)
- Comme des Garçons (Firm)
- Cooper Union for the Advancement of Science and Art
- Flash Art international
- Franconia College
- Galerie Roger Pailhas Marseille
- Harry Winston, Inc.
- International Union of Architects. Congress (19th : 1996 : Barcelona, Spain)
- Museum of Modern Art (New York, N.Y.)
- Muthesius Kunsthochschule
- New Museum of Contemporary Art (New York, N.Y.)
- October (Cambridge, Mass.)
- P.S. 1 Museum
- Parsons the New School for Design
- Postmasters Gallery
- Sivananda Yoga Vedanta Center (New York, N.Y.)
- Smith-Miller + Hawkinson Architects
- Solomon R. Guggenheim Museum
- Whitney Museum of American Art
- Whitney Museum of American Art. Independent Study Program
- Wiener Secession
Genre(s)
- Black-and-White prints (photographs)
- Color Prints (photographs)
- Journals (accounts)
- Magazines (periodicals).
- Photographs
- Posters
- Slides (photographs)
Personal Name(s)
- Asher, Michael
- Bobka, Vivian
- Buchloh, B. H. D.
- De Land, Colin, 1955-2003
- Deutsche, Rosalyn
- Diawara, Manthia
- Eisenman, Peter
- Farocki, Harun
- Foster, Hal
- Frampton, Kenneth
- Ganahl, Rainer
- Georgen, Theresa
- Grosser, Benita-Immanuel
- Hawkinson, Laurie
- Kolbowski, Silvia
- Kolbowski-Frampton, Maxim
- Krauss, Rosalind E.
- Lamoureux, Johanne
- Leung, Simon 1964-
- Nixon, Mignon
- Raad, Walid
- Riley, Terence
- Rose, Jacqueline
- Schmidt-Wulffen, Stephan
- Tillman, Lynn
- Townsend, Chris
Subject(s)
- Architecture--Designs and plans
- Art -- 20th century -- Exhibitions
- Art -- 21st Century -- Exhibitions
- Art -- New York (State) -- New York -- Exhibitions
- Art galleries, Commercial -- New York (State) -- New York
- Art publishing
- Conceptual art
- Conceptual art -- Exhibitions
- Experimental films--History and criticism
- Graphic arts
- Institutional Critique (Art movement)
- Journals (periodicals)
- New media art
- Video art
Related Materials
Related Materials
Colin De Land, American Fine Arts, Co., and Pat Hearn Gallery Archives; Colin De Land and Pat Hearn Library Collection; Martin Beck Papers.
Separated Material
Some publications and periodicals have been separated from the Silvia Kolbowksi Papers (Series XI: Essential Library) and moved into the Library and Special Collections at CCS Bard. Each item is visible in the Library catalog. A full list of the Essential Library, with separated materials noted, can be viewed here.
Contents List
Series I: Project and Exhibition DocumentationScope and ContentsSeries I: Project and Exhibition Documentation contains documentation of individual artworks, artwork series, projects, and exhibitions by Kolbowski. This material is organized alphabetically by project or exhibition name. |
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Subseries I.A: Alphabetical ProjectsScope and ContentsThe I.A: Alphabetical Projects subseries comprises documentation of individual artworks, artwork series, projects and exhibitions by Kolbowski. |
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| box | folder | |||
|
"A Few Howls Again," Taipei Biennial Press Release 2010 |
1 | 1 | ||
|
"A Few Howls Again," Taipei budget and loan agreements 2010 |
1 | 2 | ||
|
"A Few Howls Again," reference material [typed notes, articles] 2010 |
1 | 3 | ||
|
"A Few Howls Again," Taipei expenses [shipping receipts, correspondence] 2010 |
1 | 4 | ||
|
"A Few Howls Again," "Facing Ulrike Meinhof" text, Henrietta Stanford and Emily Apter response 2011 |
1 | 5 | ||
|
"A Few Howls Again," Toronto Globe and Mail review [Clipping, for exhibition at A Space Gallery, Toronto] 2012-05-19 |
1 | 6 | ||
|
"A Few Howls Again," writing/script draft [documents with handwritten notes] n.d. |
1 | 7 | ||
|
"A Few Howls Again," installation plans [floor plans and design print out] n.d. |
1 | 8 | ||
|
"After Atlas" Receipt of Objects for "Dress Codes: The Third Triennial of Photography and Video," ICP, New York 2009-08 |
1 | 9 | ||
|
"After Hiroshima Mon Amour" Archive [news clippings, from New York Times, International Herald Tribune, Harper's] 2006-02-2007-03 |
1 | 10 | ||
|
"After Hiroshima Mon Amour," New York Times images, L. of L. Conference and Art Journal Pub [clippings] 2006-03-15-2006-10-20 |
1 | 11 | ||
|
"After Hiroshima Mon Amour" lecture [Walid Raad, typed document with notes] 2006 n.d. |
1 | 12 | ||
|
"After Hiroshima Mon Amour" releases 2006-2008 |
1 | 13 | ||
|
"After Hiroshima Mon Amour," numbered images, thumbnails 2007-05-21 |
1 | 14 | ||
|
"After Hiroshima Mon Amour," production notes [typed and handwritten notes] 2007-07 |
1 | 15 | ||
|
"After Hiroshima Mon Amour," production- writings [related articles, print outs with notes, Art Journal] 2007 |
1 | 16 | ||
|
"After Hiroshima Mon Amour," articles, Art Journal 2007 |
1 | 17 | ||
|
"After Hiroshima Mon Amour," articles, "Farimari" (original and two copies) [mock up with text and images] 2008-03-01 |
1 | 18 | ||
|
"After Hiroshima Mon Amour," production, misc. reference material [New York Times clipping with notes] 2008-10 |
1 | 19 | ||
|
"After Hiroshima Mon Amour," articles, Frieze by Christopher Bedford ["After and Before" clipping, original and copies] 2008-11-2008-12 |
1 | 20 | ||
|
"After Hiroshima Mon Amour," Montreal Show [Leonard and Bina Ellen Art Gallery, floor plans, poster mockups, print outs] 2008 |
1 | 21 | ||
|
"After Hiroshima Mon Amour" [Promotional postcards for LAX ART exhibition, shipping receipt] 2008 |
1 | 22 | ||
|
"After Hiroshima Mon Amour," Ljubljana Exhibition [floor plan, correspondence] 2008 |
1 | 23 | ||
|
"After Hiroshima Mon Amour," Ljubljana Exhibition [program] original 2009 |
1 | 24 | ||
|
"After Hiroshima Mon Amour," transcription of telephone performance [curator Ian White, Whitechapel Art Gallery, London, Walid Raad] 2009 |
1 | 25 | ||
|
"After Hiroshima Mon Amour," articles, Montreal Review ["Ciel Variable," No. 82, clipping] 2009 |
1 | 26 | ||
|
"After Hiroshima Mon Amour," Conditions of use (DVDs) 2011-09-26 |
1 | 27 | ||
|
"After Hiroshima Mon Amour," Articles-David Jones [print outs with edits, "The Inadequate Archive"] 2011 |
1 | 28 | ||
|
"After Hiroshima Mon Amour," Production [handwritten storyboard/shot notes] n.d. |
1 | 29 | ||
|
"After Hiroshima Mon Amour," Production-scripts [with handwritten notes/edits] n.d. |
1 | 30 | ||
|
"After Hiroshima Mon Amour," Production-photo project [hand drawn storyboarding with post-its] n.d. |
1 | 31 | ||
|
"After Hiroshima Mon Amour," Production-colors [Benjamin Moore color swatches] n.d. |
1 | 32 | ||
|
"After Hiroshima Mon Amour," Reviews/Duras correspondence [booklet: "Hiroshima Mon Amour," typed document] n.d. |
1 | 33 | ||
|
"After Hiroshima Mon Amour," articles- "Hiroshima After Iraq," Rosalyn Deutsche [printout with notes, lectures] n.d. |
1 | 34 | ||
|
"After Hiroshima Mon Amour," articles- Artforum [Rachel Kushner, "Allegorical Imperative," photocopy of article] n.d. |
1 | 35 | ||
|
"After Hiroshima Mon Amour," articles- Art in America review [photocopy of review, CDR, Paul Foss, LAX ART] n.d. |
1 | 36 | ||
|
"After Hiroshima Mon Amour," Film Festival rejects [paper documents] n.d. |
1 | 37 | ||
|
"After Hiroshima Mon Amour," - HMA original storyboard [hand drawn with notes] n.d. |
1 | 38 | ||
|
"After Hiroshima Mon Amour,"-HMA original script n.d. |
1 | 39 | ||
|
"After Hiroshima Mon Amour," printouts from film frames n.d. |
1 | 40 | ||
|
"After Hiroshima Mon Amour," -used for shoot in Wash. D.C. [plastic binder of black and white images with notes, map of "Assembly Area" for United for Peace and Justice Jan. 27 antiwar rally and march] n.d. |
1 | 41 | ||
|
"After Hiroshima Mon Amour" [DVD of "Hiroshima Mon Amour"] n.d. |
1 | 42 | ||
|
"After Hiroshima Mon Amour,"-headshots- March scene [actor headshots and resumes, clipping] n.d. |
1 | 43 | ||
|
"After Hiroshima Mon Amour" ["She-Fox: Transference and the 'Woman Artist,' by Mignon Nixon, printout of article, 'Women Artists at the Millenium'] n.d. |
1 | 44 | ||
|
"an example of recent work may be found in the windows of Harry Winston Inc., from approximately 5:17 to 5:34 pm"- press release/invite [Postmasters Gallery] 1990 |
1 | 45 | ||
|
"an example of recent work may be found in the windows of Harry Winston Inc., from approximately 5:17 to 5:34 pm"- press release/announcement [Postmasters Gallery, drafts of announcement design, correspondence, cover of People magazine, 04/15/1991] 1990-10-1991-12 |
1 | 46 | ||
|
"an example of recent work may be found in the windows of Harry Winston Inc., from approximately 5:17 to 5:34 pm"- misc. images [news clipping, postcard] n.d. |
1 | 47 | ||
|
"an example of recent work may be found in the windows of Harry Winston Inc., from approximately 5:17 to 5:34 pm"-Xeroxes [color printouts] n.d. |
1 | 48 | ||
|
"an example of recent work may be found in the windows of Harry Winston Inc., from approximately 5:17 to 5:34 pm"- misc. data [clipping from Focus- article, "Precious, Timeless, Priceless"] n.d. |
1 | 49 | ||
|
"an inadequate history of conceptual art"- ["Art Directory Art Diary International 97/98"] 1997-1998 |
1 | 50 | ||
|
"an inadequate history of conceptual art"- Olufsen catalogue [clippings and catalogues, Bang and Olufsen Sound Systems] 1998 n.d. |
1 | 51 | ||
|
"an inadequate history of conceptual art"-Artist Coordinates [addressed envelope, master list of artists, address labels] 1998 n.d. |
1 | 52 | ||
|
"an inadequate history of conceptual art" [drafts of participant invitation, with handwritten edits] 1998-05-1998-11 |
1 | 53 | ||
|
"an inadequate history of conceptual art"- Correspondence 1998-2001 |
1 | 54 | ||
|
"an inadequate history of conceptual art"- Transcripts [handwritten and printouts] 1998-2003 |
1 | 55 | ||
|
"an inadequate history of conceptual art" - Consent forms 1999 |
1 | 56 | ||
|
"an inadequate history of conceptual art"- Response cards [filled in by artists regarding participation in project] 1999 |
1 | 57 | ||
|
"an inadequate history of conceptual art"- Journal [spiral bound notebook] 1999-03-26-1999-08-04 |
1 | 57 | ||
|
"an inadequate history of conceptual art - Press release [American Fine Arts, Co., Colin de Land] 1999-10 |
1 | 58 | ||
|
"an inadequate history of conceptual art" - ["New York Times," "Front Magazine," American Fine Arts, Co. 1999-10-08-2002-03 |
1 | 59 | ||
|
"an inadequate history of conceptual art" - 2000 Biennial [clippings: "Art in America," "New York Times"] 1999-12-2000-06 |
1 | 60 | ||
|
"an inadequate history of conceptual art" - Misc. Press (Copies) ["Village Voice," "Artforum," "Art Net," "San Francisco Bay Guardian," "Canadian Art," "Radar Ocio, "WHERE Vancouver" clippings] 1999-2000 |
1 | 61 | ||
|
"an inadequate history of conceptual art" - Documentation and references by other artists ["New York Times," "Art Monthly," clippings] 1999-2001 |
1 | 62 | ||
|
"an inadequate history of conceptual art" - "October" 1992 article by Silvia Kolbowski 2000 |
1 | 63 | ||
|
"an inadequate history of conceptual art" - Whitney Biennial [program for exhibition] 2000 |
1 | 64 | ||
|
"an inadequate history of conceptual art" - Black Box Catalogue 2000 [Oliver Art Center, California College of Arts and Crafts] 2000 |
1 | 65 | ||
|
"an inadequate history of conceptual art" - Letters to curators [printed email correspondence] 2001-03-11-2002-08 |
1 | 66 | ||
|
"an inadequate history of conceptual art" - IHCA Western Front [printed email correspondence] 2001-06-2002-02 |
1 | 67 | ||
|
"an inadequate history of conceptual art" - Inadequate book proposal [prototype ca. 2002, cover mock-up, Marlboro CDR booklet with two CDRs titled "Inadequate Files," and "Inadequate Files (older)"] 2002 n.d. |
1 | 68 | ||
|
"an inadequate history of conceptual art" - Black Dog Publishing [email correspondence print outs, Black Dog Publishing catalogue, Summer/Fall 2002] 2002-2004 |
1 | 69 | ||
|
"an inadequate history of conceptual art" - Installation info 2018 [printed document with images of original installation at American Fine Arts, Inc., 1999] 2018 |
1 | 70 | ||
|
"an inadequate history of conceptual art" - CCS Bard Hessel Museum 2018 [email correspondence printouts, gallery floor plan, draft press release] 2018 |
1 | 71 | ||
|
"an inadequate history of conceptual art" - artist list [handwritten with notes, print outs] n.d. |
1 | 72 | ||
|
"an inadequate history of conceptual art" - Color Xeroxes n.d. |
1 | 73 | ||
|
"an inadequate history of conceptual art" - IHCA video/audio timecode sheets [printed documents with handwritten notes, participant lists] n.d. |
1 | 74 | ||
|
"an inadequate history of conceptual art" - Warsaw Catalogue- Superseded - IHCA [Centre for Contemporary Art Ujazdowski Castle, Warsaw, printed documents with notes] n.d. |
1 | 75 | ||
|
"an inadequate history of conceptual art" - Polish catalogue, original [mock up catalogue, Centre for Contemporary Art Ujazdowski Castle, Warsaw] n.d. |
1 | 76 | ||
|
"an inadequate history of conceptual art" - Post-project research [Printouts of articles and book excerpts, address labels, lists and quotations about referenced projects] n.d. |
1 | 77 | ||
|
"an inadequate history of conceptual art" - Book proposal mock-up n.d. |
1 | 78 | ||
|
"an inadequate history of conceptual art" - For archival display of AIHCA [print outs, foam board printed images] n.d. |
1 | 79 | ||
|
"An/Other History" [documents] n.d. |
2 | 80 | ||
|
"ARTS Magazine" cover project 1990 |
2 | 81 | ||
|
"Assemblage" magazine cover project [negatives, photographs, print out, for "Assemblage" 40] n.d. |
2 | 82 | ||
|
"Berlin Zoo/Bronx Zoo" project, image printouts 1986 |
2 | 83 | ||
|
"Berlin Zoo/Bronx Zoo" project, Xeroxes n.d. |
2 | 84 | ||
|
"Berlin Zoo/Bronx Zoo" project, Gorilla/Ape photo and jpeg [CDR, slide, color image] n.d. |
2 | 85A | ||
|
["Between Artists" book project with Walid Raad, 2006] SK/Raad Book and Review- "In Between Artists," superseded [drafts, talk/presentation notes, correspondence, book copy] n.d. |
2 | 85B | ||
|
Copies of publication, "Closed Circuit: Soho, Chelsea, fashion, furniture, food, art," by Silvia Kolbowski and Miwon Kwon, Postmasters Gallery, 1997 1997 |
2 | 86 | ||
|
"Closed...Circuit" - Articles (copies) [photocopied clippings, Postmasters Gallery] 1997 n.d. |
2 | 87 | ||
|
"Closed...Circuit" - Correspondence 1997-05-1997-09 |
2 | 88 | ||
|
"Closed...Circuit" - Articles (originals) ["Time Out New York," "New York Times"] 1997-1998 |
2 | 89 | ||
|
"Closed...Circuit" - "Art News" May 1998 1998-05 |
2 | 90 | ||
|
"Closed...Circuit" - Xeroxes [image printouts] n.d. |
2 | 91 | ||
|
"Closed...Circuit" - Project folder [clippings, catalogue excerpts, reference materials, gallery floorplan, Soho Gallery Map, Magda Sawon, Postmasters Gallery] n.d. |
2 | 92 | ||
|
"Dear Silvia" - 3x booklets 2008 |
2 | 93 | ||
|
"Dear Silvia" [Text drafts with notes/edits] 2008-07 |
2 | 94 | ||
|
"Dear Silvia" - "Fillip" Issue No. 11 2010 |
2 | 95 | ||
|
"Dis/continuous Spaces" - Collaborations with architects [clippings, Smith-Miller and Hawkinson] 1994 |
2 | 96 | ||
|
"Dis/continuous Spaces" - Text [project description] n.d. |
2 | 97 | ||
|
"Dis/continuous Spaces" - Xeroxes [printouts of exhibit plans and images] n.d. |
2 | 98 | ||
|
Early work- misc. projects [printouts] n.d. |
2 | 99 | ||
|
"Enlarged from the Catalogue" - I, 1987 [print out of texts included in the work, print out images] 1987 n.d. |
2 | 100 | ||
|
"Enlarged from the Catalogue" - III [color photos, list of works, text, from "Enlarged from the Catalogue: The Art of Precolumbian Gold, The Jan Mitchell Collection," Postmasters Gallery] 1987 |
2 | 101 | ||
|
Copies of publication, "The United States of America, The Metropolitan Museum of Art, NY, 1987: Enlarged from the Catalogue," Postmasters Gallery, 1988 1988 |
2 | 102 | ||
|
"Enlarged from the Catalogue" - Enlarged Pre Columbian- Koulermos [Printouts of images, exhibition text, from "Enlarged from the Catalogue: The Art of Precolumbian Gold, The Jan Mitchell Collection," Postmasters Gallery 1988 |
2 | 103 | ||
|
"Enlarged from the Catalogue" - Wall Text/Window text [From "Enlarged from the Catalogue: The Art of Precolumbian Gold, The Jan Mitchell Collection," Postmasters Gallery] n.d. |
2 | 104 | ||
|
"Enlarged from the Catalogue" - II [Text from "Enlarged from the Catalogue II"] n.d. |
2 | 105 | ||
|
"Enlarged from the Catalogue" - February 1990 [Printouts of exhibition texts from "Enlarged from the Catalogue: The United States of America"] 1990-02 |
2 | 106 | ||
|
"Enlarged from the Catalogue" - USA, Pictures [Color photos, from "Enlarged from the Catalogue: The United States of America"] n.d. |
2 | 107 | ||
|
"Enlarged from the Catalogue" - The USA Catalogue [Catalogues from "Enlarged from the Catalogue: The United States of America"] 1987-1988 |
2 | 108 | ||
|
"Enlarged from the Catalogue"- Project Documentation/Enlarged USA ["Enlarged from the Catalogue: United States of America," press release, Postmasters Gallery, printouts of images] 1988 |
2 | 109 | ||
|
"Enlarged from the Catalogue"- USA Documentation ["Enlarged from the Catalogue: United States of America," Postmasters Gallery, press release] 1988 |
2 | 110 | ||
|
"Enlarged from the Catalogue"- Documentation ["Notes on the Margin," Gracie Mansion Gallery, "Marginal Practices: A Framework in Focus," Postmasters Gallery, printed texts with photos] 1990 |
2 | 111 | ||
|
"Enlarged from the Catalogue"- Feb 1990 [Program from "Paintings from the Kimbell Art Museum at the Frick," color photos, exhibit text] |
2 | 112 | ||
|
"Enlarged from the Catalogue" - Project Documentation - Enlarged Asher ["Enlarged from the Catalogue: Michael Asher Writings 1973-1983 on Works 1969-1979 (The Press of the Nova Scotia College of Art and Design and The Museum of Contemporary Art, Los Angeles, 1983)" Postmasters Gallery, printouts of images, press releases] 1990 |
2 | 113 | ||
|
"Enlarged from the Catalogue" - Michael Asher, Sam Hunter Essay [New Direction, S. Bitter-Larkin, essay from catalogue, photocopies, Robert C. Morgan, Alastair Noble, Mary Weatherford, Richard Ziello] n.d. |
2 | 114 | ||
|
"Enlarged from the Catalogue" - Articles (Originals) [Clippings, "Flash Art," "New York Times," "Art in America," "Arts," "Print Collector's Newsletter"] 1987-1989 |
2 | 115 | ||
|
"Enlarged from the Catalogue" - Articles (Copies) [Copies of clippings, "Flash Art," "Art in America," "Arts," "Print Collector's Newsletter" 1987-1989 |
2 | 116 | ||
|
"Feminism and Post Modernism" [text mock ups] n.d. |
2 | 117 | ||
|
"Flick Poster" ["De-Facing the Flick Collection," Barnard College, poster versions and drafts] 2005-03 |
2 | 118 | ||
|
"Greenport Waterfront Competition"- Text and Xeroxes [site plans, descriptions] n.d. |
2 | 119 | ||
|
"Here and There"- Articles (originals) [Clippings, "Manhattan Inc.," "New York Times"] 1986-1987 |
2 | 120 | ||
|
"Here and There"- Articles (copies) ["New York Times," "Artforum" clippings] 1985-1986 |
2 | 121 | ||
|
"Here and There"- Texts from installation [Nature Morte Gallery] 1986 |
2 | 122 | ||
|
"Here and There" 1986-1989- supporting materials [exhibit description, "New York Times" review clippings] 1986 |
2 | 123 | ||
|
"Here and There" - Installation instructions n.d. |
2 | 124 | ||
|
"Here and There" [printouts] n.d. |
2 | 125 | ||
|
Holocaust Memorial - Preliminary competition documents [Handwritten notes, clippings, "Jewish Vienna" brochure/guidebook, correspondence: Cultural Affairs of the City of Vienna, Peter Eisenman, Judenplatz competition info folder] 1995-08-1995-10 |
2 | 126 | ||
|
Holocaust Memorial - Viennese Memorial Xeroxes [architectural and design plans] n.d. |
2 | 127 | ||
|
"Home-lette"- Project folder [Containing: index cards, project text, V.O. soundtrack script, clippings, meeting minutes, correspondence, timelines, drafts of assemblage, text, "Social Construction," Wexner Center for the Arts, Laurie Hawkinson, Henry Smith-Miller, Mark Robbins] 1994-04-1994-08 |
2 | 128 | ||
|
"Home-lette"- Notebook [Spiral bound notebook, notes, index cards] 1994 |
2 | 129 | ||
|
"Home-lette"- Reviews [clippings, "House Rules," Henry Smith Miller, Laurie Hawkinson, Wexner Center for the Arts] 1994 |
2 | 130 | ||
|
"Home-lette"- Text [Smith-Miller and Hawkinson Architects, description] n.d. |
2 | 131 | ||
|
"Home-lette"- Xeroxes [printouts related to installation] n.d. |
2 | 132 | ||
|
"Home-lette"- E.D.L. "Home-lette" [envelope containing notecards and exhibition plans/notes] n.d. |
2 | 133 | ||
|
"If It Should Turn Out" - La Panacée exhibition contracts, etc. 2013-08 |
2 | 134 | ||
|
"If It Should Turn Out" - Notes [handwritten notes, color references, correspondence] 2014 |
2 | 135 | ||
|
"Like a Clap of Thunder" - scripts [scripts with notes] 2010-2014 n.d. |
2 | 136 | ||
|
"Like a Clap of Thunder" - Luxemburg Release forms 2014-03 |
2 | 137 | ||
|
"Like a Clap of Thunder" - Luxemburg Shoot Notes/Hair [handwritten notes, typed notes, black and white image printouts] n.d. |
2 | 138 | ||
|
"Like Looking Away" - Transcripts 2001-02 (Folder 1/2) 2001-2002 |
2 | 139 | ||
|
"Like Looking Away" - Transcripts 2001-02 (Folder 2/2) 2001-2002 |
2 | 140 | ||
|
"Like Looking Away" - Voice over auditions [actor resumes and headshots printed from computer, issue of "Backstage: The Performing Arts Weekly," schedule] 2001-2002 |
2 | 141 | ||
|
"Like Looking Away" - Misc. 2001-2002 [magazine advertisement clippings, document, photocopy from page of notebook] 2001-2002 |
2 | 142 | ||
|
"Like Looking Away" - Email messages - 08-10/2002 2002-08-2002-10 |
2 | 143 | ||
|
"Like Looking Away" - Plans and drawings [Pat Hearn Gallery, Colin de Land, American Fine Arts] 2002-07 |
2 | 144 | ||
|
"Like Looking Away" - Correspondence [Colin de Land, R.A. Piccione, Astrid Lipka] 2002-01-2002-08 |
2 | 145 | ||
|
"Like Looking Away" - Final transcripts 2002 |
2 | 146 | ||
|
"Like Looking Away"- Release forms-2002 2002 |
2 | 147 | ||
|
"Like Looking Away" - bills and budget 2002 |
2 | 148 | ||
|
"Like Looking Away" - Press 2002 |
2 | 149 | ||
|
"Like Looking Away" - Video Xeroxes n.d. |
2 | 150 | ||
|
"Like Looking Away" - Installation Xeroxes n.d. |
2 | 151 | ||
|
"Like Looking Away" - Wall view Xeroxes n.d. |
2 | 152 | ||
|
"Like Looking Away" - Images of Rachel Xeroxes n.d. |
2 | 153 | ||
|
"Like Looking Away" - Images of women Xeroxes n.d. |
2 | 154 | ||
|
"Like Looking Away" - Large Xeroxes of women n.d. |
2 | 155 | ||
|
"Like Looking Away" - Press releases and invitation [American Fine Arts, Co., Colin de Land Fine Arts] 2002 |
2 | 156 | ||
|
"Like the difference between Autumn/Winter '94/'95 and Spring/Summer '95"- "October" (copy) 1994-1995 |
3 | 157 | ||
|
"Like the difference between Autumn/Winter '94/'95 and Spring/Summer '95"- Poster, brochure 1995 |
3 | 158 | ||
|
"Like the difference between Autumn/Winter '94/'95 and Spring/Summer '95"- Photos/Brochures [color and b/w photos, "Architectures of Display," negatives, contact sheet, exhibition brochure] 1995 |
3 | 159 | ||
|
"Like the difference between Autumn/Winter '94/'95 and Spring/Summer '95" [schedule, clipping, posters, agendas, photographs, correspondence, "Architectures of Display," Peter Eisenman] 1995 |
3 | 160 | ||
|
"Like the difference between Autumn/Winter '94/'95 and Spring/Summer '95"- Drawings, plans [Eisenman Architects, sketches, Comme des Garçons] 1995 |
3 | 161 | ||
|
"Like the difference between Autumn/Winter '94/'95 and Spring/Summer '95," posters and credit information 1995 |
3 | 162 | ||
|
"Like the difference between Autumn/Winter '94/'95 and Spring/Summer '95"- Correspondence 1995-04-1995-07 |
3 | 163 | ||
|
"Like the difference between Autumn/Winter '94/'95 and Spring/Summer '95"- Correspondence [Comme des Garçons] 1995-04-21 |
3 | 164 | ||
|
"Like the difference between Autumn/Winter '94/'95 and Spring/Summer '95"- Invoices 1995-05-1995-06 |
3 | 165 | ||
|
"Like the difference between Autumn/Winter '94/'95 and Spring/Summer '95"- Misc. reviews (copy) ["Village Voice," Henry Urbach] 1995-06-06 |
3 | 166 | ||
|
"Like the difference between Autumn/Winter '94/'95 and Spring/Summer '95"- Info [Project description, Peter Iseman, Comme des Garçons] 2018 |
3 | 167 | ||
|
"Like the difference between Autumn/Winter '94/'95 and Spring/Summer '95"- texts [Something for Nothing proposal] n.d. |
3 | 168 | ||
|
"Like the difference between Autumn/Winter '94/'95 and Spring/Summer '95"- Xeroxes [color print outs of photographs and plans, "Rapture"] n.d. |
3 | 169 | ||
|
"Like the difference between Autumn/Winter '94/'95 and Spring/Summer '95"- C. Townsend article (corrections) [printed text with handwritten notes] n.d. |
3 | 170 | ||
|
"Like the difference between Autumn/Winter '94/'95 and Spring/Summer '95"- Press Release n.d. |
3 | 171 | ||
|
"Like the difference between Autumn/Winter '94/'95 and Spring/Summer '95"- Project description, etc. [Architectures of Display, Comme des Garçons, Peter Eisenman, Angelika Film Center] 1995-02 |
3 | 172 | ||
|
"Maquette for a Public Sculpture..." - 1989, The Gallery [paper documents, images] 1989 n.d. |
3 | 173 | ||
|
"Missing Asher," scripts for Powerpoint 2017-2019 |
3 | 174 | ||
|
"Missing Asher" 2 [handwritten booklets, stapled notes] n.d. |
3 | 175 | ||
|
Michael Asher ["Missing Asher" correspondence, research and planning material] 2015-2017 n.d. |
3 | 176 | ||
|
"Mock Up For Any Centerfold" [Auto/Effect Modules] |
3 | 177 | ||
|
"Model Pleasure"- "Difference" catalogue (original and copies) [New Museum of Contemporary Art] 1984-12 |
3 | 178 | ||
|
"Model Pleasure"- Misc. articles [clippings, photocopies] 1984-1987 |
3 | 179 | ||
|
"Model Pleasure"- Paul Smith article [original and copies, "Art in America," "Difference in America" 1985 n.d. |
3 | 180 | ||
|
"Model Pleasure"- "Model Pleasure," Roberta Smith, "Beyond Gender" [Village Voice] 1985-01-22 |
3 | 181 | ||
|
"Model Pleasure"- "Working Spaces" [SUNY Binghamton, University Art Gallery, "Working Spaces: New Work From New York," catalogue, original and copies] 1987-01 |
3 | 182 | ||
|
"Model Pleasure"- Neuberger Museum show [correspondence, loan agreement, "The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1991"] 2011-01 |
3 | 183 | ||
|
"Model Pleasure"- "Model Pleasure," "Photographie" article (original) n.d. |
3 | 184 | ||
|
"Model Pleasure"- "Model Pleasure," Abigail Solomon-Godeau article (orig. and copies) [Mock up and copies, "Light Work Gallery, The Stolen Image and its Uses] n.d. |
3 | 185 | ||
|
"Model Pleasure"- Installation instructions [plans, print outs with handwritten notes, "Rapture," Barbican] n.d. |
3 | 186 | ||
|
"Model Pleasure"- "Model Pleasure III" - "This Will Have Been" blurb ["This Will Have Been: Art Love and Politic 1980s" - photocopy of book pages] n.d. |
3 | 187 | ||
|
"Model Pleasure"- Chris Townsend, "Rapture" (Color copies) |
3 | 188 | ||
|
"Model Pleasure"- "Cliches" article ["Cliches" 25, "East Village à l'heure du Post-Modernisme" photocopy] |
3 | 189 | ||
|
"Once More, With Feeling" - Postmasters Exhibition [correspondence, floorplans, press release, clippings, photographs] 1991-11-1992-10 |
3 | 190 | ||
|
"Once More, With Feeling" - Correspondence- Galerie Roger Pailhas 1991-12-1992-07 |
3 | 191 | ||
|
"Once More, With Feeling" - Paris [correspondence, architectural plans, Marlboro ad, slides, "3 Times 3 Weeks," Galerie Roger Pailhas, clippings] 1992 |
3 | 192 | ||
|
"Once More, With Feeling" - Misc. articles and reviews (copies) 1992 |
3 | 193 | ||
|
"Once More, With Feeling" - Pailhas [Clippings, contact sheet, Polaroids, architectural/design drawings, publicity materials] n.d. |
3 | 194 | ||
|
"Once More, With Feeling" - "Once More With Feeling...Already," articles and reviews 1992-1996 |
3 | 195 | ||
|
"Once More, With Feeling" - "Once More With Feeling...Already," "October," No. 65, Article by S.K. [copies and originals] 1993 |
3 | 196 | ||
|
"Once More, With Feeling" - Railing Drawings n.d. |
3 | 197 | ||
|
"Once More, With Feeling" [printed color image] n.d. |
3 | 198 | ||
|
"poster from which my name was blacked out/ because the curator thought model pleasure was sexist/ so I withdrew from the show" [poster, descriptive document] 1982-1983 2018 |
3 | 199 | ||
|
"Proximity to Power [P2P]" - Images and Sources 2004 n.d. |
3 | 200 | ||
|
"Proximity to Power [P2P]" - Unused material [annotated articles, clippings, slides] 2004-03-08-2004-04-19 |
3 | 201 | ||
|
"Proximity to Power [P2P]" - Transcription-Trainer (unused) [with handwritten notes] 2004-07 |
3 | 202 | ||
|
"Proximity to Power [P2P]" - Transcription-Investor [with handwritten notes] 2004-07 |
3 | 203 | ||
|
"Proximity to Power [P2P]" - Transcription - Politician [with handwritten notes and Post-Its] 2004-07-2004-08 |
3 | 204 | ||
|
"Proximity to Power [P2P]" - Transcription - Trustee [with handwritten notes] 2004-07-2004-08 |
3 | 205 | ||
|
"Proximity to Power [P2P]" - Transcription - Power Broker 2004-07 |
3 | 206 | ||
|
"Proximity to Power [P2P]" - Hammer exhibition [Ann Philbin, loan agreement] 2013-07 |
3 | 207 | ||
|
"Proximity to Power [P2P]" - Transcription - Jessie n.d. |
3 | 208 | ||
|
"Proximity to Power [P2P]" [Color print outs, two sets] n.d. |
3 | 209 | ||
|
"Proximity to Power [P2P]" - Notes [Quotations] n.d. |
3 | 210 | ||
|
"Proximity to Power [P2P]" - Notes n.d. |
3 | 211 | ||
|
"Proximity to Power [P2P]" - Slide lists in progress n.d. |
3 | 212 | ||
|
"Proximity to Power [P2P]" - Correspondence (Folder 1/3) n.d. |
3 | 213 | ||
|
"Proximity to Power [P2P]" - Correspondence (Folder 2/3) n.d. |
3 | 214 | ||
|
"Proximity to Power [P2P]" - Correspondence (Folder 3/3) n.d. |
3 | 215 | ||
|
"Proximity to Power [P2P]" - Slide order n.d. |
3 | 216 | ||
|
"Proximity to Power [P2P]" - Max's unused sketches for P2P n.d. |
3 | 217 | ||
|
"Rapture" - Misc. '02 [handwritten notes] 2001-2002 |
3 | 218 | ||
|
"Rapture" - Loan agreement '02 2002-08 |
3 | 219 | ||
|
"Rapture" - Correspondence '02 2002-08-2002-09 |
3 | 220 | ||
|
"Rapture" - Bills and shipping '02 2002-08-2002-09 |
3 | 221 | ||
|
"Rapture" - Press Release '02 2002-09 |
3 | 222 | ||
|
"Rapture" - Release Forms '02 2002 |
3 | 223 | ||
|
"Rapture" - Plans and Images '02 n.d. |
3 | 224 | ||
|
"Rapture" - Rapture text '02 n.d. |
3 | 225 | ||
|
"Review" - Project documentation 1990 |
3 | 226 | ||
|
"Review" [Untitled folder, printouts of John Constable paintings, press release, Postmasters Gallery] 1990 |
3 | 227 | ||
|
"Review" - "Review" [photographs, color print outs, hand drawn chart] n.d. |
3 | 228 | ||
|
"Review"- "Review" portfolio [copy of "Review" portfolio publication] 1988-1989 |
3 | 229 | ||
|
["Review," unused reviews] n.d. |
3 | 230 | ||
|
"Review"-Xeroxes of used reviews [includes originals] n.d. |
3 | 231 | ||
|
"Review"-originals of reviews n.d. |
3 | 232 | ||
|
"Self Portrait with Outmoded Clothing" [Labels, photographs, printouts of images] 2000-2002 |
4 | 233 | ||
|
"Serpentine Manifesto" [Notes/script for Serpentine Gallery "Manifesto Marathon," 2008] n.d. |
4 | 234 | ||
|
"Seven x 7" - [Publicity packet, clippings, images] |
4 | 235 | ||
|
"Seven x 7" - Video cuts, misc. [Clippings, correspondence] 2000-2017 |
4 | 236 | ||
|
"Something for Nothing" - ["UIA Barcelona 96 XIX Congress on the International Union of Architects," spiral bound description of exhibition] 1995-09 |
4 | 237 | ||
|
"Something for Nothing" - UIA Barcelona '96 correspondence 1995-1996 |
4 | 238 | ||
|
"Something for Nothing" - [Clippings, pamphlets, "UIA Barcelona '96," expense reports] 1996 |
4 | 239 | ||
|
"Something for Nothing" - [Correspondence, clippings, documents, installation plans/sketches for UIA Barcelona '96, photographs, postcards] 1996-1998 |
4 | 240 | ||
|
"Something for Nothing" - UIA Barcelona '96: Design / F. Levrat [Correspondence, pamphlets, installation sketches, floor plans, photographs] 1996 |
4 | 241 | ||
|
"Something for Nothing" - Script/Frame edits [handwritten notes] n.d. |
4 | 242 | ||
|
"Something for Nothing" - "Present and Futures: Architecture in Cities" [Centre de Cultura Contemporània de Barcelona booklet] n.d. |
4 | 243 | ||
|
"Something for Nothing" - text [description of project] n.d. |
4 | 244 | ||
|
"Something for Nothing" - Xeroxes n.d. |
4 | 245 | ||
|
"That Monster" - Notes 2017-05 |
4 | 246 | ||
|
"That Monster" - Frankenstein Project 2017 [article printouts with notes] 2017 n.d. |
4 | 247 | ||
|
"That Monster" - Scripts [drafts with notes] 2017-2018 |
4 | 248 | ||
|
"That Monster" - DSA [Correspondence, Democratic Socialists of America] 2018-12 |
4 | 249 | ||
|
"That Monster" - Misc. [Correspondence, press releases] 2018-2019 |
4 | 250 | ||
|
"That Monster" - Correspondence 2018-2019 |
4 | 251 | ||
|
"That Monster" music rental 2018 |
4 | 252 | ||
|
"These goods are available at ______" I - Window Cards [board mounted signage, "Desiring Practices"] 1995-09 |
4 | 253 | ||
|
"These goods are available at ______" I - Correspondence (Folder 1/2) 1995 n.d. |
4 | 254 | ||
|
"These goods are available at ______" I - Correspondence (Folder 2/2) 1995 n.d. |
4 | 255 | ||
|
"These goods are available at ______" I - Research photographs [polaroids, photographs mounted with captions] n.d. |
4 | 256 | ||
|
"These goods are available at ______" II - Catalogue text 1995-06 |
4 | 257 | ||
|
"These goods are available at ______" II - Drawings [correspondence, sketches] 1995-08 |
4 | 258 | ||
|
"These goods are available at ______" II - Press release 1995 |
4 | 259 | ||
|
"These goods are available at ______" II - Project description 1995 |
4 | 260 | ||
|
"These goods are available at ______" II - Permissions ["Desiring Practices"] 1995 |
4 | 261 | ||
|
"These goods are available at ______" II - Material [Pamphlets, fliers, "Desiring Practices," photographs, negatives] 1995 |
4 | 262 | ||
|
"These goods are available at ______" - [Correspondence, slides, negatives, fliers] n.d. |
4 | 263 | ||
|
"These goods are available at ______" - Xeroxes n.d. |
4 | 264 | ||
|
"Tours Competition with [Peter] Eisenman 1993" [planning documents, articles, design plans and proposals] 1993 |
4 | 265 | ||
|
"Unposed" - Y8- Hamburg Exhibit [correspondence, floor plans, clippings, writings with notes/edits] 2002-2003 |
4 | 266 | ||
|
"Unposed" - Wall text 2003 |
4 | 267 | ||
|
"Unposed" - Press (copies) 2003 |
4 | 268 | ||
|
"Unposed" - Y8 Program [brochures] 2003-2004 |
4 | 269 | ||
|
["Unposed," Y8 Hamburg exhibition, printouts of stills and text] n.d. |
4 | 270 | ||
|
"Unposed" - Color Xeroxes n.d. |
4 | 271 | ||
|
"Unposed" - Comments [typed comments from project spectators/participants] n.d. |
4 | 272 | ||
|
"Unposed" - Y8 Georgen Text n.d. |
4 | 273 | ||
|
"What Was the Right Answer?" [Review, press releases] 1980-02-1980-03 |
4 | 274 | ||
|
"Who Will Save Us?" Readings [includes postcards] 2022 n.d. |
4 | 275 | ||
|
"Who Will Save Us?" Research 2021-2022 |
4 | 276 | ||
|
Works on Paper Documentation 2019 [printouts] 2019 |
4 | 277 | ||
|
Illustrations used in monograph, "Silvia Kolbowski: XI Projects," (Folder 1/3) (contains photographs n.d. |
4 | 278 | ||
|
Illustrations used in monograph, "Silvia Kolbowski: XI Projects," (Folder 2/3) (contains photographs n.d. |
4 | 279 | ||
|
Illustrations used in monograph, "Silvia Kolbowski: XI Projects," (Folder 3/3) (contains photographs n.d. |
4 | 280 | ||
Subseries I.B: Unrealized and unfinished projectsScope and ContentsThe I.B Subseries I.B: Unrealized and unfinished projects contains documentation and planning material for exhibitions and artworks that did not reach fruition. |
||||
| box | folder | |||
|
Unrealized projects- City Hall NYC Project [project proposal, correspondence, photographs, sketches, maps, clippings, negatives] 1988-1989 |
5 | 281 | ||
|
City Hall Park Project [one photograph] n.d. |
5 | 282 | ||
|
Unrealized projects- B-I Collaboration [Benita-Immanuel Grosser, correspondence 1998-1999 |
5 | 283 | ||
|
Unrealized projects- Hamburg Project Aussendienst [correspondence, plane tickets, clippings, Hamburg city map, photographs] 1999-05-2001-01 |
5 | 284 | ||
|
Unrealized projects- BG/7 proposals and misc. [correspondence, project proposal, Bergdorf Goodman 57th Street windows, budgets] 2000 |
5 | 285 | ||
|
Unrealized projects- Sindelfingen/Detroit [correspondence, project proposal] 2001 |
5 | 286 | ||
|
Unfinished projects- Ann Lee [correspondence] 2002-04-2002-05 |
5 | 287 | ||
|
Unrealized projects- Collaboration with Matthew Buckingham, A.R.T. [correspondence] 2005-09-2005-10 |
5 | 288 | ||
|
Unfinished projects- America is Waiting [list of artists] n.d. |
5 | 289 | ||
|
Unfinished projects- Transcription of "Them" (Žmijewski) [handwritten notes, CDs/DVDs] n.d. |
5 | 290 | ||
|
Unrealized projects- Never published Enlarged: USA/Publication with interview (England) n.d. |
5 | 291 | ||
Subseries I.C: Project descriptionsScope and ContentsThe I.C: Project descriptions subseries consists of documents written and continuously updated by Kolbowski with narrative descriptions of artworks and projects. |
||||
| box | folder | |||
|
Old project descriptions ["Enlarged from the Catalog," "Here and There," "Review"] 1989 n.d. |
5 | 292 | ||
|
Project descriptions- short descriptions n.d. |
5 | 293 | ||
|
Project descriptions- Project Info Print out for Museums, etc. n.d. |
5 | 294 | ||
|
Project descriptions [slide documentation] n.d. |
5 | 295 | ||
Subseries I.D: Visual documentation of artworks, projects and exhibitions, alphabeticalScope and ContentsThe I.D: Visual documentation of artworks, projects and exhibitions, alphabetical subseries contains various formats of visual media (photographs, slides, film negatives) documenting artworks, artwork series, projects and exhibitions by Kolbowski. |
||||
| Binder | ||||
|
"A/Nother History," negatives, source material, text components. Installation photographs, P.S.1., 1980 (exhibition with Laurie Hawkinson) 1980-1981 |
6 | |||
|
Photographs, "A Part" October 1 - 31, 1979, Fifth Street Gallery, New York, NY, three person exhibition 1979 |
6 | |||
|
Slide, "Against the Grain 1987" 1987 |
6 | |||
|
Slides, negatives and photographs of exhibition, "Already," Postmasters Gallery 1992 |
6 | |||
|
Slides, negatives, and photographs, "an example of recent work may be found in the windows of Harry Winston Inc., from approximately 5:17 to 5:34 pm" 1990 |
6 | |||
|
Slides, negatives and photographs, "an inadequate history of conceptual art" 1998-2000 n.d. |
7 | |||
|
Slides, "ANY" n.d. |
8 | |||
|
Slides, "ARTS Magazine" cover project 1990 n.d. |
8 | |||
|
Slides, "Berlin Zoo/Bronx Zoo" project 1986 |
8 | |||
|
Slides, photographs and negatives, "Circulation Figures" 1985 n.d. |
8 | |||
|
Slides, City Hall NYC Project ["Liberty," Public Art Fund] 1989 n.d. |
8 | |||
|
Slides, negatives, photographs, "Closed Circuit" 1997 n.d. |
8 | |||
|
Slides, Competition for a Viennese Memorial to the Jewish Victims of National Socialists, Vienna, Austria [with Peter Eisenman Architects] n.d. |
8 | |||
|
Slides, photographs, "Constellation," installation views from Phillip Nelson Gallerie 1985 n.d. |
8 | |||
|
Slides, negatives, "Discontinuous Spaces," with Smith-Miller + Hawkinson Architects, Princeton University School of Architecture 1993 n.d. |
8 | |||
|
Slides, photographs, installation photographs, negatives, "Enlarged from the Catalog I" 1987 n.d. |
9 | |||
|
Negatives, photographs, installation photographs, "Enlarged from the Catalog II" and "Enlarged from the Catalog III" 1987 n.d. |
9 | |||
|
Negatives, photographs, "Enlarged from the Catalog: The Art of Precolumbian Gold: The Jan Mitchell Collection," installation views from Postmasters Gallery 1987-1988 n.d. |
9 | |||
|
Slides, photographs, installation photographs, negatives, "Enlarged from the Catalogue: The United States of America," installation views from Postmasters Gallery 1988-1990 n.d. |
10 | |||
|
Slides, negatives, "Enlarged from the Catalog: Michael Asher," installation views from S. Bitter-Larkin Gallery 1990 n.d. |
10 | |||
|
Slides, negatives, "Enlarged from the Catalog: February 1990," installation views from Gracie Mansion Gallery 1990 n.d. |
11 | |||
|
Slides, "Feminist Art and Post Modernism" n.d. |
11 | |||
|
Slides, photographs, negatives, "Here and There," (includes, "Embellishment of the Statue of Liberty," "Time," "Western Look"), installation views from Nature Morte Gallery, Documenta 8 (with Group Material) 1986-1987 n.d. |
11 | |||
|
Slides, "Home-lette," with Smith-Miller + Hawkinson Architects, installation views from Wexner Center for the Arts 1994 n.d. |
11 | |||
|
Slides, photographs, negatives, "Impulse," project for "Impulse" Magazine 1985 n.d. |
11 | |||
|
Slides, negatives, "inadequate...Like...Power," exhibition, Secession, Vienna, includes "an inadequate history of conceptual art," "Like Looking Away," and "Proximity to Power: American Style" 2004 n.d. |
12 | |||
|
Photographs, "Inside and Outside" 1987 n.d. |
12 | |||
|
Slides, negatives, photographs, "Like the difference between Autumn/Winter '94/'95 and Spring/Summer '95," with Peter Eisenman, installation views from Comme des Garcons store 1995 n.d. |
12 | |||
|
Slides, negatives, "Like Looking Away," installation views from American Fine Arts, Co. 2002 n.d. |
13 | |||
|
Source photographs, with notes, "Like Looking Away" 2002 n.d. |
14 | |||
|
Source photographs, with notes, negatives, "Like Looking Away" 2002 n.d. |
15 | |||
|
Placement sketches, slides, negatives, photographs, "Model Pleasure" (includes "Prey/Pray") 1982-1984 n.d. |
16 | |||
|
Slides, photographs, negatives, installation views from Nature Morte Gallery, (includes "In Vogue," "December 1984") 1985 n.d. |
16 | |||
|
Printed rendering, New Museum proposal 1980 |
17 | |||
|
Slides, photographs, negatives, "New Location," installation views from Postmasters Gallery 1989 n.d. |
17 | |||
|
Slides, photographs, negatives, "Once More With Feeling," installation views from Postmasters Gallery, Galerie Roger Pailhas 1992 n.d. |
17 | |||
|
Slides, "Proximity to Power [P2P]," installation views from Secession, Vienna 2003-2004 n.d. |
17 | |||
|
Photograph, "Reinstallation of 'Michael Asher, May 14-May 18, 1973, The University of California at Irvine, Gallery 167, Irvine, California'" 1989 |
18 | |||
|
Slides, photographs, negatives, "Review," installation views from Postmasters Gallery 1988-1989 n.d. |
18 | |||
|
Contact sheet, negatives, slides, "Self Portrait with Outmoded Clothing" n.d. |
18 | |||
|
Slides, "Seven x 7," installation views from Seven 2000 n.d. |
18 | |||
|
Photographs and slide, "She had also been the boy once," installation view at Fifth Street Gallery 1980 |
18 | |||
|
Slides, negatives, "Something for Nothing," installation views from Center de Cultura Contemporanea, Barcelona 1996 n.d. |
19 | |||
|
Slides, photographs, negatives, "The acquisition of art is itself an art," project for "Journal" magazine 1986 n.d. |
19 | |||
|
Slides, photographs, ""These goods are available at ______" 1995 n.d. |
20 | |||
|
Slides, negatives, "Unposed," installation views from Y8, Hamburg 2003 n.d. |
20 | |||
|
Photographs, "Untitled" 1981-1982 n.d. |
20 | |||
|
Photographs, "Untitled" [op / posed] 1982 |
20 | |||
|
Photographs, source negatives, "Untitled" [Do / don't] 1982 n.d. |
21 | |||
|
Slides, photograph, "Untitled" 1984-1986 n.d. |
21 | |||
|
Slides, "Untitled" [mixed media/magazines] 1988 n.d. |
21 | |||
|
Slides, photographs, "What Was the Right Answer," Artists Space 1980 n.d. |
21 | |||
|
Photographs, "Who's Laughing Now," installation views from 2 Columbus Circle, New York; 14 Sculptors Gallery 1981 n.d. |
21 | |||
|
Negatives, photographs, "Without a Dictionary," installation views from 80 Centre St., New York 1980 n.d. |
21 | |||
Subseries I.E: Visual documentation of early work, miscellaneous photographyScope and ContentsThe I.E: Visual documentation of early work, miscellaneous photography subseries consists of visual media (photographs, slides, film negatives) produced early in Kolbowski's career, and during her time as an undergraduate at Franconia College. |
||||
| Binder | ||||
|
Slides, "College Work" 1976-1977 n.d. |
22 | |||
|
Negatives, early photography, "Amsterdam/London" 1978 |
22 | |||
|
Negatives, early photography, "Eunice/Party/Ken/Michael" 1978 |
22 | |||
|
Negatives, early photography, "5th St London/Paris/Broome St." 1978-1979 |
22 | |||
|
Negatives, early photography, "Food" 1979 |
22 | |||
|
Negatives, early photography, "Paris" 1979 |
22 | |||
|
Negatives, early photography, "Unfocussed" 1979 |
22 | |||
|
Negatives, early photography, "Cindy/Amy/Baby" 1979 |
22 | |||
|
Negatives, early photography, "Cindy-Repeated Image" 1979 |
22 | |||
|
Negatives, early photography, "Cindy-Imitation" 1979 |
22 | |||
|
Negatives, early photography, "John Miller + Ken," "Cindy-Negative," "Paris Façades" 1979 |
22 | |||
|
Negatives, early photography, "Words" 1979 |
22 | |||
|
Negatives, slides of exhibition postcards ("3 Times 3 Weeks," Postmasters Gallery) |
22 | |||
|
Photographs, negatives, "Misc. photographs" [travel photography, self portraits, photographs of Ken] n.d. |
22 | |||
Subseries I.F.: Exhibition and program ephemeraScope and ContentsThe I.F: Collected exhibition and program ephemera subseries comprises assembled ephemera from solo and group exhibitions including Kolbowski. |
||||
| box | folder | |||
|
[Collected exhibition and program ephemera] 1979-1989 |
5 | 296 | ||
|
Postmasters Gallery Exhibit Postcards ["Enlarged from the Catalogue IV," "New Location," "Review" 1988-1989 |
5 | 297 | ||
|
Collected exhibition and program ephemera 1990-1995 |
5 | 298 | ||
|
Collected exhibition and program ephemera 1995-1999 |
5 | 299 | ||
|
Collected exhibition and program ephemera 2000-2004 |
5 | 300 | ||
|
Secession exhibit- clippings Vienna 2003-2004 |
5 | 301 | ||
|
Secession exhibit- Ali Taylar/Arch. plans [architectural planning documents/drafts, correspondence] 2003-2004 |
5 | 302 | ||
|
Secession exhibit- correspondences 2003-2004 |
5 | 303 | ||
|
Secession show- discussion with David Joselit- Idea for catalogue- Suspended! [correspondence] 2004-02-2004-03 |
5 | 304 | ||
|
Secession catalogue- "Oral Histories"- Mignon Nixon drafts 2004-06-2004-07 |
5 | 305 | ||
|
Secession catalogue- "An inadequate history..." transcription- draft 2004-08 |
5 | 306 | ||
|
Secession exhibit- Misc. [handwritten notes, drawings, brochures, correspondence] 2004 |
5 | 307 | ||
|
Secession show- Reviews/Press [photocopies of clippings, brochures] 2004 |
5 | 308 | ||
|
Secession catalogue- "Not only on the wall"- drafts n.d. |
5 | 309 | ||
|
Secession catalogue- interview by Hal Foster [drafts] n.d. |
5 | 310 | ||
|
Secession catalogue- catalogues list/ "Closed Circuit" n.d. |
5 | 311 | ||
|
Secession exhibit- slides of Secession bldg. n.d. |
5 | 312 | ||
|
Secession show- Mignon Nixon article/ Secession catalogue n.d. |
5 | 313 | ||
|
Secession show- catalogue cover (color copies) n.d. |
5 | 314 | ||
|
Secession catalogue- bibliography draft n.d. |
5 | 315 | ||
|
Secession catalogue- drafts [handwritten notes, visual material mockups, layout drafts] n.d. |
5 | 316 | ||
|
Secession catalogue- P2P catalogue text draft n.d. |
5 | 317 | ||
|
Secession show- [Stephan] Schmidt-Wulffen/Secession catalogue n.d. |
5 | 318 | ||
|
Secession show- Miscellaneous/Vienna [map, brochure, drafts] n.d. |
5 | 319 | ||
|
Secession exhibit- snapshots [photo album] n.d. |
5 | 320 | ||
|
Secession show- SK interview with Hal Foster/ Secession catalogue n.d. |
5 | 321 | ||
|
Secession show- IHCA: Secession catalogue n.d. |
5 | 322 | ||
|
Secession show photos [negatives] n.d. |
5 | 323 | ||
|
Collected exhibition and program ephemera 2005-2009 |
5 | 324 | ||
|
Collected exhibition and program ephemera 2010-2019 |
5 | 325 | ||
|
Kunsthaus Glarus [material for 2022 exhibition at Kunsthaus Glarus, Switzerland. Correspondence, postcards, exhibition ephemera for works,"Who Will Save Us?," "Missing Asher" 2021-2022 n.d. |
5 | 326 | ||
|
Collected exhibition and program ephemera n.d. |
5 | 327 | ||
Subseries I.G: Sales documentsScope and ContentsThe I.G: Sales documents subseries contains material relating to sales of artworks by Kolbowski and her associated galleries. |
||||
| box | folder | |||
|
Resale certificate/Artist Certification 1998-01-11 |
23 | 328 | ||
|
Project sales- Whitney Museum Documentation Form/Sale of "Model Pleasure V" 2004-02-06 |
23 | 329 | ||
|
Project sales- "Model Pleasure III" (LACMA) Sales 2008-2009 |
23 | 330 | ||
|
SK Archive Sales Collection Hoffman [Certificates of Authenticity, Sammlung Hoffman] 2009-2015 |
23 | 331 | ||
|
Project sales- Sales to Hoffman Collection 2010-2013 |
23 | 332 | ||
|
Project sales- "Model Pleasure" to MoMA 2013-11-2014-02 |
23 | 333 | ||
|
Project sales- Available Works 2016 2016 |
23 | 334 | ||
|
Project sales- "Model Pleasure" acquisition info [MAMCO] 2017-08-29 n.d. |
23 | 335 | ||
|
Project sales- Sale of AIHCA to FRAC Lorraine 2019-02-05 |
23 | 336 | ||
|
Archive Acquisition- CCS Bard [correspondence] 2018-12-18 |
23 | 337 | ||
Series II: Writings and lectures on and by Silvia KolbowskiScope and ContentsSeries II: Writings on Silvia Kolbowski, and writings and lectures by Silvia Kolbowski consists of writings on and by Silvia Kolbowski, interviews, lectures and related material, biographies and résumés by Kolbowksi, and material used in the process of grant applications. The files in this series are arranged chronologically. |
||||
Subseries IIA: Writings on Silvia Kolbowski, InterviewsScope and ContentsThe II.A: Writings on Silvia Kolbowski, Interviews subseries comprises articles, reviews, dissertations, and book chapters written about Silvia Kolbowski and her work. This series also contains print copies of interviews conducted with Kolbowski. |
||||
| box | folder | |||
|
Kate Linker, "Eluding Definition," [original, photocopies of "Artforum" review] 1984 |
23 | 338 | ||
|
1st Nature Morte Show '84 [clippings, "ARTS" magazine review] 1985-06 |
23 | 339A | ||
|
Articles on Silvia Kolbowski [clippings, "Art and Auction," "L.A. Times Book Review," "Art News," "El Pais," "American Photographer"] 1987-1996 |
23 | 339B | ||
|
Interview by Peter Anderson, 1988 1988 |
23 | 340 | ||
|
"Interview"- Flash Art, 11/12 '88 - copy [Photocopies of "Interview" project, "Interview: A Conversation Between Silvia Kolbowski"] 1988-11-1988-12 |
23 | 341 | ||
|
"Discussions in Contemporary Culture" Review [clipping, "The Village Voice"] 1988-03-22 |
23 | 342 | ||
|
"IX Projects"- Reviews 1993 n.d. |
23 | 343 | ||
|
"Proceedings" 06/06-1993-Review [American Photography Institute National Graduate Seminar, print out of publication cover page and edition notice, printout of article on "Review"] 1993-06 |
23 | 344 | ||
|
Kathleen McCarthy- Master's Thesis ["The Différance Between Theory and Art," NYU Masters Thesis, incl. corresponce] 1994-04 |
23 | 345 | ||
|
Transcript of interview with SK on IAUS [draft with notes, Institute for Architecture and Urban Studies] 1999-06-30-2003-12-10 |
23 | 346 | ||
|
Superseded Beros interview 2001 [drafts] 2001 |
23 | 347 | ||
|
Interview with Nada Beroš [printout of published conversation, Urbanizm.net] 2002 |
23 | 348 | ||
|
Misc-Interview Release Form [Barbara Clausen] 2006-06-09 |
23 | 349 | ||
|
SK/Raad Book review [Photocopy, "Between Artists" review, "Modern Painters] 2007-03 |
23 | 350 | ||
|
Student Paper/Theses/Dissertation On [Essay, "Failure at the Crossroads of Memory and History: The Work of Silvia Kolbowski," by Danielle Smith"] 2007-12 |
23 | 351 | ||
|
Transcription of Discussion: 2012, "Art by Telephone" (excerpt) 2012 |
23 | 352 | ||
|
SK Writings/Drafts/Talks/Discussions [Drafts with notes, Julian Stallabrass interview, "A Few Howls Again," Paris Conference for Art and Research] 2012 |
23 | 353 | ||
|
Interview by Stallabrass [Copy of published interview with Julian Stallabrass, "A Few Howls Again," Lalit Kala Contemporary] 2012 |
23 | 354 | ||
|
"MOMMY" interview with SK [drafts with notes, interview with Chrysanne Stathacos and Susan Silas] 2014-09 |
23 | 355 | ||
|
[UCL History of Art] [Student dissertation, "Awakenings: On Silvia Kolbowski and the Physical Politics of Resistance," University College London] 2017 |
23 | 356 | ||
|
[UCL History of Art] [Student paper, Michael Green, "At Hiroshima: Titles and Transference in Silvia Kolbowski's 'After Hiroshima Mon Amour'"] 2017 |
23 | 357 | ||
|
"You May Add or Subtract from the Work," [Clipping from Artforum Review, "Missing Asher"] 2017-03 |
23 | 358 | ||
|
Printout of Lacan.com interview with Josefina Ayerza 2019 |
23 | 359 | ||
|
Printout of "Arts of the Working Class," interview with Dennis Brzek 2020 |
23 | 360 | ||
|
Writings on Silvia Kolbowski, "That Monster," [Alexandra Sutcliffe, Ivan Knapp] |
23 | 361 | ||
|
"Staying Anxious" [Printout of essay by Henrietta Stanford, "A Few Howls Again"] n.d. |
23 | 362 | ||
|
David Jones book chapter [Draft book chapter, "The Relational Archive," on "After Hiroshima Mon Amour," "An Inadequate History of Contemporary Art"] n.d. |
23 | 363 | ||
|
Radio Interview [cassette tape with note from Mark Lynch] n.d. |
23 | 364 | ||
Subseries IIB: Writings and lectures by Silvia KolbowskiScope and ContentsThe II.B: Writings and lectures by Silvia Kolbowski subseries contains drafts, published copies, and notes, correspondence and administrative material regarding writings and lectures authored by Silvia Kolbowski. Also included are records of Kolbowski's editorial contributions to "Parasite" and "ANY," as well as copies of articles authored by Kolbowski and published in "October." The records for Kolbowski's time as a co-editor of "October" are contained in Series V: "October" Archives. |
||||
| box | folder | |||
|
Student Papers (S.K.) 1976-1980 |
23 | 365 | ||
|
"Covering Mapplethorpe's Lady" [Clippings, "Art in America," Summer 1983 1983 |
23 | 366 | ||
|
S.K Writings/Talks [photocopies or articles written by SK] 1983 n.d. |
23 | 367 | ||
|
Illustrations for "Di-Vested Interests," ZG Magazine, Fall 1984 [photographs] 1984 |
23 | 368 | ||
|
"Feminism and Art and Psychoanalysis: Some Questions Regarding the Third Term,"- Montreal Panel, 1985 [Original clipping of article with notes, publication of the Symposium on Feminism and Art] 1985 |
23 | 369 | ||
|
[Poster for "Feminism and Art: A Symposium," SK panel, "Feminism and Art and Psychoanalysis: Some Questions Regarding the Third Term", Metropolitan Community Church, Toronto] 1985 |
23 | 370 | ||
|
Lecture documentation [Texts from "Here and There," "Enlarged from the Catalogue I," draft flyer for "Enlarged from the Catalogue III"] 1986 n.d. |
23 | 371 | ||
|
Superseded Terragni Material [drafts, correspondence] 1986-1991 n.d. |
23 | 372 | ||
|
Writings [drafts, photocopies of published articles, Venice Biennial, "ANYway," "Parasite," editorial correspondence, "Art and Architecture: Resonances and Reverberations," "Discordant Views"] 1987-1998 |
23 | 373 | ||
|
Lecture documentation [postcard from "Enlarged from the Catalogue IV," 1988, Postmasters 1988 |
23 | 375 | ||
|
"Expertease," "Artforum," April 1989 1989-04 |
23 | 375 | ||
|
"Playing With Dolls" [Photocopy of book cover, "The Critical Image: Essays on Contemporary Photography," photocopy of SK Essay, "Playing With Dolls," drafts with notes] 1990 |
23 | 376 | ||
|
"Practices: The Problems of Divisions of Cultural Labor" (panel presentation) 1992 [draft with notes, flyer, correspondence, planning documents, New Museum, "Sites of Criticism" panel] 1991-1992 |
23 | 377 | ||
|
New Museum "Pocket Dictionary" [Correspondence, Laura Tripp, drafts] 1992-07 |
23 | 378 | ||
|
"Facture/Faction: form and discontent in contemporary art" [Council for the Arts, MIT panel, correspondence] 1994-10 |
23 | 379 | ||
|
Question for "Progressive Architecture," to be answered in 250 words... [Correspondence, draft documents] 1995-01 |
23 | 380 | ||
|
"Chinati Foundation" [draft documents, correspondence] 1995 |
23 | 381 | ||
|
"October"-"October" 71 - "Questions of Feminism: 25 Responses" 1995 |
23 | 382 | ||
|
"Fringe Benefits" [Handwritten notes, drafts, correspondence] 1996 |
23 | 383 | ||
|
Project for ANY whiteness issue [layout drafts, correspondence, "Any" magazine, architecture series, "whiteness" issue] 1996-10 |
23 | 384 | ||
|
"Parasite" [Agendas, policy and group planning documents, minutes, programming documents, correspondence, press releases] 1997-1998 |
23 | 385 | ||
|
October-October 84- "The MoMA Expansion" [Print out of SK's conversation with Terence Riley, Hal Foster, Denis Hollier and Rosalind Krauss] 1998 |
23 | 386 | ||
|
Lecture documentation-10/30/98 [handwritten notes] 1998-10-30 |
23 | 387 | ||
|
"Documents," Winter 1999 [printouts of magazine, "Documents," "Some of Everything You've Ever Wanted to Know About Parasite"] 1999 |
23 | 388 | ||
|
"Art Journal" 2001- original [copies of published article, "Contemporary Returns to Contemporary Art: Renée Green, Stephen Prina, Simon Leung"] 2001 |
23 | 389 | ||
|
"Art Journal" 2001 - Superseded "Art Journal" article [Correspondence, drafts, transcripts, notes] 2000-11-2001-09 |
23 | 390 | ||
|
October-October 100- "Self Portrait" [special issues, "Obsolescence"] 2002 |
23 | 391 | ||
|
"With What Should the Artist be Satisfied"-Research material [Clippings, correspondence, planning documents, notes, drafts] 2003-2004 |
23 | 392 | ||
|
"With What Should the Artist be Satisfied" [final drafts with corrections, slides, clippings] 2004-2006 n.d. |
23 | 393 | ||
|
"With What Should the Artist be Satisfied" (Superseded) Vienna 2004 [drafts with notes] 2005-12-12 |
24 | 394 | ||
|
Lecture-Secession Symposium [draft of presentation text with notes, clippings, schedule] 2004 n.d. |
24 | 395 | ||
|
"Putting the Moves (On the Spectator)" [Drafts of talk, Simposio "Arquitectura y Percepción," Spanish translations, CDR, photocopy images of slides] 2005-01 |
24 | 396 | ||
|
"Diary of a Buren Spectator" [drafts of article on Daniel Buren, press pass for Buren show at Guggenheim, handwritten notes, clippings, lecture/talk notes/drafts] 2005 |
24 | 397 | ||
|
October-October 115 "Diary of a Buren Spectator" 2006 |
24 | 398 | ||
|
"Diary of a Buren Spectator"-English [Copy of final piece from "October" 115] 2006 |
24 | 399 | ||
|
Spanish translation of Buren Diary [draft of "Diario de una espectadora de Buren] 2005 |
24 | 400 | ||
|
2005 Pratt Symposium- Architecture and the Phantasmatic [Correspondence, handwritten notes] 2005 |
24 | 401 | ||
|
Notes for Getty Talk 2006 [drafts with notes] 2006 |
24 | 402 | ||
|
"Art Journal"- Fall 2007/ After Hiroshima Mon Amour [College Art Association publication agreement, editorial process information] 2007 |
24 | 403 | ||
|
SK Edits (Public Intellectual Texts) [drafts with revisions and notes, Sabeth Buchmann, Barbara Kruger, Manthia Diawara] 2007 n.d. |
24 | 404 | ||
|
Panel statement for participation in "The Feminist Future," closed conference at MoMA 2007 |
24 | 405 | ||
|
SK Edits (Höller article) [Christian Holler, drafts with revisions and notes] 2007 n.d. |
24 | 406 | ||
|
Lecture documentation- Lecture notes- SK/2008 2008 |
24 | 407 | ||
|
October-October 123-"Ballad of a Thin Man" 2008 |
24 | 408 | ||
|
Emily Apter response to Henrietta Stanford's Whitney ISP lecture event ["Critical Perspectives on Visual Culture"] 2011 |
24 | 409 | ||
|
Printout of "Brooklyn Rail" interview with Emily Apter 2011 |
24 | 410 | ||
|
Lecture documentation- Student Intro 2015 [Carnegie Mellon School of Art] 2015 |
24 | 411B | ||
|
SK answers to Mary Kelly online Tate discussion on "The End of an Era" [typed document, "Mary Kelly's question for the Tate online discussion about her show focusing on "The End of an Era," 1968 2015-05 |
24 | 412 | ||
|
"Rape roundtable" [draft of "What's Art Got to Do With It? A Conversation about art and rape, with Emily Apter, Emily Liebert, and Siona Wilson," blog post] 2015-10 |
24 | 413 | ||
|
Skulptur Projekte Münster: text contributions [correspondence, draft documents] 2016-11 |
24 | 414 | ||
|
Lecture notes, Harvard 2017, "This Monument Which is Not One" [handwritten notes] 2017 |
24 | 415 | ||
|
Annual Brabson Lecture [draft with notes, correspondence, Second Annual Brabson Filmmaker Lecture, Sam Fox School of Design and Visual Arts, Washington University in St. Louis] 2017 |
24 | 416 | ||
|
Silvia Kolbowski blog, Nov 9, 2018 [print out of articles] 2018-2020 |
24 | 417 | ||
|
Booklet, "Metteur-en-scène," Gonzalo Reyes Rodriguez, Mexico City [incl. SK quote] 2019 |
24 | 418 | ||
|
Printout of Silvia Kolbowski blog interview with Edwin Coomasaru about "That Monster" 2019 |
24 | 419 | ||
|
Lecture documentation, Skype talk for Rennes [notes, images, correspondence] 2019-2020 |
24 | 420A | ||
|
Lecture documentation - prep for Zoom screening, 5/30/20, Gallery 44, with Mignon Nixon [includes Zoom chat screenshots] 2020-05 |
24 | 420B | ||
|
"Blast: The Spatial Drive" n.d. |
24 | 421 | ||
|
Text for Provence Journal 2012- draft- published n.d. |
24 | 422 | ||
|
"Ins and Outs of Conceptual Art" Talk- Where? When? 2000? [draft with notes] n.d. |
24 | 423 | ||
|
Curating Without Evangelism: A Conversation with Sébastian Pluot n.d. |
24 | 424 | ||
|
"With What Should the Artist Be Satisfied" [copies of final article] n.d. |
24 | 425 | ||
|
Lecture documentation- "Feminist Art and Post Modernism" n.d. |
24 | 426 | ||
|
Lecture documentation- "New Location," "Introduction" [drafts with notes] n.d. |
24 | 427 | ||
|
Beatrice Paper and Response [Beatriz Colomina, "Intimacy and Spectacle: The architectural production of the modern subject," draft documents with handwritten notes n.d. |
24 | 428 | ||
|
[Handwritten notes on past project descriptions] n.d. |
24 | 429 | ||
|
Public presentations notes [draft document, "The Psychodynamics of the Questionnaire" n.d. |
24 | 430 | ||
|
Lecture materials n.d. |
24 | 431 | ||
|
Partial transcript of discussion with Mignon Nixon, ICA n.d. |
24 | 432 | ||
Subseries II.C: Bios and résumésScope and ContentsThe II.C: Bios and résumés subseries comprises biographies and résumés assembled by Kolbowski. |
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| box | folder | |||
|
SK Bios/Resumes 2016 n.d. |
24 | 433 | ||
Subseries II.D: Grant Application MaterialScope and ContentsThe II.D: Grant Application Material subseries consists of material assembled by Kolbowski in support of grant applications by the artist. |
||||
| box | folder | |||
|
NEA Grant Final Report ["Enlarged from the Catalogue," "Review," "Arts Magazine" 1989-08 |
24 | 434 | ||
|
Grant App Info- Grant/Foundation Misc. [Jerome Foundation] 1993-1999 n.d. |
24 | 435 | ||
|
Grant App Info- Grant Applications 1998 n.d. |
24 | 436 | ||
|
Grant App Info- NY Foundation for the Arts 1998-04-10-1999-03-05 n.d. |
24 | 437 | ||
|
Grant App Info- Grant Applications 2011 |
24 | 438 | ||
|
Grant App Info- Arts Writers Grant 2015 2014-2015 |
24 | 439 | ||
Subseries II.E: Visual documentation for lectures and grant applicationsScope and ContentsThe II.E: Visual documentation for lectures and grant applications subseries contains visual media (photographs, slides, film negatives) documenting lectures by Kolbowski, or in support of grant applications. |
||||
| Binder | ||||
|
Slides, "With What Should the Artist Be Satisfied?" Vienna n.d. |
25 | |||
|
Slides, Lecture/Application [includes images of works by other artists, and artwork and installation views of: "Like Looking Away" "Enlarged from the Catalogue USA," "Seven x 7," "an inadequate history of conceptual art" "Once More With Feeling" ""an example of recent work may be found in the windows of Harry Winston Inc., from approximately 5:17 to 5:34 pm" "These goods are available at ______" "Like the difference between Autumn/Winter '94/'95 and Spring/Summer '95" "Any" "Unposed" "Closed Circuit"] |
25 | |||
|
Slides, Lecture, "Putting the Moves on the Spectator" n.d. |
25 | |||
Series III: CorrespondenceScope and ContentsSeries III: Correspondence contains printed and handwritten correspondence, organized chronologically. The material follows Kolbowski's designations as "personal" or non-personal, and is, in some cases, organized by sender or recipient. |
||||
| box | folder | |||
|
Personal correspondence [includes photographs] (Folder 1/2) 1973-2007 n.d. |
24 | 440 | ||
|
Personal correspondence [includes photographs] (Folder 2/2) 1973-2007 n.d. |
24 | 441 | ||
|
Letters to Faith [DeWick], 1974-1978 1974-1978 |
24 | 442 | ||
|
Correspondence, Frank Egloff 1978-1991 |
24 | 443 | ||
|
Correspondence, pre-1990 1980-1989 n.d. |
24 | 444 | ||
|
Personal correspondence [incl. Franconia College, "Y2KR" Yearbook] 1985-2002 n.d. |
24 | 445 | ||
|
Correspondence, pre-2000 1989-1999 n.d. |
24 | 446 | ||
|
Correspondence, 1990-1995 [includes film slide] 1990-1995 n.d. |
24 | 447 | ||
|
Rainer Ganahl Correspondence, 91-95 1991-1995 |
24 | 448 | ||
|
Correspondence, 1992-1997 1992-1997 n.d. |
24 | 449 | ||
|
Personal correspondence, 1993-1999 1993-1999 n.d. |
24 | 450 | ||
|
Correspondence, 1995-1999 1995-1999 n.d. |
24 | 451 | ||
|
Correspondence, 1997-1998 1997-1998 |
24 | 452 | ||
|
Correspondence, 1997-1999 1997-1999 |
24 | 453 | ||
|
Correspondence, Berlin trip, 1998 1998-01-1998-02 |
24 | 454 | ||
|
Correspondence, B-I email- 98 [Benita-Immanuel Grosser] 1998 |
24 | 455 | ||
|
Correspondence- CCAC Institute [California College of Arts and Crafts] 1999-2000 |
26 | 456 | ||
|
Correspondence- Whitney Biennial 2000/Inadequate History ["An Inadequate History of Conceptual Art"] 1999-2000 |
26 | 457 | ||
|
Correspondence, 1999-2000 1999-2000 |
26 | 458 | ||
|
Correspondence, 2001 2001 |
26 | 459 | ||
|
Correspondence, 2002 2002 n.d. |
26 | 460 | ||
|
Correspondence, 2002/2003 2002-2003 |
26 | 461 | ||
|
Correspondence, 2003 2003 n.d. |
26 | 462 | ||
|
Correspondence, Mignon Nixon, 2003-2008 2003-2008 n.d. |
26 | 463 | ||
|
Correspondence, 2004 2004 n.d. |
26 | 464 | ||
|
Correspondence, 2005 [includes Polaroid] 2005 |
26 | 465 | ||
|
Correspondence, Farocki Project 2005/6 2005-2006 |
26 | 466 | ||
|
Correspondence, 2006 2006 n.d. |
26 | 467 | ||
|
Correspondence, Luiza Nadar/Warsaw Exhibit (06-07) 2006-2007 |
26 | 468 | ||
|
Correspondence, 2007 2007 n.d. |
26 | 469 | ||
|
Correspondence, SK and C. Bedford, 2007-2008 2007-2008 |
26 | 470 | ||
|
Correspondence, 2008 2008 |
26 | 471 | ||
|
Correspondence P2P Book 2008 2008 |
26 | 472 | ||
|
Correspondence, 2009-2010 2009-2010 n.d. |
26 | 473 | ||
|
Correspondence, 2011-2012 2011-2012 |
26 | 474 | ||
|
Correspondence, 2013, 2014 2013-2014 n.d. |
26 | 475 | ||
|
Correspondence, 2015, 2016 2015-2016 |
26 | 476 | ||
|
Correspondence, 2017 2017 |
26 | 477 | ||
|
Correspondence- 2017 MAAT Tension Exhibit, "Like a Clap of Thunder," "A Few Howls Again" 2017-2018 |
26 | 478 | ||
|
Correspondence, 2018 2018 |
26 | 479 | ||
|
Correspondence, 2019 2019 |
26 | 480 | ||
|
Correspondence, 2019 2019 |
26 | 481A | ||
|
Correspondence with Maud and Sebastian, and Harold Batista, Rennes Exhibition 2019-2020 |
26 | 481B | ||
|
Correspondence, 2020 2020 |
26 | 482 | ||
|
Correspondence, 2020 2020 |
26 | 483 | ||
|
Correspondence 2020- Correspondence and Cat., Gallery 44 Exhibit 2020 [planning documents, exhibition program/catalogue, correspondence, notes] 2020 |
26 | 484 | ||
|
Correspondence, 2021 2021 |
26 | 485 | ||
|
Correspondence, 2022 2022 |
26 | 486 | ||
|
Correspondence, 2023 2023 |
26 | 487 | ||
Series IV: TeachingScope and ContentsSeries IV: Teaching consists of material documenting teaching positions held by Kolbowski, as well as material for job applications submitted by Kolbowski, organized chronologically. |
||||
Subseries IV.A: TeachingScope and ContentsThe IV.A: Teaching subseries includes curriculum material, coursework, course readers and presentation material for teaching positions. |
||||
| box | folder | |||
|
The Berlage Institute [1993-1996] [Material for two-day workshop, "Critical Positions Within Urban Culture," The Berlage Institute, Amsterdam] 1993-1996 n.d. |
26 | 488 | ||
|
NYU Course [Material for NYU courses, "Advanced Black and White Photography," "Social Landscape Photography," Fall 1995] 1995 n.d. |
26 | 489 | ||
|
Examples of studio programs [Correspondence, informational documents] 1995-1997 |
26 | 490A | ||
|
Lecture material, Yale [School of Architecture] course, misc. [handouts, notes, clippings, correspondence, reading list, attendance sheets] 1996 n.d. |
26 | 490B | ||
|
Architecture and Art: A Parallactic View [Columbia University "Newsline," Spring 1997] 1997 |
26 | 491 | ||
|
Architecture and Art: A Parallactic View, Course Reader, Spring 1997 1997 |
26 | 492 | ||
|
The Berlage Institute, 1998 ["Architecture and Art: A Parallactic View," course material, correspondence, clippings] 1997-11-1998-02 |
26 | 493 | ||
|
Teaching- Berlage Studio Program 1998 [includes some printouts of articles and teaching material from 1994 and 1996] 1998 |
26 | 494 | ||
|
Teaching- Student Papers [Architecture and Art: A Parallactic View] 1998-01 |
26 | 495 | ||
|
Teaching- 1998-1999 [CV, correspondence, course proposals, reading lists] 1998-1999 |
27 | 496 | ||
|
Architecture and Art Seminar Reader [Architecture and Art: A Parallactic View] (Folder 1/3) 1999 n.d. |
27 | 498 | ||
|
Architecture and Art Seminar Reader [Architecture and Art: A Parallactic View] (Folder 2/3) 1999 n.d. |
27 | 499 | ||
|
Architecture and Art Seminar Reader [Architecture and Art: A Parallactic View] (Folder 3/3) 1999 n.d. |
27 | 500 | ||
|
Teaching [Architecture and Art: A Parallactic View] [The New School, student work, clippings, attendance records] 1999 |
27 | 501 | ||
|
Hochschule- Kiel [Muthesius Art Academy] [Muthesius Hochschule Forum for Interdisciplinary Studies workshop booklets] 2001 |
27 | 502 | ||
|
Teaching- Kiel Material [Muthesius Hochschule] 2000-2001 |
27 | 503 | ||
|
Teaching- Student Recommendations 2001-11-07 n.d. |
27 | 504 | ||
|
Teaching- Critical Texts by Various Authors 2001-04 n.d. |
27 | 505 | ||
|
Teaching- Geneva [CCC Studies program, correspondence, maps, planning documents, official documentation, tickets, ephemera, photographs] 2000-2001 |
27 | 506 | ||
|
Geneva- CCC [Drafts, correspondence, travel documents, teaching materials] 2002-2005 |
27 | 507 | ||
|
Site Specificity- Student Work- Student Projects Spring 2002 2002 |
27 | 508 | ||
|
Site Specificity/On Site - Superseded Materials 2003-01-28 n.d. |
27 | 509 | ||
|
Site Specificity/On Site - Parsons Seminar Material n.d. |
27 | 510 | ||
|
Site Specificity - Student Work - Student Projects 2003 2003 |
27 | 511 | ||
|
Site Specificity - Student Work - Post/mid/pre semester questions 2003 |
27 | 512 | ||
|
Teaching - Site Specificity/optional [The New School, Spring 2003] 2003 |
27 | 513 | ||
|
Site Specificity - Student Work 2003 |
27 | 514 | ||
|
Site Specificity - Student Work - Project Proposals 2003 |
27 | 515 | ||
|
Site Specificity - Student Work - Pre-mid semester and post [Attendance lists] 2003 |
27 | 516 | ||
|
Teaching - Parsons Union [Contract summary] 2005-11-04 |
27 | 517 | ||
|
Site Specificity - Student Work - Parsons Spring 2005 [incl. DVDs and floppy disc] 2005 |
27 | 518 | ||
|
Site Specificity - Student Work - 2005 2005 |
27 | 519 | ||
|
Teaching - Cooper Sculpture, 2005-2006 [Correspondence, student work, teaching materials] 2005-2006 |
27 | 520 | ||
|
The Art Apparatus - Syllabus 2006 |
27 | 521 | ||
|
The Art Apparatus - Syllabi/Articles - "73rd American Exhibition" n.d. |
27 | 522 | ||
|
The Art Apparatus - Syllabi/Articles - B. Buchloh, "Figures of Authority, Ciphers of Regression" n.d. |
27 | 523 | ||
|
The Art Apparatus - Syllabi/Articles - J. Ault, "A Chronology of Selective Alt. Structures... 1965-85" n.d. |
28 | 524 | ||
|
Art Apparatus Reader - Spring 2006, #41 (Folder 1/3) 2006 |
28 | 525 | ||
|
Art Apparatus Reader - Spring 2006, #41 (Folder 2/3) 2006 |
28 | 526 | ||
|
Art Apparatus Reader - Spring 2006, #41 (Folder 3/3) 2006 |
28 | 527 | ||
|
The Art Apparatus - Cooper, Spring 2006 [Notebook, student papers, correspondence] 2006 |
28 | 528 | ||
|
Site Specificity/ On Site - Parsons Teaching, Kent Kleinman [Correspondence, appointment notice] 2006-06-2006-10 |
28 | 529 | ||
|
Teaching - Superseded Syllabi n.d. |
28 | 530 | ||
|
Site Specificity/ On Site - Evaluations, Parsons 2006 2006 |
28 | 531 | ||
|
[On Site: Genealogies and Practices, Course Readings, Bound] 2006 |
28 | 532 | ||
|
On Site Coursepack - Articles for the Syllabus, Spring 2006 2006 |
28 | 533 | ||
|
Site Specificity - Student Work - Dictionary of Garbage 2006-04 |
28 | 534 | ||
|
On Site 2007 [Course Readings] (Folder 1/3) 2007 |
28 | 535 | ||
|
On Site 2007 [Course Readings] (Folder 2/3) 2007 |
28 | 536 | ||
|
On Site 2007 [Course Readings] (Folder 3/3) 2007 |
28 | 537 | ||
|
On Site 2007 [Teaching materials and student work, incl. one CD-R] 2007 |
28 | 538 | ||
|
On Site 2007 [Student work, attendance sheets, evaluations, incl. one DVD] 2007 |
28 | 539 | ||
|
Student Handouts on Psychoanalytic Terms, 2008 and 2012 2008-2012 |
28 | 540 | ||
|
Teaching - GSD Workshop on Humor, 2018 [Graduate School of Design, Harvard University, teaching material, correspondence] 2018-02-2018-03 |
28 | 541 | ||
|
Misc. texts related to VCU seminar (not used) (misc. texts) 2021 n.d. |
28 | 542 | ||
|
VCU teaching [readings, notes related to VCU seminar] (Folder 1/2) 2021 n.d. |
28 | 543 | ||
|
VCU teaching [readings, notes related to VCU seminar] (Folder 2/2) 2021 n.d. |
28 | 544 | ||
|
Cooper Union [course materials, student work] n.d. |
28 | 545 | ||
|
Architecture and Art - Teaching/Kiel [notes] n.d. |
28 | 546 | ||
|
Architecture and Art [Notes, teaching materials] n.d. |
28 | 547 | ||
|
Architecture and Art [Notes for Harvard lecture] n.d. |
28 | 548 | ||
| Binder | ||||
|
Lecture slides, contact sheets for Architecture and Art, Site-Specificity seminars. Includes some course material. |
29 | |||
Subseries IV.B: Job ApplicationsScope and ContentsThe IV.B: Job applications subseries contains material for academic job applications, as well as letters of recommendation. |
||||
| box | folder | |||
|
Letters of Recommendation for SK 1991 n.d. |
28 | 549 | ||
|
Letters of recommendation by SK 2007-2018 |
28 | 550 | ||
|
Job Apps - Vienna Academy, Misc. [Correspondence, notes, Akademie der bildenden Künste Wien] 2009-2010 n.d. |
28 | 551 | ||
|
Job Apps - Hunter App 2010 |
28 | 552 | ||
Series V: "October" ArchivesScope and ContentsSeries V: "October" Archives consists of documentation of Silvia Kolbowski's time as a co-editor of the journal "October," from 1993-2000. It includes correspondence, transcripts of interviews, drafts and editing documents, and documentation of editorial meetings, including minutes. This material is organized chronologically. |
||||
| box | folder | |||
|
Correspondence 1987-1995 |
30 | 553 | ||
|
Correspondence 1997 |
30 | 554 | ||
|
Correspondence 1998 |
30 | 555 | ||
|
Correspondence 1999 |
30 | 556 | ||
|
Correspondence 2000 |
30 | 557 | ||
|
Correspondence 2002-2003 n.d. |
30 | 558 | ||
|
Correspondence and transcripts for "October" editors roundtable discussion on 1993 Whitney Biennial 1993 n.d. |
30 | 559 | ||
|
Transcript of "Conversation on Recent Feminist Art Practices," SK; Mignon Nixon; Mary Kelly; Hal Foster; Simon Leung; Ayisha Abraham, for Vol. 71, Winter 1995 1994 n.d. |
30 | 560 | ||
|
Correspondence, research material notes, relating to Manthia Diawara articles and projects 1997 n.d. |
30 | 561 | ||
|
Transcript of SK interview with Manthia Diawara n.d. |
30 | 562 | ||
|
"October" editorial meeting minutes, by-laws, letters of agreement 1997 n.d. |
30 | 563 | ||
|
Correspondence, notes, transcripts, interview with Terence Riley by SK; Rosalind Krauss; Hal Foster; Denis Hollier (Folder 1/2) 1998 n.d. |
30 | 564 | ||
|
Correspondence, notes, transcripts, interview with Terence Riley by SK; Rosalind Krauss; Hal Foster; Denis Hollier (Folder 2/2) 1998 n.d. |
30 | 565 | ||
|
Two microcassette recordings of interview with Terence Riley, by SK; Rosalind Krauss; Hal Foster; Denis Hollier n.d. |
30 | 566 | ||
|
Correspondence and article drafts, Martin Beck, "On Formatting History (Stored and Exhibited)" 1999 |
30 | 567 | ||
|
Transcripts, "The Social Artwork," Matthew Friday; David Joselit; SK 2011 n.d. |
30 | 568 | ||
|
Research material n.d. |
30 | 569 | ||
|
SK "October" press pass n.d. |
30 | 570 | ||
Series VI: Graphic designScope and ContentsSeries VI: Graphic design consists of design documents, mockups and branding material for graphic design work Kolbowski undertook, independent of artworks. This material is organized chronologically. |
||||
| box | folder | |||
|
Design documents, "Sexuality and Space" symposium, Princeton University School of Architecture 1990 |
30 | 571 | ||
|
Invitation design, Postmasters Gallery, Pat Hearn Gallery 1990-1991 |
30 | 572 | ||
|
Branding material, design documents, Tz'Art & Co. Gallery 1993-1994 n.d. |
30 | 573 | ||
|
Branding material, design documents, Smith-Miller and Hawkinson Architects 1993-1996 n.d. |
30 | 574 | ||
|
Branding material, design documents, The Rotunda Gallery 1994-2000 n.d. |
30 | 575 | ||
|
Design documents, Getty Center for the History of Art and the Humanities n.d. |
30 | 576 | ||
|
Branding material, stationary design, Massey/King Productions n.d. |
30 | 577 | ||
|
Business card designs n.d. |
30 | 578 | ||
|
Poster mockups, "Assemblage" journal, MIT Press n.d. |
30 | 579 | ||
Series VII: Notes and notebooksScope and ContentsSeries VII: Notes and notebooks contains loose notes, notebooks, datebooks and address books used by Kolbowski. These items are organized chronologically. |
||||
| box | folder | |||
|
Notes/misc. data [Loose notebook pages, 1979-1980] 1979-1980 n.d. |
30 | 580 | ||
|
Notes/misc. data [Notebook, loose notebook pages] 1980-10-28-1980-11-18 n.d. |
30 | 581 | ||
|
Notes/misc. data [Loose notebook pages] 1981-12-1982-01 n.d. |
30 | 582 | ||
|
Notes/misc. data [Loose notebook paper, clippings, drafts] 1986-11-17 n.d. |
30 | 583 | ||
|
[Planner/Datebook 1988] 1988-01-1988-11 |
30 | 584 | ||
|
Langham Diary 1991 [datebook/planner, includes map of London, 1986] 1991 n.d. |
30 | 585 | ||
|
Notes/misc. data [handwritten notes] 1992-03-05 n.d. |
30 | 586 | ||
|
Notes/misc. data [notebook] 1992-09-14 n.d. |
30 | 587 | ||
|
[Datebook/planner 1993] 1993 |
30 | 588 | ||
|
[Datebook/planner 1995] 1995 |
30 | 589 | ||
|
Address books and diaries 1996 n.d. |
31 | 590 | ||
|
[Notebook] 1998 n.d. |
31 | 591 | ||
|
Notes/misc. data- SK Notes/Texts 1998 n.d. |
31 | 592 | ||
|
Small diary 1999/2000 [planner/datebook] 1999-2000 |
31 | 593 | ||
|
[Notebook- "Seven x 7 - June/July 2000"] 2000 |
31 | 594 | ||
|
[Notebook- Shopping project] 2001 |
31 | 595 | ||
|
[Notebook] 2002 n.d. |
31 | 596 | ||
|
[Notebook-"Vienna/Hamburg November 2003"] 2003 |
31 | 597 | ||
|
[Notebook-"Projects/Video (MoMA)/ 2006/ Hiroshima Mon Amour Project/ Shane-Sedgewick/Notes 2005"] 2005-2006 |
31 | 598 | ||
|
Misc. Buren Diary Notes, Cooper, 2005-2006 [notebook] 2005-2006 n.d. |
31 | 599 | ||
|
Buckingham 2005- Misc., Walid Raad, "My Love," Warsaw [notebook] 2005-09-29-2006-01-02 n.d. |
31 | 600 | ||
|
Working Title: My Love, 2006/2007, "After Hiroshima Mon Amour," [Notebook] 2006-2007 n.d. |
31 | 601 | ||
|
[Notebook- "After Hiroshima Mon Amour/ A Few Howls Again?"] 2008 n.d. |
31 | 602 | ||
|
[Notebook- "Notes Luxemburg"] 2012 n.d. |
31 | 603 | ||
|
[Notebook- "That Monster"] 2017-2019 |
31 | 604 | ||
|
[Notebook, "That Monster/ AHMA/ These Good/ Anna Kornbluh Transference (Mignon Nixon)" 2019 |
31 | 605 | ||
|
[Notebook, "Proximity to Power"] n.d. |
31 | 606 | ||
|
[Notebook, addresses, phone numbers, day planner] n.d. |
31 | 607 | ||
|
Lecture [handwritten notes, "my process is basically unconscious..."] n.d. |
31 | 608 | ||
|
Notes/misc. data- ["Important (but broad) points to make..." draft with notes] n.d. |
31 | 609 | ||
|
Notes/misc. data- ["The Wish to Have a Child by the Mother," draft with notes] n.d. |
31 | 610 | ||
|
Notes/misc. data- [memo book] n.d. |
31 | 611 | ||
|
Notes/misc. data- superseded phone book [pages from personal phone book] n.d. |
32 | 612 | ||
|
Notes/misc. data- [loose notebook pages with notes, drawings] n.d. |
32 | 613 | ||
|
Notes/misc. data- [pad of paper] n.d. |
32 | 614 | ||
|
Notes/misc. data- [notebook] n.d. |
32 | 615 | ||
|
Notes/misc. data- [yellow pad] n.d. |
32 | 616 | ||
|
[Blank notebook, one page with notes, undated] n.d. |
32 | 617 | ||
|
[Loose notebook pages/project notes] n.d. |
32 | 618 | ||
Series VIII: Miscellaneous personal materialScope and ContentsSeries VIII: Misc. Personal consists of collected writings, as well as personal ephemera collected by Kolbowski. This material is organized chronologically. |
||||
Subseries VIII.A: Collected articles and writings by othersScope and ContentsThe VIII.A: Collected articles and writings by others subseries contains articles and essays by other authors. |
||||
| box | folder | |||
|
Articles by other authors (Folder 1/2) 1986-2004 n.d. |
32 | 619 | ||
|
Articles by other authors (Folder 1/2) 1986-2004 n.d. |
32 | 620 | ||
Subseries VIII.B: Personal ephemeraScope and ContentsThe VIII.B: Personal ephemera subseries includes juvenilia, personal items, and personal photographs collected by Kolbowski. The series also includes assembled material on Colin De Land, including memorial material. |
||||
| box | folder | |||
|
Silvia K. Passports 1959-2018 |
32 | 621 | ||
|
Collected early life ephemera, material from time at Franconia College 1963-1979 n.d. |
32 | 622 | ||
|
Three mounted portraits of SK by Julia Krochmalny, Franconia College 1971-1972 |
32 | 623 | ||
|
Other Artist's Slides [Jose Gabriel Fernandez; Mary Kelly; Connie Hatch; Judith Barry; James Luna; Fred Wilson; Sherrie Levine; Cindy Sherman; Louise Lawler; Laurie Simmons; James Welling; Richard Prince] 1976-1996 |
32 | 624 | ||
|
Japan Trip Itinerary 1981, SK + KF [Photocopy of itinerary, includes box of photos and negatives labeled, "Japan and Elsewhere Photos, shot and printed by SK"] 1981 n.d. |
32 | 625 | ||
|
Critical Reproductions Business Certificate 1982-04-13 |
32 | 626 | ||
|
Pregnancy portraits of SK, by Mary Bachmann [incl. one photograph of SK with dog] 1982-05 n.d. |
32 | 627 | ||
|
Superseded weekly schedules [print outs of schedules with notes] 1999 n.d. |
32 | 628 | ||
|
Exhibition ephemera from, "I said I Love. That is the promise," Swiss Institute 1999 |
32 | 629 | ||
|
Handmade photo book of photographs of memorials in days immediately following 9/11/2001. Label, "9/12 + Union Square" 2001 n.d. |
32 | 630 | ||
|
Colin de Land- Colin [film slides, photos, clippings, notes, dream journal] 2000-2003 n.d. |
32 | 631 | ||
|
Colin de Land- Annual Memorial Project [includes cigarette, drafts, invitation] 2003-10 |
32 | 632 | ||
|
Colin de Land- Colin de Land Memorial Event [posters, drafts] 2006-2008 |
32 | 633 | ||
|
Colin de Land Learner's Permit, memorial guitar pick n.d. |
32 | 634 | ||
|
Colin de Land memorial poster n.d. |
32 | 635 | ||
|
Universidad Iberoamericano Mexico City, Dept. of Architecture, certificate for participation in symposium 2005 |
32 | 636 | ||
|
Leases 2012-2013 |
32 | 637 | ||
|
CDs/DVDs on Loan [photocopied images] n.d. |
32 | 638 | ||
|
Equipment/Shelving [manuals, assembly instructions] n.d. |
32 | 639 | ||
|
Lifetime Whitney ISP pass, Kenneth Frampton n.d. |
32 | 640 | ||
|
Postcard from Maxim, to Abuela Cuca and and Abuelo Joe n.d. |
32 | 641 | ||
|
Portrait of SK and Maxim with cameras n.d. |
32 | 642 | ||
|
"Family photos" [slides] n.d. |
32 | 643 | ||
|
Photograph of SK as a young girl n.d. |
32 | 644 | ||
Series IX: DigitalScope and ContentsSeries IX: Digital consists of a guide to the folder structure of Kolbowski's digital hard drive. It includes digital project documentation, including scanned material, organized by project. |
||||
|
"kolbowski bard archive," root folder, contains .doc and .pdf CVs, mp4 of Zoom interview with Mignon Nixon, .jpg of discussion with Rosalyn Deutsche, .doc "art and research talk" 2012-2021 |
||||
|
Folder, "Final .mp4 files," contains full .mov files of "A Few Howls Again," Premiere files for Glarus project, .mov file for "if it should appear to be true," full .mov files for "Like a Clap of Thunder," "Missing Asher," "Seven x 7," "That Monster" 2016-2022 |
||||
|
Folder, "gallery 44 install views," contains .jpg images of exhibition, "A Few Howls Again" 2022 |
||||
|
Folder, "Glarus Stills," contains .tiff stills of "Who Will Save Us?" 2022 |
||||
|
Folder, "powerpoint presentations," contains .doc notes, .jpg installation images, .ppt files for various lectures 2006-2007 |
||||
Subseries IX.A: Folder, "Projects" |
||||
|
"Projects" root folder, contains .png and .jpg images, "block magazine rep and pleasure," "sk_freud_dora's film," .pdf list of work for Guggenheim grant 2019-2020 |
||||
|
Folder, "24-hr clinic/sk and l.e.f.t.," contains images, project descriptions of "24-Hour Clinic" with L.E.FT Architects 2006-2008 |
||||
|
Folder, "a part," contains .jpg image of "A Part" (1979) 2017 |
||||
|
Folder and subfolders, "AFHA [A Few Howls Again]. Contains .jpg, .tiff, .psd stills, installation views, reference images, .press release material, .ppt presentations, .doc scripts and exhibition ephemera, .mov files of full film as large and small screen formats 2010-2020 |
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|
Folder and subfolders, "after atlas," contains .jpg images, .doc correspondence and invoices, project descriptions 2009 |
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|
Folder and subfolders, "ahma [after hiroshima mon amour]," contains .mp4 video files, .mp3 audio files, .jpg., .psd and .tif stills, installation views, .doc exhibition ephemera and planning documents, project descriptions, scripts, press material, notes, substitles, .pdf articles and essays 2002-2014 |
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|
Folder and subfolders, "already" [no data] 2008 |
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|
Folder and subfolders, "an example of a recent work," includes .jpg reference images, installation images, scans 2006-2017 |
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Folder, "apter/kolbowski/rail," contains .docs of interview with Emily Apter, "Brooklyn Rail" 2011 |
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|
Folder and subfolders, "art by telephone," contains .doc interviews and planning documents, .m4v video files 2013 |
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|
Folder, "available for sale lists," contains .doc lists of for sale artworks 2016 |
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Folder, "between artists," contains Walid Raad text .doc and .pdf 2013 |
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|
Folder, "bodega talk on shopfront works," contains lecture .doc and .ppt 2017 |
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Folder, "borrowed by curators," contains .doc 2009 |
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|
Folder and subfolders, "CA exhibition_bedford," contains recommendation letter .doc, video files 2007-2008 |
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Folder and subfolders, "closed circuit old computer," contains data files, review .docs 2002-2006 |
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|
Folder, "closed circuit," contains .tif, .jpg installation images, .pdf catalog scan 2008-2020 |
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Folder and subfolder, "dear silvia," contains .jpg images, descriptive documents, press releases, .wav audio files 2009 |
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|
Folder and subfolders, "enlarged asher," contains .jpg images, catalog scans, installation images 2006-2019 |
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Folder, "enlarged february 1990," contains .jpg scans, installation views, .png screenshots 2020 |
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Folder, "enlarged precolumbian," contains .png and .jpg screenshots 2017-2022 |
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|
Folder and subfolders, "enlarged u.s.a.," contains .jpg installation images 2016-2019 |
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|
Folder, "f i rld d wrld," contains .ai Illustrator layout documents 2008 |
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|
Folder, "f i ruled the world," contains .ai Illustrator layout documents, .jpgs, .doc project descriptions, planning documents 2008-2012 |
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Folder, "fashion archive," contains .jpg image 2016 |
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|
Folder and subfolders, "feminist art and post modernism," contains .jpg and.tif installation images 2017-2018 |
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Folder, "gallery 44 install views," contains .jpg images of exhibition, "A Few Howls Again" (duplicate) 2022 |
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|
Folder and subfolders, "glarus exhibition," contains press release .png and .jpg images, .wav film file 2017-2022 |
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Folder, "GlarusStills," contains .tiff stills 2022 |
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|
Folder and subfolders, "here and there," contains .jpg and .tif source scans, .doc project description 2004-2018 |
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|
Folder and subfolders, "if it should turn out [to be true]," contains .doc correspondence, planning documents, .jpg stills, installation images, .mov documentation of installation 2013-2014 |
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|
Folder and subfolders, "like a clap of thunder," contains .jpg and .tif stills, installation images, .doc scripts, .mov files of full film in large and small screen formats 2015-2020 |
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|
Folder and subfolders, "Like Looking Away," contains .jpg scans and project images, .doc scripts, project files 2002-2019 |
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|
Folder and subfolders, "like the difference," contains .tif and .jpg scans, installation images, poster 1999-2012 |
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|
Folder and subfolder, "ljubjlana," contains .jpg correspondence scans, stills, installation images, .doc planning documents 2009 |
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|
Folder, "misc. proj," contains .jpg images, .doc, "Feminism and Postmodernism," "Presents of mind and body," "Dangerous Lexicon," "an_other history" 2004-2008 |
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|
Folder, "miscellaneous project images," contains .jpg images for "After Hiroshima Mon Amour," "An Inadequate History of Conceptual Art," "Closed Circuit," "An example of a recent work...," "Model Pleasure," "P2P," "Take it or Leave It" 2008-2017 |
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|
Folder and subfolders, "Missing Asher," contains .jpg and .tif stills, installation views, .doc and .pdf scripts, interviews, .mov files of full film in various formats 2017-2022 |
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|
Folder and subfolders, "Model Pleasure," contains .jpg and .tiff installation images, scans, exhibition text 2007-2019 |
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|
Folder, "mon parfum," contains .psd and .jpg project images 2023 |
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|
Folder, "montreal documentation," contains .jpg and .tif installation images 2009 |
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|
Folder, "monumental prop/portions," contains .tif graphic 2013 |
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|
Folder, "once more with feeling," contains .tif installation and project images 2016 |
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|
Folder, "once more with feeling," contains .jpg and .tif poster files 2016-2019 |
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|
Folder and subfolders, "p2p [Proximity to Power]," contains .jpg reference and project images, installation views, , .rtf and .doc sound descriptions, .aiff audio, ..psd, ai, .pdf and .doc book layout files, .pr and .mov film files, .doc and .pdf interview transcripts, project files, exhibition ephemera 2004-2019 |
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|
Folder, "post piece_kolbowski" [no data] |
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|
Folder, "PowerPointPresentation serpentine," contains .jpg reference images 2008 |
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|
Folder, "project description lists," contains .doc and .pdf project descriptions with links 2014-2016 |
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|
Folder, "project descriptions," contains .pdf project descriptions with links 2017 |
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|
Folder, "project descriptions 2014," contains .doc project description with links 2014 |
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|
Folder, "project image captions sk," contains .doc with image captions 2015 |
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|
Folder and subfolders, "project raad/sk," contains .doc and .jpg source material for SK and Walid Raad book 2006-2011 |
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|
Folder, "project release forms," contains .doc release form for "A girl from abroad" 2014 |
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|
Folder, "projects in storage," contains .png screenshots of early projects 2022 |
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|
Folder, "Provence," contains .doc text files and drafts about "an example of a recent work..." 2012 |
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|
Folder and subfolders, "raad/sk," contains .doc and .jpg source material for SK and Walid Raad book 2006-2007 |
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|
Folder, "RESOURCE.FRK" [no data] |
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|
Folder, "review," contains .jpg installation images 2016 |
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|
Folder, "self portrait with outmoded clothing," includes .jpg images of photographs 2020 |
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|
Folder and subfolders, "serpentine publication/kolbowski," includes .jpg reference images 2008 |
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|
Folder, "serpentine_stronger and younger men," includes .jpg reference images 2008-2019 |
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|
Folder and subfolders, "seven x 7," includes .jpg installation views and stills, .mov files of full film 2006-2023 |
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|
Folder and subfolders, "something for nothing j.pegs," includes .jpg stills, .pdf of exhibition postcard 2002-2008 |
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|
Folder, "tension and conflict," includes .jpg installation views 2017 |
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|
Folder, "terror_poland," includes .jpg installation views 2019 |
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|
Folder and subfolders, "that monster," includes Premiere project files, .aiff audio files, .png, .jpg, .tiff stills, .mp4 final film and excerpt files, .mp4 research material, .doc discussion transcripts, notes, subtitles, scripts. 2017-2019 |
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|
Folder, "the selling of ourselves," includes .jpg documentation 2017 |
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|
Folder and subfolders, "these goods are available at," includes .jpg, .png, .tif documentation images, scans, .doc project description 2002-2022 |
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|
Folder, "to print out for archive," includes .doc and .pdf interviews, images, lectures, correspondence 2012-2022 |
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|
Folder, "what was [the right answer] small," contains .jpg documentation images 2009 |
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|
Folder and subfolders, "what was the right answer," contains .jpg scans, documentation images 2009-2016 |
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|
Folder, "who will save us," contains .png installation views, stills, images of discussion, full .mov file of film 2022 |
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|
Folder, "works on paper paint," contains .jpg documentation images, .pdf of works on paper 2019-2023 |
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|
Folder, "XI book cover," contains .tiff book cover 2017 |
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|
Folder, "XI projects copy," contains full .PDF of book, "Silvia Kolbowski: XI Projects" 2017 |
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|
Folder, "XTRA_11_1ARTIST_PROJECT_if i ruled the world," contains .ai Illustrator layout documents, .doc project descriptions, planning documents 2008 |
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|
Folder and subfolders, "Y8_unposed," contains .jpg documentation, floor plans, .doc project descriptions, descriptive material 2003-2008 |
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|
Folder, "to print out for archive," includes .doc and .pdf interviews, images, lectures, correspondence (duplicate) 2012-2022 |
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Series X: MediaScope and ContentsSeries X: Media contains audiovisual material, including VHS tapes, DVDs, CDs, and audiocassette tapes in various formats. This material documents Kolbowski's artworks, and contains source and raw material for the final works. Each media item in this series is associated with a unique identifier. |
||||
| box | ||||
|
026.001 Betacam SP, "USA DUBS", "VIA Barcelona 96, 'Something for Nothing' Video #1", "Dub" n.d. |
33 | |||
|
026.002 Quantegy T120 E180, "an inadequate history of conceptual art, tape #2" n.d. |
33 | |||
|
026.003 Quantegy T120 E180, "an inadequate history of conceptual art, tape #1 unedited" n.d. |
33 | |||
|
026.004 VHS, "Silvia Kolbowski, 'Like Looking Away', 2002 (video/audio component, 25:00 minutes) n.d. |
33 | |||
|
026.005 3m T-30 VHS, "Closed circuit dub" n.d. |
33 | |||
|
026.006 Betacam SP original, "Unedited L.Vegas by car, 1996" n.d. |
33 | |||
|
026.007 Fuji M321 SP, Metal tape, Betacam SP, "Like Looking Away, Kolbowski TRT- 24:55, 9/11/02, Audio oN! only", "Kolbowski edit master" n.d. |
33 | |||
|
026.008 USA Dubs, "Via Barcelona 96", "Something for Nothing," 1996 Silvia Kolbowski, Video #3" 212-501-9278 n.d. |
33 | |||
|
026.009 Sony BCT-30MA, "Seven/original", "Seven, S.Kolbowski" n.d. |
33 | |||
|
026.010 Broadcast VHS, "1 Silvia Kolbowski 'Seven x 7, 2001, 11:37 minutes" n.d. |
33 | |||
|
026.011 Ampex Metal Tape Betacam SP, "Master, "Something for Nothia Via '96"; "Video #1 Master"; "VIA Barcelona Something For Nothing Video #1 96" n.d. |
33 | |||
|
026.012 VHS, Sony 60, "an inadequate history of conceptual art 1999, Silvia Kolbowski"; "DUB" n.d. |
33 | |||
|
026.013 SONY T-30 PR, "Combustion SEI Spring '02" |
33 | |||
|
026.014 VHS, "De Longhi Portable Windowless Air-conditioner instructional video tape" "Pinguino" n.d. |
33 | |||
|
026.015 VHS, TDK AQ, "55336 1; 7 for Silvia" n.d. |
33 | |||
|
026.016 Maxell HGX Gold, T-120, "c dogfilm, 95/96, futuristic bodies L. 49 94 min." "VHS-NTSC copy" n.d. |
33 | |||
|
026.017 TDK XP, "Once more with Feeling", and "Already", 10/92, POSTMASTERS, Silvia Kolbowski" n.d. |
33 | |||
|
026.019 Betacam SP, "Something for nothing w/o text, 1996, "Master w/o type" n.d. |
33 | |||
|
026.020 3M T-120, "Window dub Audio-Homelette" n.d. |
33 | |||
|
026.021 Ampex 189 T-30, "Once More with Feeling', and 'Already', 10/92, POSTMASTERS, Silvia Kolbowski n.d. |
33 | |||
|
026.022 Ampex HG VHS, T60 E90, "12966"; "VHS Unedited Time Code, Window Dub, Soho/Chelsea" n.d. |
33 | |||
|
026.023 VHS, "USA DUBS, 'Something for Nothing, 1996, video #3, [email protected], 212-501-9278 n.d. |
33 | |||
|
026.024 Ampex Betacam SP 398, "Something for Nothing, Via 96, Video #2, Master", " n.d. |
33 | |||
|
026.025 Ampex 197 U-Matic, "Like the difference between autumn/winter 94/95, and spring/summer '95, Peter Eisenman + Silvia Kolbowski, 3/4 Master tape" n.d. |
34 | |||
|
026.026 Sony BCT-60ML A, Betacam SP, "Closed Circuit' 1997, 12:07:28', "Silvia Kolbowski 2125019278", Master n.d. |
34 | |||
|
026.027 Sony 90 Betacam SP, "Fox Forgive or Forget Show 99014, ISO E Dub", SYLVIA n.d. |
34 | |||
|
026.028 Fuji M321 SP Betacam, "'Closed Circuit' looped dub 60:00:00, Silvia Kolbowski...", "2934" n.d. |
34 | |||
|
026.029 Fuji M321 SP Betacam, "Silvia Kolbowski 212-253-2922, 'an inadquate history of conceptual art', [email protected], 55:00" n.d. |
34 | |||
|
026.030 SONY Betacam 90, "SEVEN master 9.9.00, Looped 4 times, 40 sec..." and "Fox Fogive or Forget Show 99013 ISO E Dub" n.d. |
34 | |||
|
026.031 Sony 90 Betacam SP, "Silvia Kolbowski, 'an inadequate history of conceptual art', shorter version (whitney museum version) sound and video, 40 secs bar; 20 secs black..." "Master", Post it: Label: Silvia Kolbowski.... n.d. |
34 | |||
|
026.032 Sony 90 Betacam SP, "'Seven x 7' Silvia Kolbowski 212-253-2922 Master 14:37" n.d. |
34 | |||
|
026.033 Sony digital betacam BCT-D64L, no label, blue box n.d. |
34 | |||
|
026.034 Sony 90 Betacam SP, no labels, grey box with blue label n.d. |
34 | |||
|
026.035 Blank VHS in white case, serial D167A23 T-60" ("Closed Circuit" S. Kolbowski Extended Play Version) |
34 | |||
|
026.036 Sony 60 Betacam SP, "Silvia Kolbowski, 'Like the difference between autumn winter 94' 95' and spring/summer 95'" "Dub" Peter Eisenman n.d. |
34 | |||
|
026.037 Sony 60 Betacam SP "Sound for 'Inadequate History of Conceptual Art' 2/4/00 Master/Whitney Version S. Kolbowski" n.d. |
34 | |||
|
026.038 Maxwell VHS T-120 "SK Super 8 Tests 2004 Max + SK not used in P2P" |
34 | |||
|
026.039 Ampex Metal Tape Betacam SP, "DUB" "Something for Nothing #2, 6/96"; Via Barcelona '96, Silvia Kolbowski, DUB ,212-501-9278" n.d. |
35 | |||
|
026.040 Quantegy VHS, labels "2 +W.D. 55336; 747 T.C.D, Store tour" n.d. |
35 | |||
|
026.041 Broadcast VHS, "Video Databank," "Parsons Program, tape 2, 'Performance/Audience/Meirror, Dan Graham, 1975. 23 mins, 360 degrees, Hermine Freed, 1972, 8 mins, Disturbances, Joan Jonas, 1974, 15 mins, Vertical Roll, Joan Jonas, 1972, 20 mins; Now, Lynda Benglis, 1973, 10 min, Open Book, Vito Acconci, 1974, 9:10 min"; "Parsons tape 2 Time Space Intervention" n.d. |
35 | |||
|
026.042 Quantegy Maxell, "Footage of Home-lette" n.d. |
35 | |||
|
026.043 Maxell T-120, "Sylvia 501-9278, 5 min"; "La Notte Window Dub from Beta" n.d. |
35 | |||
|
026.044 3m T-20, "Videoservice Devlin, Critical Reproductions, "Something for Nothing" 1996, Video #1, TRT 19:51; NTSC 525/60; 6/18/96 n.d. |
35 | |||
|
026.045 Maxell, Label, "P.A.T Film Services"; "Home-lette Silvia Kolbowski, 1994, 15 min. 26 sec, Dub...." n.d. |
35 | |||
|
026.046 Quantegy VHS, "1 55336, +W.D.; Seven x 7 T.e..d, Nancy + Ulax", "Seven interviews t.c.d." n.d. |
35 | |||
|
026.047 Sony VHS, "Silvia Kolbowski, 232-501-9278. an inadequate history of conceptual art", "American Fine Arts, Co. Colin de Land Fine Art, 22 Wooster Street, NYC 10013, 212-941-0401, September 18- October 9" n.d. |
35 | |||
|
026.048 VHS, Betacam SP, "Something for Nothing", Video #1, Kolbowski, Via Barcelona '96, 'Something for Nothing' Silvia Kolbowski, 1996, Video #1, 212-501-9278 DUB", n.d. |
35 | |||
|
026.049 Maxell Professional Betacam SP, label, "LA NOTTE EXCERPT", "LAS VEGAS"; WTC 02:03 n.d. |
35 | |||
|
026.050 Ampex Betacam SP, Time 15:26, 8/24/94. Silvia Kolbowski 212-749-5341, "Homelette, 15:26, 8/24/94" n.d. |
35 | |||
|
026.051 Maxell T-120 P/I Plus, "full home-lette- w/ window dub" n.d. |
35 | |||
|
026.052 VHS: "USA DUBS, Silvia Kolbowski, 212-501-9278, "an inadequate history of conceptual art' EXCERPT n.d. |
35 | |||
|
026.053 SONY VHS, "Like Looking Away, Sound + Video, 24:54"; "Silvia Kolbowski, 'Like Looking Away', 212-253-2922..." n.d. |
35 | |||
|
026.054 Betacam SP, "USA DUBS", "VIA Barcelona 96, 'Something for Nothing' Video #2", "Dub" n.d. |
35 | |||
|
026.055 Quantegy T-130, "Like Lookin Away 23:30", "Action Adventure Loop TRT 23:30" n.d. |
35 | |||
|
026.056 Ampex Betacam SP, "P.A.T. Film Services", "Dub", "Homelette" 15:26, 8/24/94, 40 sec bars-20 sec black, Silvia Kolbowski 212-749-5341 212-316-3703 Dub n.d. |
35 | |||
|
026.057 Sony 30 Betacam SP BCT-30MA, "2 55336" n.d. |
35 | |||
|
026.058 VHS, "Centre de Cultural Contemporania de Barcelona, 'ANYWAY v.o. English subtitled", "NTSC" n.d. |
35 | |||
|
026.059 Betacam, "B", "Master", "Via Barcelona '96, 'Something for Nothing, 1996, Silvia Kolbowski, Video #3, "212-501-9278", "Master" n.d. |
35 | |||
|
026.018 Betacam SP, USA DUBS, "Via Barcelona 96, Something for Nothing 1996, Silvia Kolbowski, Video #3". "Something for Nothing #3, Dub" "Looped" n.d. |
35 | |||
|
026.060 Quantegy PT30E458, "Silvia Kolbowski, 'an inadequate history...' 199 NTSC, Short: Biennial Version" n.d. |
35 | |||
|
026.061 Betacam, "Visual Productions", "73698", "Motion control test" "Can be re-used" n.d. |
35 | |||
|
026.062 Sony BCT-30MA, crossed out "Homelette audio #2", "can be reused" n.d. |
35 | |||
|
026.063 Maxell T-120, "Master", "Edited Las Vegas, window dub, not final!" n.d. |
35 | |||
|
026.064 Maxell, "an inadequate history of conceptual art.' 1999, (combined audio/video excerpt, 60 mins) n.d. |
35 | |||
|
026.065 Maxell, VHS, "(image only), Silvia Kolbowski, 'an inadequate history of conceptual art', [email protected]; 55:00, 1998/1999"; "i.h.c.a video only (final version)" n.d. |
35 | |||
|
026.066 3m T-20, "Videoservice Devlin, Critical Reproductions, "Something for Nothing" 1996, Video #2, TRT 19:51; NTSC 525/60; 6/18/96 n.d. |
35 | |||
|
026.067 Sony 90 Betacam SP, "2 inad. hist." "orginal" n.d. |
35 | |||
|
026.068 TDK Hi8 MP120, "Silvia Kolbowski 5019278," "An Inadequate History of conceptual art 1," "3/26/99 Mac Adams" n.d. |
36 | |||
|
026.069 Sony Hi8 Metal-E E6-120HMEX, "Closed Circuit," "Soho Chealsea," "12966" 1997 |
36 | |||
|
026.070 Radio Shack LN120, "Silvia Kolbowski- Interview," "January 13, 1998" 1998 |
36 | |||
|
026.071 Panasonic DVM60, "6/22/06 Manicure," "World Cup, 7/9/06" 2006 |
36 | |||
|
026.072 Sony Hi8 Metal-E E6-120HMEX, "Misc. 895 WEA" n.d. |
36 | |||
|
026.073 Sony Hi8 Metal-E E6-120HMEX, "Silvia Kolbowski #2," "Max's tape" n.d. |
36 | |||
|
026.074 RadioShack MC90, "P. T. P. #1," "4/9/04," "MTC Side 2," "Tony" 2004 |
36 | |||
|
026.075 RadioShack MC-60, "Interview- SK by Hal Foster 4/27/04" "Side 1," "4/27/04" 2004 |
36 | |||
|
026.076 RadioShack MC-60, "Trustee," "6/2/04" 2004 |
36 | |||
|
026.077 RadioShack MC-90, "Abraham" n.d. |
36 | |||
|
026.078 RadioShack MC-60, "Run thru," "Micheal Lewis" n.d. |
36 | |||
|
026.079 TDK MC60, "Sara + Savannah" n.d. |
36 | |||
|
026.080 TDK MC60, "Nicole" n.d. |
36 | |||
|
026.081 TDK MC-60, "Kolbowski Shopping," "7/2001," "Ludovica," "7x7," "Diawara" 2001 |
36 | |||
|
026.082 TDK MC-60, "Diawara 7/97," "Tape 1, Side 2" 1997 |
36 | |||
|
026.083 TDK MC-60 case, Panasonic MC60 tape, "Montana Yeon," "Ana Jose" n.d. |
36 | |||
|
026.084 Sony Hi8 Metal-E E6-120HMEX, "Rosanne" n.d. |
36 | |||
|
026.085 Maxell MC-60UR, "P.+P. #1," "Tony," "4/9/04" 2004 |
36 | |||
|
026.086 Maxell DVM60SE, "SK Ahma," "River Road- DV," "6-23-07" 2007 |
36 | |||
|
026.087 Sony DVM60, "No #2 Levee Tour," "6/20" n.d. |
36 | |||
|
026.088 HHB DAT15, "Connie Beckley," "4/19/99" 1999 |
36 | |||
|
026.089 HHB DAT15, "Louise Lawler," "6/3/99" 1999 |
36 | |||
|
026.090 HHB DAT15, "Mac Adams," "3/26/99," "Mary Kelly," "3/28/99" 1999 |
36 | |||
|
026.091 HHB DAT15, "Dennis Adams," "7/23/99," "Eleanor Antin Performance Clocktower," "ca. 1975/76" 1999 |
36 | |||
|
026.092 HHB DAT15, "Jim Welling," "7/16/99," "Hannah Darboven Guggenheim date- 1970-71?" 1999 |
36 | |||
|
026.093 HHB DAT15, "Dara Birnbaum," "8/4/99" 1999 |
36 | |||
|
026.094 HHB DAT15, "Dorthea Rockburne," "8/6/99," "Barry Le Va, ca. 1973/, (sonnabend)" "Le Va 255 7437, 148 w23 48, NYC 10011" 1999 |
36 | |||
|
026.095 HHB DAT15, "Hans Hacke, 7/20/99" 1999 |
36 | |||
|
026.096 HHB DAT15, "Al Ruppersberg, 7/2/99," "Wolfgang Stoerchle, Last Performance, (Untitled), 1975, Studio of John Baldessari" 1999 |
36 | |||
|
026.097 HHB DAT15, "Carolee Schneemann, 6/24/99," "Beau Geste Press, Felipe Ehrenberg + Marta Helion/ founders, 1970/71," "Collumpton Devon England" 1999 |
36 | |||
|
026.099 Sony NTSC Hi8 E6-120HMEX, "Cindy + Christopher Wedding" n.d. |
36 | |||
|
026.100 Sony NTSC Hi8 E6-120HMEX, "Homelette- uncut," "Social Constructions," "1994 (July/ August)," "Tape #1" 1994 |
36 | |||
|
026.101 Sony NTSC Hi8 E6-120HMEX, "Las Vegas- Gen'L, 5/2/3/96," "Sylvia" 1996 |
36 | |||
|
026.102 Panasonic RT-60MC, "Kolbowski" n.d. |
36 | |||
|
026.103 Maxell MC-60UR, "Herzog," "WTC" n.d. |
36 | |||
|
026.104 RadioShack MC-60, "investor, 6/10/04," "side 1," "5/24/04, investor, P. to. P. #2" 2004 |
36 | |||
|
026.105 RadioShack MC-60, "5/24/04, Jesse, P. to P., #2" 2004 |
36 | |||
|
026.106 RadioShack MC-60, "Interview SK by Hal Foster, 5/27/04," "Side 1, #2, H+S," "Side 2, #2, 4/27/04, S+H" 2004 |
36 | |||
|
026.107 Maxell MC-60UR, "Clausen + SK" n.d. |
36 | |||
|
026.109 HHB DAT15, "Joyce Kozloff, 5/14/99" 1999 |
36 | |||
|
026.110 Panasonic DVC case, Sony DVM60 cassette, "Argentina, B.A. May, 2006" 2006 |
36 | |||
|
026.111 Panasonic DVM63, "Tape #1 'Hiroshima,' Bed mirror final, 10/15/07" 2007 |
36 | |||
|
026.112 Sony DVM60, "Augusta/ Tiffany, 1/07" n.d. |
36 | |||
|
026.113 Sony DVM60, "March on Wash DC, January 27, 2007" 2007 |
36 | |||
|
026.114 Sony DVM30, "SK HMA, 6-23-07" "River Road, 16 mm" 2007 |
36 | |||
|
026.115 Panasonic DVC LP90, "'River Road,' 2003, Silvia Kolbowski + Maxim K-F" 2003 |
36 | |||
|
026.116 Sony DVM60, "Grace Scott, Dominick Anar, Sept 2006," "9/2006" 2006 |
36 | |||
|
026.117 Sony DVM60, "00:25:39," "'Like Looking Away,' Silvia Kolbowski, 2001-2002/ 2004," "Aug '04," "Note: Copy to DVD, Loop start on 00:00:16(sec):20(frames)" 2004 |
36 | |||
|
026.118 Sony DVM60, "Nuria, 1/9/07" 2007 |
36 | |||
|
026.119 TDK MC60, "Shopping - Sara, Nadine" n.d. |
36 | |||
|
026.120 Sony DVM60 LP:90, "'Like Looking Away,' 2002, 24:54, Silvia Kolbowski," "Edit Master, 8/19/02," "2532922," "Mini-DV" 2002 |
36 | |||
|
026.121 Sony DVM60, "Nu #9, Celestine Pastors," "#9 Celestine" n.d. |
36 | |||
|
026.122 Maxell DVM60SE, "NYC - Nightime - Ext," "Japonais - Skahma," "Japonais summer 07, Lana Yu, Sarah Tadlaoui" n.d. |
36 | |||
|
026.123 Sony DVM60, "Like looking away (RMX)" n.d. |
36 | |||
|
026.124 Panasonic DVM60, "'River Road,' 2003, S. Kolbowski, M. Kolbowski- Frampton," "2003 (July), 00.10" 2003 |
36 | |||
|
026.125 TDK Hi8 MP120, "An inadequate history of conceptual art #2," Silvia Kolbowski, 501 9278, #1," n.d. |
36 | |||
|
026.126 Sony DVM60, "No#5, Gentilly, 9th Ward Debrief, 6/22" n.d. |
36 | |||
|
026.127 Sony DVM60, "'Like Looking Away,' Re-edit, July 2004," 2004 |
36 | |||
|
026.128 RadioShack MC-60, "Interview SK by Hal Foster, 4/27/04," "#3 side 1, 5/27/04, Hal Foster/ SK" 2004 |
36 | |||
|
026.129 RadioShack MC-60, "Trustee, 6/2/04," "Politician, 7/04, Side 1," "Side 2" 2004 |
36 | |||
|
026.130 Panasonic DVM60, "SK- AHMA, Vinegar/ D. Powder," "11/26" n.d. |
36 | |||
|
026.131 HHB DAT15, "Howardena Pindell, 5/21/99" 1999 |
36 | |||
|
026.132 HHB DAT15, "Lawrence Weiner, 5/3/99" 1999 |
36 | |||
|
026.133 HHB DAT50, "Allan McCollum, 4/23/99" 1999 |
36 | |||
|
026.134 HHB DAT15, "Eileen Hickey Hulme, 4/22/99" 1999 |
36 | |||
|
026.135 HHB DAT15, "Lucio Pozzi, 4/27/99" 1999 |
36 | |||
|
026.136 HHB DAT15, "Les Levine, 6/8/99" 1999 |
36 | |||
|
026.137 HHB DAT15, "Vito Acconci, 8/6/99," "An Anthology, by La Monte Young, 1967 or 1968, projects by Douglas Huebler, Dennis Oppenheimer, 8:?" 1999 |
36 | |||
|
026.138 HHB DAT15, "Jonas Mekas, 8/10/99," "1956/66, NY Expanded Cinema Festival, (1) Ken Dewey, (2) Claes Oldenburg, (3) Rausch, (4) Ed Emshweller" 1999 |
36 | |||
|
026.139 HHB DAT15, "Mel Bochner, Jasper Johns Ret, 7/12/99," "Jasper Johns, Jewish Museum, 1964" n.d. |
36 | |||
|
026.140 HHB DAT15, "Yvonne Rainer, 5/22/99" 1999 |
36 | |||
|
026.141 Sony Hi8 P6-60HMPX, "Blank" 1999 |
36 | |||
|
026.142 Canon SDC-16M, "Augusta, 1/07" n.d. |
36 | |||
|
026.319 SONY MiniDisc 74, "Discussion in Croatia with Dennis Adams, Elia Zenghelis, S. Kolbowski, 1999, Conducted by Ana Marinkovic, Radio 101 Gajera 10, 10000 Zagreb" |
36 | |||
|
RadioShack 2 speed microcassette recorder, contains Radio Shack MC-60 microcassette, label, "Dictaphone," "G.W. P to P 1" |
36 | |||
|
RadioShack 2 speed microcassette recorder, empty |
36 | |||
Subseries X.A: CD BindersScope and ContentsThe X.A: CD Binders subseries consists of binders of CD documentation assembled and labeled by Kolbowski. |
||||
| Binder | ||||
|
026.143 CD-ROM, "'After Hiroshima Mon Amour,' 30 mins. (8 min. black), Master" n.d. |
37 | |||
|
026.144 CD-ROM, "HMA Limbs Book, Hiroshima Mon Amour" n.d. |
37 | |||
|
026.145 DVD-ROM, "'After Hiroshima Mon Amour,' Silvia Kolbowski, 2008 video/ 14mm, 00:22:14, Master" 2008 |
37 | |||
|
026.146 CD-ROM, "HMA final images" n.d. |
37 | |||
|
026.147 CD-ROM, "Hiroshima Duras script" n.d. |
37 | |||
|
026.148 CD-ROM, "AHMA- Laxart" n.d. |
37 | |||
|
026.149 CD-ROM, "HMA final images, Hiroshima Mon Amour" n.d. |
37 | |||
|
026.150 CD-ROM, "HMA newspaper images" n.d. |
37 | |||
|
026.151 CD-ROM, "Hma book, hma screen, W.R. bullet images, powerpoint" n.d. |
37 | |||
|
026.152 CD-ROM, "hma-sk, 1-6, powerpoint" n.d. |
37 | |||
|
026.153 CD-ROM, "HMA #7" n.d. |
37 | |||
|
026.154 CD-ROM, "Hma- frames, 2" n.d. |
37 | |||
|
026.155 DVD-ROM, "S. Kolbowski, HMA Montage 1, ver. 1-3, w/o sound + w/ sound" n.d. |
37 | |||
|
026.156 DVD-ROM, "Silvia Kolbowski, After Hiroshima Mon Amour, 16mm sequence/ still montage, x fade" n.d. |
37 | |||
|
026.157 DVD-ROM, "TC stamp 2, Silvia Kolbowski, Hiroshima Mon Amour," "Maxim Kolbowski- Frampton, 646-662-8684" n.d. |
37 | |||
|
026.158 DVD-ROM, "TC Print 1, Silvia Kolbowski - Hiroshima Mon Amour, 01:19:31," "Maxim Dove, Interzone Films, 646-662-8684" n.d. |
37 | |||
|
026.159 DVD-ROM, "Silvia Kolbowski, 2007, 'After Hiroshima Mon Amour,' First cut subclips" 2007 |
37 | |||
|
026.160 CD-ROM, "SK AHMA, Audio Extracts" n.d. |
37 | |||
|
026.161 CD-ROM, "UO French & English, Hiroshima Mon AMour, 6-16-07," "Protools DATA, Vers. 7.3" 2007 |
37 | |||
|
026.162 CD-ROM, "Draft Montages, 8/30" n.d. |
37 | |||
|
026.163 CD-ROM, "2 pics, high res, hma" n.d. |
37 | |||
|
026.164 CD-ROM, "3/19/08, Hiroshima French Edits" 2008 |
37 | |||
|
026.165 DVD-ROM, "Final high res, AHMA photos" n.d. |
37 | |||
|
026.166 CD-ROM, "Kolbowski, AHMA tests" n.d. |
37 | |||
|
026.167 CD-ROM, "orig. files of HMA frames, 1/31/07" 2007 |
37 | |||
|
026.168 DVD-ROM, "KOPIA, I.H.C.A. Video only (no sound)" n.d. |
38 | |||
|
026.169 CD-ROM, "'an inadequate history of conceptual art,' CD#2" n.d. |
38 | |||
|
026.170 DVD, "Silvia Kolbowski, 'an inadequate history of conceptual art,' 1998/1999, video 55:00" 1998-1999 |
38 | |||
|
026.171 CD-ROM, "I.H.C.A. video only (no sound)" n.d. |
38 | |||
|
026.172 DVD-ROM, "Silvia Kolbowski, 'an inadequate history of conceptual art,' 1988/1999, video only/ no sound" 1998-1999 |
38 | |||
|
026.173 DVD-ROM, "Silvia Kolbowski, 'an inadequate history of conceptual art,' 1999, [Just video no sound], Dub Feb 14/02" n.d. |
38 | |||
|
026.174 CD-ROM, "Silvia Kolbowski, 'an inadequate history of conceptual art,' 1999/55:00, 212 253 2922, This CD is an excerpt of a project. (Only sound)" 1999 |
38 | |||
|
026.175 CD-ROM, "I.H.C.A. video only (no sound)" n.d. |
38 | |||
|
026.176 Kodak Photo CD, "Photos of I.H.C.A?" n.d. |
38 | |||
|
026.177 CD-ROM, "Silvia Kolbowski, 'an inadequate history of conceptual art,' 1999 #1 (11 accounts), Total run time= 54:14" 1999 |
38 | |||
|
026.178 CD-ROM, "Silvia Kolbowski, 'an inadequate history of conceptual art,' 1999 #2 (11 accounts), Total run time= 54:53" 1999 |
38 | |||
|
026.179 CD-ROM, "Images of 'an inadequate history of conceptual art,' (high resolution), + press release, Kolbowski" n.d. |
38 | |||
|
026.180 CD-ROM, "S. Kolbowski, 212 253 2922 (c), I.H.C.A., disc #1, audio," "Villa Arson Nice Exhibition" n.d. |
38 | |||
|
026.181 CD-ROM, "Kolbowski 'inadequate history,' audio only excerpt" n.d. |
38 | |||
|
026.182 CD-ROM, "S. Kolbowski, 212 253 2922 (c), I.H.C.A., disc #2, audio," "Villa Arson Nice Exhibition" |
38 | |||
|
026.183 CD-ROM, "I.H.C.A., m.peg, S. Kolbowski, 212 253 2922" n.d. |
38 | |||
|
026.184 CD-ROM, "1/19/07 transcripts I.H.C.A., (These need one final edit)" 2007 |
38 | |||
|
026.185 CD-ROM, "'An inadequate history of conceptual art' images (4), Silvia Kolbowski" n.d. |
38 | |||
|
026.186 CD-ROM, "Transcripts, Steve's Work, transcriptions? so far, 06.25.02" 2002 |
38 | |||
|
026.187 DVD-ROM, "Sylvia Kolbowski, ENG." n.d. |
38 | |||
|
026.188 DVD-ROM, "Sylvia Kolbowski, copy, ENG." n.d. |
38 | |||
|
CD-ROM, unlabeled (17) n.d. |
38 | |||
|
026.189 DVD-ROM, "Silvia Kolbowski 'Like Looking Away,' -2002, 24:54, DCD by J&D Digital Video Laboratories, Inc." 2002 |
39 | |||
|
026.190 DVD, "Silvia Kolbowski, 'Like Looking Away,' 2000-2002/2004, 00:25:39, -Looped-" n.d. |
39 | |||
|
026.191 CD-ROM, "'Like looking Away,' Silvia Kolbowski, 2002, American Fine Arts, New York, 212 727 7366, (Audio Only)" 2002 |
39 | |||
|
026.192 CD-ROM, "'Like Looking Away,' Portrait Scans" n.d. |
39 | |||
|
026.193 CD-ROM, "'Like Looking Away,' Portrait Scans (final)" n.d. |
39 | |||
|
026.194 CD-ROM, "LLA high res portrait images!, Silvia Kolbowski catalogue images, text - I.H.C.A., LLA, P2P, 08/01/04" 2004 |
39 | |||
|
026.195 DVD-ROM, "Full program 'Like Looking Away'" n.d. |
39 | |||
|
026.196 DVD-ROM, "?, 'Like Looking Away'" n.d. |
39 | |||
|
026.197 CD-ROM, "'Daisy'" n.d. |
39 | |||
|
026.198 CD-ROM, "'Nicole'" n.d. |
39 | |||
|
026.199 "'Yeon Wha'" n.d. |
39 | |||
|
026.200 "'Like Looking Away,' Portrait scans" n.d. |
39 | |||
|
026.201 CD-ROM, "'Astrid'" |
39 | |||
|
026.202 CD-ROM, "2002, Like Looking Away, 24:54, Kolbowski" |
39 | |||
|
026.203 DVD, "Silvia Kolbowski, Like the difference between autumn/winter '94/'95 and spring/summer 1995, (full version w/ credits)" n.d. |
39 | |||
|
026.204 CD-ROM, "Slides/ Comme De Garcon" n.d. |
39 | |||
|
026.205 CD-ROM, "Comme de Garcons" n.d. |
39 | |||
|
026.206 CD-ROM, "19 images, SK, Unposed, Y8" n.d. |
39 | |||
|
026.207 CD-ROM, "130 student images, Unposed, Y8, SK" n.d. |
39 | |||
|
026.208 CD-ROM, "15 images, Unposed, Nor03, Y8, Hamburg" n.d. |
39 | |||
|
026.209 CD-ROM, "Silvia Kolbowski, 2 jpegs, 1 mpeg, CD, 11/9/06, Seven mpeg + jpegs" 2006 |
39 | |||
|
026.210 DVD-ROM, "Seven DVD" n.d. |
39 | |||
|
026.211 CD-ROM, "Sylvia K. revised mpg (6), 12/7/06, Seven" 2006 |
39 | |||
|
026.212 DVD-ROM, "Seven, DVD" n.d. |
39 | |||
|
CD-ROM, unlabeled (1) n.d. |
39 | |||
|
026.213 CD-ROM, "P2P, Short version, Kolbowski" n.d. |
40 | |||
|
026.214 CD-ROM, "Silvia Kolbowski, Proximity to Power: Slides, 09/03/04" 2004 |
40 | |||
|
026.215 CD-ROM, "P2P, Short version, S.K., Perfect" n.d. |
40 | |||
|
026.216 CD-ROM, "P2P Long version, Kolbowski, Label: Silvia Kolbowski, 'Proximity to Power, American Style,' (Long pause) 2004, Audio component, (212 253 2922), Perfect" 2004 |
40 | |||
|
026.217 CD-ROM, "P2P, Long version, Kolbowski" n.d. |
40 | |||
|
026.218 CD-ROM, "P2P, music 2x" n.d. |
40 | |||
|
026.219 CD-ROM, "Trustee, Politician, w/ questions, 8/24/04 (S)" 2004 |
40 | |||
|
026.220 CD-ROM, "The Investor, The trainer, The trustee, original unedited, secession cat. info, (LLA + covers + interview) n.d. |
40 | |||
|
026.221 CD-ROM, "Rough Mix P2P, 8/27/04" 2004 |
40 | |||
|
026.222 CD-ROM, "Data producer" n.d. |
40 | |||
|
026.223 CD-ROM, "Boys Tiff 1, High-Res. scans, P2P" n.d. |
40 | |||
|
026.224 CD-ROM, "High res scans, P2P" n.d. |
40 | |||
|
026.225 CD-ROM, "Goya 1, High-Res. scans, P2P" n.d. |
40 | |||
|
026.226 CD-ROM, "'Proximity to power,' Silvia Kolbowski, 2004, Text slides, 09/03/04" 2004 |
40 | |||
|
026.227 CD-ROM, "Goya tifffs 2, High-res scans, P2P" n.d. |
40 | |||
|
026.228 CD-ROM, "Goya Tiffs 3, Boys Tiffs 3, High-res scans, P2P" n.d. |
40 | |||
|
026.229 CD-ROM, "08/20/04, Silia Kolbowki, P2P: slides, IHCA: wall text*" 2004 |
40 | |||
|
026.230 DVD-ROM, "'Interference Pattern,' 2005, Maxim KF, Film/ video work, 2001-2005" 2005 |
41 | |||
|
026.231 DVD-ROM, "RW Mast Classes: Joe Lovano, recorded october 2006, www.robertoswinds.com" 2006 |
41 | |||
|
026.232 CD-ROM, "Sampler" n.d. |
41 | |||
|
026.233 DVD-ROM, "Maxim K-F, Portfolio 2006" 2006 |
41 | |||
|
026.234 CD-ROM, "Croton River, Dub 5:57, DJ Dove, COA Records, 2008" 2008 |
41 | |||
|
026.235 CD-ROM, "Max's sound samples" n.d. |
41 | |||
|
026.236 CD-ROM, "Dj Dore, assorted sounds, 2000-2005, [email protected]" 2000-2005 |
41 | |||
|
026.237 DVD-ROM, "Maxim K-F, film/video work, 2001-2006, [email protected]" 2001-2006 |
41 | |||
|
026.238 DVD-ROM, "Maxim K-F portfolio, 2006" 2006 |
41 | |||
|
026.239 CD-ROM, "May Day tests (2), 16x20, Sylvia Kolbowski, 646 327 0244" n.d. |
42 | |||
|
026.240 CD-ROM, "Post piece Kolbowski, 646 327 0244" n.d. |
42 | |||
|
026.241 CD-ROM, "S. Kolbowski, Hi-res scans of 1. Model Pleasure II, 2. 'Post' Piece" n.d. |
42 | |||
|
026.242 CD-ROM, "Slide scan 'Model Pleasure II'" n.d. |
42 | |||
|
026.243 CD-ROM, "High res scans, -model pleasure, -P2P" n.d. |
42 | |||
|
026.244 CD-ROM, "Model Pleasure scans" n.d. |
42 | |||
|
026.245 CD-ROM, "High res scans, 1. Model pleasure I, 2. Monumental Prop/portions (2) n.d. |
42 | |||
|
026.246 CD-ROM, "Model Pleasure VIII" n.d. |
42 | |||
|
026.247 CD-ROM, "'Arts,' Project scan" n.d. |
42 | |||
|
026.248 CD-ROM, "Silvia Kolbowski, Nothing + Everything, Leonard + Bina Ellen Art Gallery, Montreal, 2009" 2009 |
42 | |||
|
026.249 CD-ROM, "large scan 'Model Pleasure III" n.d. |
42 | |||
|
026.250 CD-ROM, "Scans of 'Model Pleasure,' III, II, Color" n.d. |
42 | |||
|
026.251 CD-ROM, "Warrant square format pics" n.d. |
42 | |||
|
026.252 CD-ROM, "Scans to Warsaw images" n.d. |
42 | |||
|
026.253 CD-ROM, "100 DPI, Chopped slide scans, Winston, These goods, Pzz, IHCA, LLA" n.d. |
42 | |||
|
026.254 CD-ROM, "Lecture Material, powerpoints, 100 dpi scans, website images" n.d. |
42 | |||
|
026.255 CD-ROM, "Silvia Kolbowski, Project Images, Like teh diff, Closed Circuit, Already, Once More, Low Res" n.d. |
42 | |||
|
026.256 CD-ROM, "Project scans, High res, med res, Like the Diff, Closed Circuit, lready, Once More" n.d. |
42 | |||
|
026.257 CD-ROM, "SK Projects, Images + text, For the website" n.d. |
42 | |||
|
026.258 CD-ROM, "Powerpoint images + high res. slide images, model p. Feb. 1990, Once more, 7x7 weeks, Review Here + There, These goods, Winston" n.d. |
42 | |||
|
026.259 CD-ROM, "Orig UCI Pics, installation views, 2006" 2006 |
42 | |||
|
026.260 CD-ROM, "Misc project scans, SK, IHCA high res. images" n.d. |
42 | |||
|
026.261 CD-ROM, "Work scans, orig uncropped, renamed from Duggal file, 100 DPI, Getty Pics 100 DPI" n.d. |
42 | |||
|
026.262 CD-ROM, "Arts Project scan" n.d. |
42 | |||
|
026.263 CD-ROM, "Kolbowski, Student work, Michael Hofer bridge images (4), 212 253 2922" n.d. |
42 | |||
|
026.264 CD-ROM, "Tote_1, Kolbowski, 28 3/4" x 24 1/2", [AFH?], 212 253 2922, Critical Repro" n.d. |
42 | |||
|
026.265 CD-ROM, "'Something For Nothing,' P.R. frame grab, j.pegs (3)" n.d. |
42 | |||
|
026.266 CD-ROM, "Scans 'enlarged from The Cat. USA'" n.d. |
42 | |||
|
026.267 CD-ROM, "Catalogue material etc. 9/7/04, Kolbowski" 2004 |
42 | |||
|
026.268 CD-ROM, "Secession catalogue, (Images + texts), 8/1/04" 2004 |
42 | |||
|
026.269 CD-ROM, "Secesion (the whole catalogue + wall poster, I.H.C.A., Catalog, SK" n.d. |
42 | |||
|
026.270 CD-ROM, "Catalog" n.d. |
42 | |||
|
026.271 DVD-ROM, "AWAW back-up" n.d. |
42 | |||
|
026.272 DVD-ROM, "AWAW Work samples" n.d. |
42 | |||
|
026.273 DVD-ROM, "AWAW work samples" n.d. |
42 | |||
|
026.274 CD-ROM, "SK in Buenos Aires portrait 12 y.o., 1965" n.d. |
42 | |||
|
026.275 CD-ROM, "Silvia Kolbowski, Power pt. pres., Getty pics file 100 DPI, saved as (Power point show) 1/2006, 646 327 0244" 2006 |
42 | |||
|
026.276 CD-ROM, "SK powerpoint presentations" n.d. |
42 | |||
|
026.277 CD-ROM, "'Presents of mind + body,' 99.9 MB," "951978.jpg, 1.5 MB," "951978.tif, 36.7 MB," "951978new.jpg, 1.6 MB, ref 23.3 MB," "951978_1.tif, 23.3 MB" n.d. |
42 | |||
|
026.278 CD-ROM, "SK pros pics" n.d. |
42 | |||
|
026.279 CD-ROM, "IHCA/ Bard ppt" n.d. |
42 | |||
|
026.280 CD-ROM, "Kolbowski, [email protected], (image of Maria for poster), [AFHA?], Up-res file to 300 DPI, 31.5 inches wide" n.d. |
42 | |||
|
026.281 CD-ROM, "Silvia Kolbowski, power point pres. saved as (P.P. Package), 1/2006, Getty pic file, 100 DPI, 646 327 0244" n.d. |
42 | |||
|
026.282 CD-ROM, "AHMA, red cross print" n.d. |
42 | |||
|
026.283 CD-ROM, "MIT jpeg, 'with what should the artist be satisfied,' Silvia Kolbowski, Critical repro, 212 253 2922" n.d. |
42 | |||
|
026.284 CD-ROM, "54450, AFHA up-res for print, Ulrike Meinhof Diese Woche" n.d. |
42 | |||
|
026.285 DVD-ROM, "52081-critical, 31.5-300 dpi, Image of Maria for poster, [AFHA?]" n.d. |
42 | |||
|
026.286 CD-ROM, "Work files for the wk of 8/28" n.d. |
42 | |||
|
026.287 CD-ROM, "Like the Difference slide scans, must be color corrected, 300 DPI, 7x11" n.d. |
42 | |||
|
026.288 CD-ROM, "Scans orig. 0/66, 0/77, 0/78, 0/79, These goods + Winston" n.d. |
42 | |||
|
026.289 CD-ROM, "Silvia Kolbowski,CCA Ujazdowski Castle" n.d. |
42 | |||
|
026.290 CD-ROM, "Man of Marble, Warsaw installation views, 1. Janda looking, 2. Janda w/ producer, 3. Janda on sculpture" n.d. |
42 | |||
|
026.291 CD-ROM, "Man of marble, -Jerzy - hands" n.d. |
42 | |||
|
026.292 CD-ROM, "6 projects low-res, add to website, SK, 12/18/06" n.d. |
42 | |||
|
026.293 CD-ROM, "6 projects, low-res, Add to website, SK, 12/18/06" 2006 |
42 | |||
|
026.294 CD-ROM, "S8/ Protest photos" n.d. |
42 | |||
|
026.295 CD-ROM, "SK, 2007, Poland Pics" 2007 |
42 | |||
|
026.296 CD-ROM, "4 making work scans, (These Goods + Winston)" n.d. |
42 | |||
|
026.297 CD-ROM, "SK, back-up, 4/3/06" 2006 |
42 | |||
|
026.298 CD-ROM, "*Scans of slides, (many project files- high res)" |
42 | |||
|
026.299 CD-ROM, "Powerpoint Hiroshima shots" n.d. |
42 | |||
|
026.300 CD-ROM, "Powerpoint Hiroshima shots, saved LOL, ppp, Kolbowski, UC Irvine" n.d. |
42 | |||
|
026.301 CD-ROM, "Perfume print test, Silvia Kolbowski, 646 327 0244" n.d. |
42 | |||
|
026.302 CD-ROM, "Hardrive back-up" n.d. |
42 | |||
|
026.303 DVD-ROM, "May Day photos, 300 dpi, 16x20 5.6x7" n.d. |
42 | |||
|
026.304 CD-ROM, "Pics of SK/KF/MKF, summer 2005" 2005 |
43 | |||
|
026.305 CD-ROM, "Mexico 05, Alberto's fotos" 2005 |
43 | |||
|
026.306 CD-ROM, "Bargemon New Year/ 04" 2004 |
43 | |||
|
026.307 CD-ROM, "Happy Birthday Silvia, Love, Simon" n.d. |
43 | |||
|
026.308 CD-ROM, "Liliana, Paternal, Arenales, Argentina" n.d. |
43 | |||
|
026.309 DVD-ROM, "DENA Memorial" n.d. |
43 | |||
|
026.310 CD-ROM, "fotos London 2006" 2006 |
43 | |||
|
026.311 CD-ROM, "Max's B-day prints (6), Silvia Kolbowski, 212 253 2922" n.d. |
43 | |||
|
026.312 CD-ROM, "Thanksgiving 2007, 222 P.A.S." |
43 | |||
|
026.313 CD-ROM, "Scan of Rammond and Ken" |
43 | |||
|
026.314 CD-ROM, "Andy + Colin" n.d. |
43 | |||
|
026.315 CD-ROM, "222 PAS, Argentina, (graffiti + misc), PA etc." n.d. |
43 | |||
|
026.316 CD-ROM, "646 327 0244, S. Kolbowski, 1982 or 3?, Photobooth SK/KF/MKF" n.d. |
43 | |||
|
026.317 CD-ROM, "Silvia photos" n.d. |
43 | |||
|
026.318 CD-ROM, "Maria Max photo" n.d. |
43 | |||
Series XI: Essential LibraryScope and ContentsSeries XI: Essential Library is a collection of publications considered by Kolbowski to be significantly influential to her work, as well as Kolbowski's own publications, and publications documenting her artistic output. The majority of these materials remain with this archival collection, however, a selection has been moved to CCS Special Collections. Please consult this document for a complete list of the Essential Library. The items in the Essential Library are organized alphabetically by title. |
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Subseries XI.A: Publications from Essential LibraryScope and ContentsThe XI.A: Publications from Essential Library subseries contains books, catalogs, monographs and artist books from the Essential Library. |
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| box | ||||
|
Ed. Chen, Wen-ling. 10 Taipei Biennial. 2010 PublisherTaipei : Taipei Fine Arts Museum |
67 | |||
|
a 2011 PublisherLondon : Architectural Association Publications |
65 | |||
|
Gould, Claudia; Valerie Smith, eds. 5000 Artists Return to Artists Space: 25 Years. 1998 PublisherNew York : Artists Space |
63 | |||
|
Freud, Sigmund. 8 Case Histories. 1977 PublisherLondon : Penguin |
52 | |||
|
Freud, Sigmund. A general Selection from the works of Sigmund Freud. 1957 PublisherNew York : Doubleday Anchor |
45 | |||
|
Krauss, Rosalind. A Voyage on the North Sea: art in the age of the post-medium condition 1999 PublisherLondon: Thames and Hudson |
54 | |||
|
Rainer, Yvonne. A Woman Who… essays, interviews, scripts 1999 PublisherBaltimore: Johns Hopkins University Press |
56 | |||
|
Le Grice, Malcom. Abstract Film and Beyond. 1977 PublisherLondon : Studio Vista |
51 | |||
|
Acting Out: the body in video then and now 1994 PublisherHenry Moore Gallery |
60 | |||
|
Apter, Emily. Against World Literature on the politics of untranslatability. 2013 PublisherLondon; New York : Verso |
53 | |||
|
Mouffe, Chantal. Agonistics: Thinking the World Politically. 2013 PublisherLondon; New York : Verso |
68 | |||
|
Crimp, Douglas, editor. AIDS: Cultural Analysis, Cultural Activism 1989 PublisherCambridge: MIT Press |
60 | |||
|
Frampton, Kenneth, ed. Aldo Rossi in America: 1976 to 1979. 1979 PublisherNew York : Institute for Architecture and Urban Studies |
61 | |||
|
Alexander McQueen - Savage Beauty. 2011 PublisherNew York : Metropolitan Museum |
52 | |||
|
Godard, Jean Luc. Alphaville. 1966 PublisherCulver City : Lorrimer Films |
48 | |||
|
Ed. Ault, Julie. Alternative Art New York, 1965-1985. 2002 PublisherMinneapolis; New York : The Drawing Center and The University of Minnesota Press |
70 | |||
|
Joselit, David. American Art Since 1945. 2003 PublisherLondon : Thames and Hudson World of Art |
45 | |||
|
Cesarco, Alejandro, ed. Amy Sillman, Gregg Bordowitz (Between Artists series). 2007 PublisherNew York : Art Resources Transfer Press |
69 | |||
|
Kolbowski, Silvia. an inadequate history of conceptual art. 2007 PublisherWarsaw : Centre for Contemporary Art Ujazdowski Castle |
65 | |||
|
Kolbowski, Silvia. an inadequate history of conceptual art. 2016 PublisherParis : Institut national d'histoire de l'art, |
64 | |||
|
Freud, Sigmund. An Outline of Psycho-Analysis the James Strachey Translation. 1969 PublisherNew York : Norton Library |
45 | |||
|
Buren, Daniel, and D'Arcangelo, Christopher, et al. Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo (1975-1979). 2011 PublisherNew York : Artists Space, 2011. |
69 | |||
|
Muller, Helene. Another Genesis of the Unconscious, Lacan Study Group, Summer 1985 1985 PublisherNew York: New York Lacan Study Group |
59 | |||
|
Davidson, Cynthia C., ed. Anyway. 1994 PublisherNew York : Rizzoli International |
62 | |||
|
Hak Kyung Cha, Theresa, ed. Apparatus, cinematographic apparatus: Selected writings. 1980 PublisherNew York : Tanam Press |
44 | |||
|
Alberro, Alexander and Sabeth Buchmann. Art After Conceptual Art. 2008 PublisherCambridge: MIT Press |
61 | |||
|
Tucker, Marcia, ed. Art After Modernism: Rethinking Representation 1984 PublisherNew York: New Museum of Contemporary Art |
64 | |||
|
Reckitt, Helena; Phelan, Peggy. Art and Feminism 2001 PublisherLondon: Phaidon |
54 | |||
|
Wilson, Siona. Art Labor, Sex Politics: feminist effects in 1970s British Art and Performance 2015 PublisherMinneapolis : University of Minnesota Press |
58 | |||
|
Foster, Hal, et al. Art Since 1900. 2004 PublisherLondon : Thames and Hudson |
51 | |||
|
Kalb, Peter R. Art Since 1980: Charting the Contemporary. 2014 PublisherLondon : Pearson, 2014 |
63 | |||
|
Artists Space: Emergency Materials Fund Independent Exhibitions Program, 1973-1981. 1982 PublisherNew York : Committee for the Visual Arts |
62 | |||
|
Lotringer, Sylvère and Marazzi, Christian, eds. Autonomia: Post-political Politics (Semitext(e) Foreign Agents Series). 2007 PublisherLos Angeles : Semiotext(e) |
67 | |||
|
Avant-Garde: Experimental Cinema of the 1920s and 30s, films from the Raymond Rohauer collection (Deluxe two-disc edition). 2005 PublisherNew York : Kino Video |
52 | |||
|
Aust, Stefan. Baader-Meinhof - the inside story of the R.A.F. 2009 PublisherOxford : Oxford University Press |
46 | |||
|
Bard Graduate Center Public Programs Spring 2016 2016 PublisherNew York : Bard Graduate Center |
48 | |||
|
Lambert-Beatty, Carrie. Being Watched: Yvonne Rainer and the 1960s 2008 PublisherCambridge ; London : OCTOBER books; The MIT Press |
66 | |||
|
Kolbowski, Silvia; Raad, Walid. Between Artists: Silvia Kolbowski and Walid Raad. 2006 PublisherNew York : A.R.T. Press |
61 | |||
|
Owens, Craig. Beyond Recognition: Representation, Power and Culture 1992 PublisherOakland : California Press |
62 | |||
|
Freud, Sigmund. Beyond the Pleasure Principle. 1961 PublisherNew York : Norton Library |
45 | |||
|
Hedberg Bildtidningen, Hans, ed. No. 48. 1991 PublisherStockholm : Fotograficentrum |
62 | |||
|
Carpenter, Elizabeth and Rothfuss, Joan, eds. Bits & Pieces Put Together to Present a Semblance of a Whole: Walker Art Center Collections. 2005 PublisherMinneapolis : Walker Art Center, |
65 | |||
|
Fanon, Frantz. Foreword, Bhabha, Homi; trans. Lam Markmann, Charles. Black Skin, White Masks 1986 PublisherLondon : Pluto Press |
68 | |||
|
Wallace, Brian, ed. Blasted Allegories: An Anthology of Writings by Contemporary Artists. 1987 PublisherNew York : New Museum of Contemporary Art; Cambridge : MIT Press |
61 | |||
|
Bird, Jon, et al, eds. Block Number 7 1982 PublisherBristol : Middlesex Polytechnic |
67 | |||
|
Che Guevara, Ernesto. Bolivian Diary 1994 PublisherAtlanta : Pathfinder Press |
46 | |||
|
Philipp Muller, Christian. Branding the Campus 1996 PublisherRichter Verlag |
59 | |||
|
Graham, Dan. Buildings and Signs. 1981 PublisherChicago : The Renaissance Society at The University of Chicago; Oxford : Museum of Modern Art Oxford |
71 | |||
|
Barthes, Roland; trans. Howard, Richard. Camera Lucida. PublisherNew York : Hill and Wang, 1981. |
70 | |||
|
Freud, Sigmund. Character and Culture. 1963 PublisherNew York : Collier Books |
52 | |||
|
Chicago Manual of Style, thirteenth edition 1982 PublisherChicago: University of Chicago Press |
61 | |||
|
Alter, Nora. Chris Marker. 2006 PublisherChampaign : University of Illinois Press |
46 | |||
|
Martin, Adrian and Bellour, Raymond. Chris Marker: Owls at Noon Prelude: the Hollow Men. 2008 PublisherBrisbane : Institute of Modern Art, |
44 | |||
|
Marker, Chris. Chris Marker Staring Back. 2007 PublisherColumbus : Wexner Center |
45 | |||
|
Straub, Jean Marie. Chronicle of Anna Magdalena Bach. 2005 PublisherNew York : New Yorker Video |
52 | |||
|
Deleuze, Gilles. Cinema 1 the movement image. 1986 PublisherMinneapolis : University of Minnesota Press |
45 | |||
|
Cinema Censorship and the State: The Writings of Nagisa Oshima. 1992 PublisherCambridge : MIT Press |
50 | |||
|
Jenkins, Steven. City Slivers and Fresh Kills: the films of Gordon Matta Clark. 2004 PublisherSan Francisco : San Francisco Cinematheque |
50 | |||
|
Freud, Sigmund. Civilization and its Discontents. 1961 PublisherNew York : Norton Library |
52 | |||
|
Kolbowski, Silvia and Kwon Miwon. Closed Circuit: Soho Chelsea, Furniture, Fashion, Food, Art. 1997 PublisherNew York : Postmasters Gallery |
61, 63, 65, 67, 71 | |||
|
Balk, Dennis, ed. Colin De Land: American Fine Arts. 2008 PublisherNew York : PowerHouse Books |
65 | |||
|
Debord, Guy. Comments on the Society of the Spectacle. 1990 PublisherLondon ; New York : Verso |
46 | |||
|
Lefort, Claude. Complications: communism and the dilemmas of Democracy. 1999 PublisherNew York : Columbia University Press |
44 | |||
|
Foster, Hal. Compulsive Beauty 1993 PublisherCambridge: MIT Press |
54 | |||
|
Richardson, Tony, ed. Concepts of Modern Art. 1974 PublisherLondon : Penguin |
45 | |||
|
Alberro, Alexander and Blake Stimson. Conceptual Art: a critical anthology 1999 PublisherCambridge: MIT Press |
61 | |||
|
Morrow, Bradford. ed. Conjunctions No. 18: Fables, Yarns and Fairy Tales. 1992 PublisherNew York : Bard College ; Random House Inc |
61 | |||
|
Butler, Judith, et al. Contingency, Hegemony, Universality: Contemporary Dialogues on the Left. 2000 PublisherLondon ; Brooklyn : Verso |
68 | |||
|
Morris, Robert. Continuous Project Altered Daily: the Writing of Robert Morris. 1995 PublisherCambridge : MIT Press |
44 | |||
|
Charbonniere, Georges Conversations with Claude Levi-Strauss 1969 PublisherLondon: Cape Editions |
58 | |||
|
Courbet Reconsidered. 1988 PublisherBrooklyn : Brooklyn Museum |
49 | |||
|
Arendt, Hannah. Crises of the Republic. 1972 PublisherLondon ; New York ; San Diego: Harvest Books, Harcourt Brace Company |
68 | |||
|
MacDonald, Scott. Critical Cinema: 4 interviews with independent filmmakers. 2005 PublisherOakland : University of California Press |
50 | |||
|
Critical Mass 2003 PublisherNew Brunswick: Rutgers University Press |
55 | |||
|
Cultural Identities n.d. PublisherLondon: Arts Center Cinema, Commonwealth Institute |
59 | |||
|
Dickerman, Leah. Dada. 2005 PublisherWashington : National Gallery of Art |
49 | |||
|
Buchloh, Benjamin, ed. Dan Graham: Video-Architecture-Television: Writings on Video and Video Works 1970-1978. 1979 PublisherHalifax : The Press of the Nova Scotia College of Art & Design; New York : New York University Press |
66 | |||
|
Knoll, Valérie, et al, ed. Dealing With- Some Texts, Images and Thoughts Related to American Fine Arts, Co. 2012 PublisherLondon : Sternberg Press |
63 | |||
|
Norris, Christopher. Deconstruction theory & practice 1982 PublisherMalton: Methuen |
58 | |||
|
Kieślowski, Krzysztof. Dekalog. PublisherNew York : Criterion Collection |
47 | |||
|
Badiou, Alain, et al. Democracy and Disappointment on the Politics of Resistance: Alain Badiou and Simon Critchley in Conversation. 2008 PublisherPhiladelphia : Slought Foundation |
46 | |||
|
Lefort, Claude. Democracy and Political Theory. 1988 PublisherMinneapolis : University of Minnesota Press |
45 | |||
|
Foster, Hal. Design and Crime and other diatribes. 2002 PublisherNew York: Verso |
54 | |||
|
Burgin, Victor. Desire 1984 PublisherLondon: ICA Documents |
55 | |||
|
Kristeva, Julia. Desire in Language A Semiotic Approach to Literature and Art. 1980 PublisherNew York: Columbia University Press |
59 | |||
|
McCorquodale, Duncan, et al. Desiring Practices: Architecture, Gender, and the Interdisciplinary 1996 PublisherLondon : Black Dog Publishing Limited |
65 | |||
|
Cabanne, Pierre. Dialogues with Marcel Duchamp. 1971 PublisherLondon : Thames and Hudson |
44 | |||
|
Cabanne, Pierre. Dialogues with Marcel Duchamp. 1987 PublisherBoston : Da Capo Press |
44 | |||
|
Roustang, Francois. Dire Mastery: discipleship from Freud to Lacan. 1976 PublisherBaltimore: Johns Hopkins University Press |
59 | |||
|
Mueller, Roswitha; Woodward, Kathleen, Tennessen, Carol, eds. Discourse 15.3. 1993 PublisherBloomington : Indiana University Press |
70 | |||
|
Foster, Hal, ed. Discussions in Contemporary Culture, Number 1 1987 PublisherNew York: Dia Art Foundation |
54 | |||
|
Fuller, Alexandra. Don't Let's Go to the Dogs Tonight: an African Childhood 2003 PublisherNew York : Random House |
47 | |||
|
Duchamp : exposición organizada por la Fundación Caja de Pensiones y la Fundació Joan Miró. 1984 PublisherMadrid : Fundación Caja de Pensiones |
50 | |||
|
Henderson, Linda Dalrymple. Duchamp in Context. 1998 PublisherPrinceton : Princeton University Press |
50 | |||
|
Lacan, Jacques. Ecrits: a selection 1977 PublisherNew York: WW Norton and Company |
57 | |||
|
Swallow, Norman. Eisenstein: a documentary portrait. 1977 PublisherNew York : Dutton |
49 | |||
|
Davidson, Cynthia C., ed. Eleven Authors in Search of a Building: The Aronoff Center for Design and Art at the University of Cincinnati. 1996 PublisherNew York : The Monacelli Press |
62 | |||
|
Barthes, Roland; trans. Richard Howard. Empire of Signs. 1982 PublisherNew York : Hill and Wang |
68 | |||
|
Irigaray, Luce. Et L'une ne bouge pas sans l'autre 1979 PublisherParis: Les Editions de Minuit |
57 | |||
|
Badiou, Alain. Ethics: an essay on the understanding of evil, trans. Peter Hallward 2002 PublisherNew York: Verso |
58 | |||
|
Lippard, Lucy. Eva Hesse. 1992 PublisherBoston : Da Capo Press |
66 | |||
|
Sussman, Elizabeth. Eva Hesse Sculpture 2006 PublisherNew York : Jewish Museum ; New Haven : Yale University Press |
49 | |||
|
Shearer, Linda, ed. Eva Hesse: A Memorial Exhibition. 1972 PublisherNew York : The Solomon R. Guggenheim Foundation |
66 | |||
|
Nixon, Mignon. Eva Hesse- October Files 2002 PublisherCambridge: MIT Press |
54 | |||
|
Bauer, Karin, ed. Everybody Talks About the Weather… We Don't: the writings of Ulrike Meinhof 2008 PublisherNew York: Seven Stories Press |
56 | |||
|
Deutsche, Rosalyn. Evictions: Art and Spatial Politics 1996 PublisherCambridge: MIT Press |
60 | |||
|
Hoy, Anne H., Fabrications: Staged, Altered and Appropriated Photographs 1987 PublisherNew York : Abbeville Press |
65 | |||
|
Coblyn, Michael E.; Richardson, Trevor, eds. Fantasies, Fable and Fabrications: Photo Works from the 1980s. 1989 PublisherAmherst : Herter Gallery, University of Massachusetts at Amherst |
62 | |||
|
Nixon, Mignon. Fantastic Reality: Louise Bourgeois and a Story of Modern Art 2005 PublisherCambridge: MIT Press |
54 | |||
|
Joselit, David. Feedback: Television against democracy. 2007 PublisherCambridge: MIT Press |
44 | |||
|
Rainer, Yvonne. Feelings are Facts 2006 PublisherCambridge: MIT Press |
55 | |||
|
Mitchell, Juliet and Jacqueline Rose. Feminine Sexuality: Jacques Lacan & the Ecole Freudienne 1982 PublisherNew York: Macmillan |
59 | |||
|
Kuhn, Annette and AnnMarie Wolpe. Feminism and Materialism women and modes of production 1978 PublisherLondon: Routledge Kegan Paul |
56 | |||
|
Linville, Susan E. Feminism, Film Fascism |
48 | |||
|
Butler, Judith and Joan W. Scott. Feminists Theorize the Political 1992 PublisherLondon: Routledge |
56 | |||
|
Herrmann, Matthias. F.H 2015 PublisherGraz : Grazer Kunstverein |
44 | |||
|
Althusser, Louis. For Marx [translated by Ben Brewster] 2002 PublisherNew York: Verso |
58 | |||
|
Bois, Yves Alain; Krauss, Rosalind. Formless: a user's guide 1997 PublisherZone Books |
54 | |||
|
Parker, Rozsika and Griselda Pollock. Framing Feminism: art and the Women's Movement, 1970-1985 1987 PublisherLondon: Pandora Press |
59 | |||
|
Shelley, Mary. Frankenstein 1994 PublisherGarden City: Dover Thrift Editions |
56 | |||
|
Shelley, Mary ; Guston, David, et al., eds. Frankenstein: Annotated for Scientists, Engineers, and Creators of All Kinds. 2017 PublisherCambridge : MIT Press |
71 | |||
|
Ferrante, Elena. Frantumaglia: a writer's journey. 2016 PublisherNew York : Europa Editions |
52 | |||
|
Schorr, Collier. Freeway Balconies. 2008 PublisherBerlin : Deutsche Guggenheim |
65 | |||
|
Moi, Toril. French Feminist Thought: a reader 1987 PublisherOxford: Basil Blackwell |
57 | |||
|
Mortley, Raou. French Philosophers in Conversation. 1991 PublisherOxfordshire : Routledge |
53 | |||
|
Said, Edward. Freud and the non-European. 2003 PublisherBrooklyn ; London : Verso |
53 | |||
|
Freud, Sigmund; Meisel, Perry, ed. Freud, A Collection of Critical Essays. 1981 PublisherNew Jersey : Prentice Hall |
45 | |||
|
Trujillo, Hilda. Frida Kahlo : her photos. 2017 PublisherMexico City : Editorial RM |
45 | |||
|
von Bismarck, Beatrice, et al., eds. Games, fights, collaborations: das Spiel von Grenze und Überschreitung: Kunst und Cultural Studies in den 90er Jahren. 1996 PublisherGermany : Kunstraum der Universität Lüneburg,1996. |
66 | |||
|
Wallach-Scott, Joan. Gender and the Politics of History. 1988 PublisherNew York: Columbia University Press |
59 | |||
|
Butler, Judith. Gender Trouble: feminism and the subversion of identity. 1990 PublisherLondon: Routledge |
59 | |||
|
Corn, Wanda. Georgia O'Keeffe Living Modern. 2017 PublisherNew York : Delmonico |
47 | |||
|
Rainbird, Sean; Severne, Judith, eds. Gerhard Richter. 1991 PublisherLondon : Tate Gallery Publications |
66 | |||
|
Buchloh, Benjamin H.D.; Germer, Stefan; Storck, Gerhard. Discussion with Gerhard Richter & Jan Thorn-Prikker: Gerhard Richter: 18. Oktober 1977. 1989 PublisherLondon : Institute of Contemporary Arts : Anthony D'Offay Gallery |
69 | |||
|
Buchloh, Benjamin H.D.. Gerhard Richter: Documenta IX, 1992. 1993 PublisherNew York : Marian Goodman Gallery |
69 | |||
|
Buchloh, Benjamin H.D. Gerhard Richter: March 1985. 1985 PublisherNew York : Marian Goodman Gallery |
69 | |||
|
Copjec, Joan and Michael Sorkin, editors. Giving Ground: the politics of Propinquity 1999 PublisherNew York: Verso |
60 | |||
|
Global Conceptualism: points of origin, 1950's-1980s 1999 PublisherNew York: Queens Museum of Art |
55 | |||
|
Morris, Catherine and Ingrid Schaffner. Gloria: an exhibition: Another look at Feminist Art of the 1970s. 2002 PublisherNew York: White Columns |
59 | |||
|
Kelly, Mary. Gloria Patri 1992 PublisherIthaca: Herbert F. Johnson Museum of Art, Cornell University |
55 | |||
|
Godard, Jean Luc. Godard: three film scripts. 1967 PublisherLondon : Lorrimer Publishing, |
51 | |||
|
MacCabe, Colin. Godard: images, sounds, politics. 1980 PublisherBloomington : Indiana University Press |
51 | |||
|
Enguita, Nuria, ed. Gordon Matta-Clark: A Retrospective (Spanish). 1993 PublisherSpain : IVAM Centre Julio González |
66 | |||
|
Ono, Yoko. Grapefruit. 1971 PublisherNew York : Simon and Schuster |
69 | |||
|
Voigt, Rolf. Hande: eine sammlung von handabbildungen grosser toter und lebender. 1929 PublisherGebruder Enoch Verlag |
59 | |||
|
Kristeva, Julia. Hannah Arendt. 2001 PublisherNew York : Columbia University Press |
53 | |||
|
Haacke, Hans, et al. Hans Haacke: unfinished business. 1986 PublisherCambridge : MIT Press |
65 | |||
|
Becker, Jürgen; Vostell, Wolf. Happenings. Fluxus. Pop Art. Nouveau Réalisme. Eine Dokumentation. 1965 PublisherHamburg : Rowohlt |
66 | |||
|
Thériault, Michèle, et al. Harun Farocki: one image doesn't take the place of the previous one. 2008 PublisherMontreal : Concordia University |
49 | |||
|
Deutsche, Rosalyn. Hiroshima After Iraq: Three Studies in Art and War. 2010 PublisherNew York : Columbia University Press |
61 | |||
|
Hiroshima Mon Amour, Alain Resnais. Booklet to accompany DVD. n.d. |
55 | |||
|
Duras, Marguerite. Hiroshima Mon Amour Text by Marguerite Duras for the film by Alain Resnais 1961 PublisherNew York: Grove Press |
55 | |||
|
Duras, Marguerite. Hiroshima Mon Amour and Une Aussi Longue Absence 1966 PublisherLondon: Calder and Boyars |
56 | |||
|
Truffaut, Francois. Hitchcock. 1966 PublisherNew York : Simon & Schuster |
48 | |||
|
Baker, Nicholson. Human Smoke. 2008 PublisherNew York : Simon & Schuster |
47 | |||
|
Bollas, Christopher. I have heard the mermaids singing. 2005 PublisherNew York : Bookchase |
48 | |||
|
James, Gareth and Zeyfang, Florian. I said I love. That is the promise. The video politics of Jean-luc Godard (Critical Readers in Visual Cultures #4). 2004 PublisherBerlin : B Books |
45 | |||
|
Appignanesi, Lisa, ed. Ideas from France: The Legacy of French Theory: ICA Documents 1985 PublisherICA |
55 | |||
|
Barthes, Roland; trans. Heath, Stephen. Image, music, text. 1977 PublisherNew York : Hill and Wang |
68 | |||
|
Bernheimer, Charles and Claire Kahane, eds. In Dora's Case: Freud-Hysteria-Feminism 1985 PublisherNew York: Columbia University Press |
59 | |||
|
Murch, Walter. In the blink of an eye: perspectives on film editing. 2001 PublisherLos Angeles : Silman James Press |
48 | |||
|
Zizek, Slavoj. Incontinence of the Void. 2017 PublisherCambridge : MIT Press |
46 | |||
|
Gutterman, Scott. Independent Study Program: 25 Years. 1993 PublisherNew York : Whitney Museum of American Art |
64, 65 | |||
|
Independent Study Program: 40 Years. 2008 PublisherNew York : Whitney Museum of American Art, |
64 | |||
|
Joselit, David. Infinite Regress: Marcel Duchamp 1910-1941. 1998 PublisherCambridge : MIT Press |
44 | |||
|
Houston Jones, David. Installation Art and the Practices of Archivalism. 2016 PublisherOxfordshire : Routledge |
61 | |||
|
Alberro, Alexander and Blake Stimson. Institutional Critique 2009 PublisherCambridge: MIT Press |
61 | |||
|
Insurrection, The Coming. The Invisible Committee (Intervention series). 2009 PublisherLos Angeles: Semiotext(e) |
68 | |||
|
Gallop, Jane. Intersections: a reading of Sade with Bataille, Blanchot and Klossowski> 1981 PublisherOmaha: University of Nebraska Press |
59 | |||
|
Gamboni, Aurélien, ed. Interventionismes CCC Newsletter, No. 9. 2011 PublisherGeneva : Geneva University of Art and Design |
62 | |||
|
Ohnemus, Melanie and Wokurka, Dario, Interview mit Melanie Ohnemus von Dario Wokurka. 2022 PublisherSwitzerland : Kunsthaus Glarus |
71 | |||
|
Iles, Chrissie. Into the Light: the projected image in American art 1964-1977 2001 PublisherNew York: Whitney Museum of American Art |
60 | |||
|
Freud, Sigmund. Introductory Lectures on Psychoanalysis. 1977 PublisherNew York : Norton Library |
45 | |||
|
Shabtai, Aharon. J'Accuse. 2003 PublisherNew York : New Directions |
53 | |||
|
Lemaire, Anika. Jacques Lacan. 1970 PublisherLondon: Routledge Kegan Paul |
59 | |||
|
Roudinesco, Elisabeth. Jacques Lacan & Co. a history of psychoanalysis in France 1925-1985 1990 PublisherChicago: University of Chicago Press |
57 | |||
|
Michael Govan, et al., James Coleman: Projected Images: 1972-1994. 1995 PublisherNew York : Dia Center for the Arts |
69 | |||
|
Irigaray, Luce. Je, Tu, Nous: toward a culture of difference 1993 PublisherLondon: Routledge |
57 | |||
|
Mussman, Toby. Jean-Luc Godard. 1968 PublisherNew York : Dutton |
52 | |||
|
Sterritt, David. Jean-Luc Godard Interviews. 1998 PublisherJackson : University Press of Mississippi |
44 | |||
|
Fendt, Ted. Jean-Marie Straub & Daniel Huillet. 2016 PublisherAustria : Österreichisches Filmmuseum; SYNEMA |
47 | |||
|
Khan, Douglas. John Heartfield: Art and Mass Media. 1985 PublisherNew York City : Tanam Press |
44 | |||
|
Freud, Sigmund. Jokes and their relation to the Unconscious. 1960 PublisherNew York : Norton Library |
45 | |||
|
Stock, Danusia. Kieslowski on Kieślowski. 1993 PublisherLondon : Faber and Faber |
50 | |||
|
Georgen, Therese and M. Schmitz, Norbert, eds. Kleider in bewegung- mode im film. 2013 PublisherGermany : Muthesius Kunsthochschule Kiele ; Verlag für Moderne Kunst |
63 | |||
|
Viannay, Clotilde, ed. L'Adolescence en Revue No. 3: L'Incroyable Nicole Eisenman. 2019 PublisherParis : L'association L'incroyable |
67 | |||
|
Leonardi, Nicoletta, et al. L'altra metà dello sguardo : il contributo delle donne alla storia della fotografia. 2001 PublisherItaly : Agorà Editrice, 2001 |
67 | |||
|
Barthes, Roland; ed. Albert Skira. L'empire des signes: Les sentiers de la création. 2001 PublisherGeneve : Editions d'Art Albert Skira |
70 | |||
|
Marker, Chris. La Jetee. 1992 PublisherBrooklyn : Zone Books ; Cambridge : MIT Press |
45 | |||
|
Coward, Rosalind and John Ellis. Language and Materialism. 1977 PublisherLondon: Routledge Kegan Paul |
59 | |||
|
Amit Mukhopadhyay, ed. Lalit Kala Contemporary, 54. 1979 PublisherLondon : Arts Council of Great Britain |
64 | |||
|
l'art conceptuel, une perspective 1989 PublisherParis: Musée d'Art de la Ville |
61 | |||
|
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Kelly, Mary. Mary Kelly 1997 PublisherLondon: Phaidon |
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Mit dem Fahrrad Zur Milchstrasse - with the bicycle to the Milky way, Sammlung Hoffman 2009 PublisherCologne: Walther Koenig |
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Freud, Sigmund. Moses and Monotheism. 1939 PublisherNew York : Vintage Books |
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Rose, Jacqueline. Mothers : an essay on love and cruelty. 2018 PublisherLondon : Faber and Faber |
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Liebert, Emily, et al. Multiple Occupancy: Eleanor Antin's "Selves" 2013 PublisherNew York : Wallach Art Gallery ; Columbia University |
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Mayakovsky, Vladimir. My Discovery of America. 2005 PublisherLondon : Hesperus Press |
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54 | |||
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Watt, Judith. Ossie Clark 1965-1974. 2003 PublisherLondon : V&A publications |
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Marcoci, Roxana. Our Selves: Photography by Women Artists from Helen Kornblum. New York : The Museum of Modern Art, 2002 2002 PublisherNew York : The Museum of Modern Art |
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Rose, Jacqueline. Proust Among Nations. 2008 PublisherChicago : Chicago University Press |
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Mitchell, Juliet. Siblings: Sex and Violence. 2008 PublisherCambridge: Polity |
53 | |||
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Silvia Kolbowski: XI Projects. 1992 PublisherNew York: Border Editions |
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Sustain / Ability: XXI Triennale di Milano Greece n.d. |
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Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. 1992 PublisherCambridge: The MIT Press |
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Morris, Sarah. The Charade of Mastery: Deciphering Modernism in Contemporary Art. 1990 PublisherNew York, NY: Whitney Museum of American Art, |
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Buskirk, Martha; Nixon, Mignon. The Duchamp Effect Essays, Interviews, Round Table. 1996 PublisherCambridge: MIT Press |
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Rose, Jacqueline. The Haunting of Sylvia Plath 1991 PublisherCambridge: Harvard University Press |
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Rose, Jacqueline. The Last Resistance 2007 PublisherNew York: Verso |
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The Legend of Maya Deren Volume 1 Part One. 1984 PublisherNew York: Anthology Film Archives |
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Spivak, Gayatri Chakravorty; Harasym, Sarah, ed. The Post-Colonial Critic: Interviews, Strategies, Dialogues. 1990 PublisherLondon: Routledge |
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Muller, John P. The Purloined Poe : Lacan, Derrida & psychoanalytic reading. 1988 PublisherBaltimore: Johns Hopkins |
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Luxemburg, Rosa. The Russian Revolution and Leninism or Marxism. 1967 PublisherAnn Arbor: University of Michigan Press |
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Lacan, Jacques. The Seminars of Jacques Lacan - Book I 1991 PublisherNew York: WW Norton and Company |
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Lacan, Jacques. The Seminars of Jacques Lacan - Book II 1991 PublisherNew York: WW Norton and Company |
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Irigaray, Luce; trans. Gillian C. Gill. The Speculum of the Other Woman. 1985 PublisherIthaca: Cornell University Press |
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Kolbowski, Silvia. The United States of America: The Metropolitan Museum of Art, 1987, Enlarged from the Catalogue. 1988 PublisherNew York: Silvia Kolbowski and Postmasters Gallery |
62, 64 | |||
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The Veritable Split in the International: public circular of the Situationist International 1972 PublisherHarpo Press |
60 | |||
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The Viewer as Voyeur. 1987 PublisherNew York: Whitney Museum of American Art at Philip Morris |
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Abraham, Nikolas; Török, Maria. The Wolf Man's Magic Word: A Cryptonymy. 1986 PublisherMinneapolis, MN: The University of Minnesota Press |
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Stutzle, Ingo; Kaufmann; Stefan. Thomas Piketty's Capital in the Twenty-First Century: An Introduction. 2017 PublisherUK & Brooklyn, NY: Verso, London |
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45 | |||
|
Freud, Sigmund. Totem and Taboo. 1950 PublisherNew York: Norton Library |
52 | |||
|
Levi Strauss, Claude; trans. Rodney Needham. Totemism 1967 PublisherBoston: Beacon Press |
58 | |||
|
Reed, Toure F. Toward Freedom: The Case Against Race Reductionism. 2020 PublisherLondon: Verso |
71 | |||
|
Zizek, Slavoj. Trouble in Paradise 2014 PublisherNew York: Melville House |
55 | |||
|
Lawler, Louise; Molesworth, Helen. Twice Untitled and Other Pictures (looking back). 2006 PublisherWexner Center for the Arts, Ohio State University, Columbus, Ohio. Cambridge: MIT Press |
66 | |||
|
Caruth, Cathy. Unclaimed Experience: trauma, narrative and history 1996 PublisherBaltimore: Johns Hopkins |
56 | |||
|
Biesenbach, Klaus (ed.) Video Acts: Single Channel Works from the Collection of Pamela and Richard Kramlich and New Art Trust. 2002 PublisherNew York: P.S.1 Contemporary Art Center, Long Island City |
66 | |||
|
Foster, Hal, ed. Vision and Visuality, No. 2 1988 PublisherNew York: Dia Art Foundation |
54 | |||
|
Agee, Gabriele; Evertz, William C. Visual Sensations: The Paintings of Robert Swain: 1967-2010. 2010 PublisherNew York, NY: Hunter College of the City University of New York |
66 | |||
|
Vito Hannibal Acconci Studio. 2004 PublisherBarcelona: Museu d'Art Contemporani de Barcelona |
69 | |||
|
Cixous, Helene, Vivre L'Orange. 1979 Publisherdes femmes |
57 | |||
|
Gary, Smith, ed. Walter Benjamin Moscow Diary. 1986 PublisherCambridge, MA: Harvard University Press |
46 | |||
|
Terry, Eagleton. Walter Benjamin or towards a revolutionary criticism. 1981 PublisherLondon and New York: Verso |
53 | |||
|
Benjamin, Walter. Walter Benjamin selected writings volume 1, 1913-1926. 2002 PublisherCambridge, MA: Harvard University Press |
46 | |||
|
Benjamin, Walter. Walter Benjamin Selected Writings Volumes 2-4. 2002 PublisherCambridge, MA: Harvard University Press |
53 | |||
|
Raad, Walid. We can make rain but no one came to ask: documents from the Atlas Group Archive 2006 PublisherNew York: Gallery Leonard & Bina Ellen Art Gallery |
60 | |||
|
Grace, Helen, ed. West: An interdisciplinary journal published by the School of Visual and Performing Arts, University of Western Sydney, Nepean. 1989 PublisherNepean: University of Western Sydney |
67 | |||
|
Whitney Biennial 2000. 2000 PublisherNew York, NY: Whitney Museum of American Art |
65 | |||
|
Rose, Jacqueline. Why War?: Psychoanalysis, Politics, and the Return to Melanie Klein. 1993 PublisherNew York: Bloomsbury |
58 | |||
|
Rose, Jacqueline. Why War?: Psychoanalysis, Politics, and the Return to Melanie Klein. 1993 PublisherMalden, MA: Blackwell Publishing |
71 | |||
|
Minh-ha, Trinh T. Woman, Native, Other. 1989 PublisherBloomington, IN: Indiana University Press |
58 | |||
|
Mitchell, Juliet. Woman's Estate 1973 PublisherNew York: Vintage |
57 | |||
|
Nochlin, Linda; Ann Sutherland Harris. Women Artists 1550-1950. 1976 PublisherNew York: Knopf |
66 | |||
|
Armstrong, Carol and Catherine de Zegher. Women Artists at the Millenium 2006 PublisherCambridge: MIT Press |
56 | |||
|
Rose, Jacqueline. Women in Dark Times 2015 PublisherNew York: Bloomsbury |
58 | |||
|
Burgin, Victor. Work and Commentary. 1973 PublisherLondon: Latimer New Dimensions |
53 | |||
|
Derrida, Jacques. Writing and Difference. 1981 PublisherLondon: Routledge & Kegan Paul |
68 | |||
|
Derrida, Jacques; trans. Alan Bass. Writing and Difference 1978 PublisherChicago: University of Chicago |
58 | |||
|
Clifford and Marcus, eds. Writing Culture: the poetics and politics of ethnography 1986 PublisherOakland: University of California Press |
58 | |||
|
Straub, Jean-Marie; Huillet Danièle. Writings. 2016 PublisherNew York: Sequence Press |
47 | |||
|
Xul Solar and Jorge Luis Borges The Art of Friendship 2013 PublisherNew York: Americas Society Art Gallery |
55 | |||
|
Morris, Frances, ed. Yayoi Kusama. 2012 PublisherLondon: Tate Publishing |
69 | |||
|
Hendricks, Jon; Munroe, Alexandra. Yes Yoko Ono. 2000 PublisherNew York: Japan Society and Harry Abrams |
51 | |||
|
Fusco, Coco. Young British and Black: The Work of Sankofa and Black Audio Film Collective. 1988 PublisherBuffalo: Hallwalls |
51 | |||
|
Stich, Sidra. Yves Klein. 1994 PublisherBerlin: Hatje Cantz |
50 | |||
|
Yvonne Rainer, Work 1961-1973 1974 PublisherHalifax: Press of the Nova Scotia College of Art and Design; NYU |
55 | |||
Subseries XI.B: Periodicals from Essential LibraryScope and ContentsThe XI.B: Periodicals from Essential Library subseries contains magazines, periodicals and journals from the Essential Library. |
||||
| box | ||||
|
Acme Journal, Vol. 1, No. 2. 1992 |
61 | |||
|
Afterimage, Vol. 14, No. 1 1986 |
62 | |||
|
Art in America, Vol. 71, No. 6 1983 |
62 | |||
|
Art in America, No. 2 1990-02 |
62 | |||
|
Art in America, No. 12 1999-12 |
62 | |||
|
Art in America, No. 11 2020 |
62 | |||
|
Art Journal, Vol. 60, No. 2 2001 |
67 | |||
|
Art Journal, Vol. 66, No. 3 2007 |
67 | |||
|
Art Journal, Vol. 70, No. 1 2011 |
67 | |||
|
Art Journal, Vol. 71, No. 2 2012 |
67 | |||
|
Art US 2005-05-2005-06 |
67 | |||
|
Artforum, Vol. XXIII, No. 9 1985-05 |
62 | |||
|
Artforum, Vol. XXVII, No. 6 1989-04 |
62 | |||
|
Artforum, Vol. XXVII, no. 8 1989 |
67 | |||
|
Artforum, Vol. XLII, no. 6 2004 |
67 | |||
|
Artforum, Vol. XLVII, no. 5 2009 |
67 | |||
|
Artforum, Vol. XLII, No. 6 2020 |
67 | |||
|
Artforum, Vol. XLIII, No. 4 2023 |
62 | |||
|
Arts Magazine, Vol. 59, No.10 1985 |
62 | |||
|
Arts Magazine, Vol. 64, No. 5 1990 |
67 | |||
|
arts US, Issue 8 2005 |
67 | |||
|
Assemblage: A Critical Journal of Architecture and Design Culture, No. 24 1994 |
64 | |||
|
Assemblage: A Critical Journal of Architecture and Design Culture, No. 41 2001 |
64 | |||
|
The Campaigner, "Rosa Luxemburg: Anti-Kritik" 1971 |
55 | |||
|
Discourse: Journal for theoretical studies in Media and Culture: The Inappropriated Other 1986-1987 |
58 | |||
|
Documents magazine;issues 1,2, 8, 9, 10, 11, 12, 15, 16, 17, 18, 20, 21, 22, 23 |
60 | |||
|
Documents, No. 3 1993 |
67 | |||
|
Documents, No. 4 1999 |
67 | |||
|
Effects, No. 1 2018 |
44 | |||
|
Espace Sculpture, No. 99 2012 |
67 | |||
|
Fields: Studio '95 '96, The Berlage Cahiers, No. 5 1997 |
63 | |||
|
File: The Journal of the New Art Market, No. 28 1987 |
61, 63 | |||
|
Fillip, Vol. 2, No. 1 2006 |
62 | |||
|
Fillip, No.2 2006 |
57 | |||
|
Fillip, No.3 2006 |
57 | |||
|
Fillip, No. 11 2010 |
63 | |||
|
Flash Art, no. 143 1988 |
62 | |||
|
Flash Art, Vol. XXX, no. 195 1995 |
62 | |||
|
Flash Art, Vol. XXXI, no. 198 1995 |
62 | |||
|
Flash Art, Vol. XXVIII, no. 185 1995 |
67 | |||
|
Flash Art, Vol. XXX, no. 194 1997 |
67 | |||
|
Frieze, Issue 119 2008 |
67 | |||
|
Heresies: Women's Traditional Arts, The Politics of Aesthetics, No. 4 1978 |
67 | |||
|
Impulse, Vol. 12, No. 1 1985 |
62 | |||
|
Impulse, Vol. 16, No. 1 1990 |
67 | |||
|
Journal: A Contemporary Art Magazine. Los Angeles Institute of Contemporary Art 1986 |
62 | |||
|
Just Another Asshole, No.7 1987 |
61 | |||
|
New Observations: From the Pandemonium of the Studio to the Order of the Showroom: the Dangers of Tourism, Issue 63 1988-12 |
67 | |||
|
Newsline, Volume 7, No. 5 1995 |
67 | |||
|
NY Arts, Issue 28 1999-01 |
67 | |||
|
October, Issue 83 1998 |
67 | |||
|
October, Issue 123 2008 |
64 | |||
|
October, Issue 166 2018 |
52 | |||
|
October, Issue 167 2019 |
52 | |||
|
October, Issue 168 2019 |
52 | |||
|
October, Issue 169 2019 |
52 | |||
|
October Files 15: Robert Morris 2013 |
61 | |||
|
Oculus, Volume 61, Number 6 1999-02 |
67 | |||
|
Otra Parte, No. 9 2006 |
67 | |||
|
Parachute Contemporary Art, No. 32 1983 |
67 | |||
|
Process: The Berlage Cahiers, No. 7 2000 |
63 | |||
|
Provence Magazine 2012 |
67 | |||
|
Scapes 4 2005 |
67 | |||
|
Scapes 5 2006 |
67 | |||
|
Scapes 6 2006 |
67 | |||
|
Screen Reader, No. 1 1977 |
49 | |||
|
Time Out New York, Issue 92 1997 |
62 | |||
|
WEDGE, No. 1 1982 |
66 | |||
|
WEDGE, No. 2 1982 |
66 | |||
|
WEDGE, No. 6 1984 |
67 | |||
|
WEDGE, No. 7/8 1985 |
67 | |||
|
Zarez 1999 |
62 | |||
|
Zitty, No. 2 1993 |
62 | |||
Oversize Series I: Project and Exhibition Documentation |
||||
Oversize Subseries I.A: Alphabetical Projects |
||||
| oversize | ||||
|
Large poster, for exhibition, "3 Times 3 Weeks," Galerie Roger Pailhas, Paris, Silvia Kolbowski; Peter Fend; Rainer Ganahl (Rolled) 1992 |
Rolled | |||
|
Six large posters, for exhibition "An Inadequate History of Contemporary Art," Centre for Contemporary Art Ujazdowski Castle, Warsaw (Rolled) n.d. |
Rolled | |||
| box | folder | |||
|
"An inadequate history of contemporary art," exhibition posters, Western Front 2002 |
72 | 645 | ||
|
Exhibition posters, "Discontinuous Spaces Cont'd," with Smith-Miller + Hawkinson Architects, Princeton University School of Architecture 1993 |
72 | 646 | ||
|
"Asher originals" [handwritten correspondence from Michael Asher to Silvia Kolbowski, photographs, research material] 1990-1994 n.d. |
72 | 647 | ||
|
"Asher originals" [layout for brochure catalogue, "Enlarged from the Catalogue: Michael Asher"] n.d. |
72 | 648 | ||
|
"Enlarged Precolumbian window type neg." [Includes negative for "Enlarge from the Catalogue: Pre-Columbian Gold" exhibition display] 1989 n.d. |
72 | 649A | ||
|
Misc. Material: Enlarged USA [includes research and planning documents, design material, photographs, for exhibition, "Enlarged from the Catalogue: The United States of America," Postmasters Gallery, 1990] 1989-1990 n.d. |
72 | 649B | ||
|
Posters, "Feminism and Postmodernism" n.d. |
72 | 650 | ||
| oversize | ||||
|
Six posters for exhibition, "inadequate...Like...Power," Secession, Vienna (Rolled, in two tubes) 2004 |
Rolled | |||
| box | folder | |||
|
Posters, "Like the difference between Autumn/Winter '94/'95 and Spring/Summer '95" 1995 |
73 | 651 | ||
|
Posters, ""Like the difference between Autumn/Winter '94/'95 and Spring/Summer '95," includes mockups for alternate poster 1995 n.d. |
73 | 652 | ||
|
"Like the difference between Autumn/Winter '94/'95 and Spring/Summer '95," images and layout n.d. |
73 | 653 | ||
|
"Review" portfolio 1989 |
73 | 654 | ||
|
"Review" portfolio cover [yellow plastic] 1989 |
73 | 655 | ||
|
"Review" portfolio cover [black board] 1989 |
73 | 656 | ||
|
"Perfume Original" [layout for "The acquisition of art is itself an art"] 1985 n.d. |
73 | 657 | ||
Oversize Subseries I.D: Visual documentation of artworks, projects and exhibitions, alphabetical |
||||
| box | folder | |||
|
"After Hiroshima Mon Amour," photographs, 11x14" n.d. |
74 | 658 | ||
|
"Harry Winston" [print with mat and glass, "an example of recent work may be found in the windows of Harry Winston Inc., from approximately 5:17 to 5:34 pm"] |
74 | 659 | ||
Oversize Subseries I.E: Visual documentation of early work, miscellaneous photography |
||||
| box | folder | |||
|
SK 1970's photo experiments [Contact sheet, negatives, 4x6" print, 8.5 x 11" print] |
74 | 660 | ||
Oversize Series V.I: Graphic Design |
||||
| box | folder | |||
|
Poster, "Assemblage" journal 1994 n.d. |
74 | 661 | ||
|
Poster, Princeton University School of Architecture, Fall 1998 Lecture Series 1998 |
74 | 662 | ||
|
Poster, Princeton University School of Architecture, Spring 1999 Lecture Series 1999 |
74 | 663 | ||
|
Poster, "(De)Facing the Flick Collection: Should Art Replace Political Reparations for Nazi War Crimes?" 2005 |
74 | 664 | ||
|
Poster, "hearings," Akademie der Bildenden Künste Wien, Vienna 2009 |
74 | 665 | ||
|
Poster, "derasure" n.d. |
74 | 666 | ||
Oversize Series XI: Essential Library |
||||
Oversize Suberies XI.A Publications from Essential Library |
||||
| box | ||||
|
Frontier: re-assessment of post-globalisational politics. 2017 PublisherShanghai : OCAT Shanghai |
77 | |||
|
Luna, Ian, ed. Maison Martin Margiela. 2009 PublisherNew York : Rizzoli |
76 | |||
|
Duchamp, Marcel. Manual of Instructions: Etant Donnes. 1987 PublisherPhiladelphia : Philadelphia Museum of Art |
76 | |||
|
Costa, Xavier and de Solà Morales, Ignasi, eds. Present and Futures, Architectures in Cities. n.d. PublisherBarcelona : Centre de Cultura Contemporània de Barcelona; Catalunya : Collegi d'Architectes de Catalunya |
77 | |||
|
Rorschach, Hermann. Psychodiagnostics Tables. n.d. PublisherGrune & Stratton, Inc. Medical Publishers |
77 | |||
|
Dietrichsen, Diedrich; Francke, Anselm, eds. The Whole Earth Catalog: California and the Disappearance of the Outside. 2013 PublisherBerlin: Haus der Kulturen der Welt, Sternberg Press |
76 | |||
Oversize Subseries XI.B: Periodicals from Essential Library |
||||
| box | ||||
|
ANY, No 16: Whiteness (2 copies) 1996 |
75 | |||
|
El Croquis, Peter Eisenman, 1990-1997 1997 |
75 | |||
|
Faces: Journal D'Architectures, No. 39 1996 |
75 | |||
|
Metropolis: Multiculturalism 1994-10 |
75 | |||
|
Scapes 1 2002 |
75 | |||
|
Scapes 2 2003 |
75 | |||
|
Scapes 3 2004 |
67 | |||
|
The Brooklyn Rail 2011-10 |
75 | |||
|
ANY, No. 15: Memory, Inc. 1996 |
75 | |||